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| | #451 | |
| Gear addict | Quote:
I'll make sure to tell Frontier Ruckus you're buying their music They booked out the entire month at the studio I'm working at. | |
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| | #452 | ||||
| Lives for gear Joined: Mar 2009 Location: unincorporated marin county
Posts: 1,817
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I think 500 dollars would be much more reasonable. | ||||
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| | #453 |
| Gear Guru | if that happens - and it might - it sets precedent for massive claims and collections via ISP enforcement. I can see a cottage industry set up to settle - like parking tickets, automated red lights and bill collectors - bring it on.
__________________ ... My band has a million unpaid downloads and all I got is this lousy T-shirt... |
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| | #454 |
| Lives for gear Joined: Mar 2009 Location: unincorporated marin county
Posts: 1,817
| I'd much rather see that than wholly unreasonable penalties for a select few. I think if your hope of a world where lots of people can get busted for downloading comes true they'll have to adjust the penalties downward.
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| | #455 |
| Gear Guru | something we agree upon - I have a feeling the laws are changing - we'll just see how they fall...
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| | #456 | |
| Gear Guru | Quote:
Like I've always said - a good enough solution is all that is needed. | |
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| | #457 |
| Gear addict Joined: Jul 2003 Location: new york
Posts: 361
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There have been a bunch of " I feel " posts ... lets see what is said legally about downloading music from unlicensed websites. NET Act - Wikipedia, the free encyclopedia Seems pretty clear here how serious copyright infringement is from a legal standpoint. US CODE: Title 17,504. Remedies for infringement: Damages and profits In the United States, statutory damages are set out in Title 17, Section 504 of the U.S. Code. The basic level of damages is between $750 and $30,000 per work, at the discretion of the court. Plaintiffs who can show willful infringement may be entitled to damages up to $150,000 per work. Defendants who can show that they were "not aware and had no reason to believe" they were infringing copyright may have the damages reduced to $200 per work.
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| | #458 |
| Lives for gear Joined: Jun 2009 Location: Phoenix, AZ
Posts: 1,243
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LMFAO....the thread title is an ultimate hate parade in the wrong place, at the right time.
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| | #459 | ||
| Gear addict Joined: Jul 2003 Location: new york
Posts: 361
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RIAA v. Tenenbaum - Wikipedia, the free encyclopedia On 31 July 2009, the jury awarded $675,000 to the music companies, taking a middle option between the minimum ($22,500 total) and the maximum ($4.5 million). Tenenbaum's lawyer Charles Nesson plans to appeal; if the verdict stands, Tenenbaum plans to file for bankruptcy. Legally speaking it seems like the verdict was correct in the fine levied . | ||
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| | #460 | ||
| Lives for gear Joined: Mar 2009 Location: unincorporated marin county
Posts: 1,817
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I have a hard time believing that most people think a 675K fine for downloading 31 songs is reasonable. | ||
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| | #461 |
| Gear Guru | |
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| | #462 | |
| Gear Guru | Quote:
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| | #463 |
| Gear maniac Joined: Apr 2006
Posts: 229
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Some day I hope to get into Heaven and there aint no thieves in Heaven.
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| | #464 | |
| Gear addict Joined: Jul 2003 Location: new york
Posts: 361
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I think it is great that you pointed out the difference. Honestly till you had mentioned it I had not bothered to check the specific legality of what crime the defendants were being charged. Whether you or I think the fine is reasonable or not is not pertinent though. it is what the law says regarding the matter .. Which I was shocked once I saw how serious of a crime it is from a legal standpoint. | |
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| | #465 |
| Lives for gear Joined: Nov 2005
Posts: 803
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I read somewhere that music should be for free because it is art I do not agree it does take work i buy music i still buy records love to do with i want to show the artist that i support there music and that means buying it |
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| | #466 | |
| Gear Guru |
I'm just being pragmatic - for things to change in a meaningful way there will be compromise - it's how the system works. As this is a political issue, it will be met with the politics of compromise. I think if ISP policing (or something else with the same net result) is going to fly everyone is going to need to get something out of it. I think the biggest effective change will be to reclassify personal illegal unauthorized duplication and distribution of copyrighted works from infringement to theft - and with it substantially lower fines, penalties, etc. However the upshot will be a lack of ambiguity over the law and the breaking of it, this with the ability to collect fees/fines for breaking the law built into Terms Of Service agreements - no courts, just collections. BAM! right on your monthly bill. Done. After three fines - you loose your internet for 30 days. Three more times, 60 days. Three more times, 90 days. Just like traffic laws. Internet access is a privilege, not a right - just like driving. Cars are a technology, just like the internet. How both are used is regulated with laws. The ISPs will share in the collection revenues as will the RIAA and various other trade groups. This would rather quickly and effectively do two things 1) stop people from stealing music both downloading & uploading, and 2) generate a lot of revenue to enforce the new laws swiftly and effectively. Depending on how the law is written local governments may also be able to participate in a percentage the revenue. And for those who think this draconian, they can go back underground and off the grid - with the rest of the criminals trying to beat the system. Quote:
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| | #467 |
| Gear addict Joined: Jul 2003 Location: new york
Posts: 361
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Brilliant ideas redvelvetstudios If you ever run for political office in NYC I would vote for you !!! ... |
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| | #468 |
| Gear maniac Joined: Apr 2006
Posts: 229
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I've long felt the isp's have the power to stop pirating but have lacked the financial incentive to do so. I think there should be a consortium of industries who rely on income from copyrighted materials such as the RIAA, MPAA, and the software industry. This consortium should make a profit sharing deal with the isp's to meter and charge for downloads. If the isp's were shown the billions to made by this alliance perhaps they would be more inclined to not let piracy go unchecked. Itemize all the torrents and p2p downloads and uploads on the monthly bill. 99 cents per song, $7 per movie, and what ever the going rate for games and software. If people don't want to pay thousands a month for individually metered downloads they could opt for a subscription service on top of the normal isp rate for those who don't want to pay per download. Like a silver for music downloads. Gold for music and movies. Platinum for music, movies and software. Rather than spending millions in legal fees to track and prosecute copyright infringer's. Use the money instead to create this mutually beneficial alliance. Right now it's the attorney's who are benefitting the most from the current state of affairs. Comcast would be prime for this since they just bought NBC and are going to see how much of their own copyrighted material they are letting slip by. Last edited by Crandak; 20th January 2010 at 09:01 AM.. Reason: mis spell |
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| | #469 | |
| Gear addict Joined: Feb 2008 Location: Kuala Lumpur
Posts: 378
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| | #470 | |
| Gear maniac Joined: Apr 2006
Posts: 229
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They claim this machine will detect the file by it's hashmarks no matter what the file is named, and that it has a proprietary way of circumventing encryption without actually looking at the contents of the file. My understanding is that under the 4th ammendment the government can't look at the contents without a warrant because it's tantamount to an illegal wiretap but the courts have upheld the ISP's right to look at the contents of their traffic. There are enormous 1st ammendment issues that would have to be dealt with in the U.S. let alone all the laws that govern this issue internationally. With that said, this shouldn't, as I see it affect the average person who uses the internet for email and ebay. Just the ones who are downloading and uploading files. The software would have to be modified somewhat to use a selection structure that first looks at whether there is an ISRC code in the file. If there is let it pass, if not then it checks against a database of hashmarks supplied by the RIAA, MPAA, and software industries, and the downloader is presented with a screen that basically say's it will be 99 cents, for instance, (if an mp3) to continue with this download, or if you prefer you can sign up for our silver, gold, or platinum file downloading packages. The Recording industry, motion picture industry, and the software industry would have to share the cost of implenting this technology with the isp's, and the isp's would have to share the generated revenues with content media industries. If you are an artist who wants your music shared freely then you wouldn't submit it to this database, and if the software doesn't detect the ISRC code, or the hashmarks it let's it pass... unless of course it's child pornography then you're busted. The ISRC code is for legitimate purchases, the hashmarks are for the copyright holders who don't want their copyrights infringed upon, and anything else gets through, and p2p is used for legitimate file sharing like it's supposed to be. I am no attorney and I'm sure the legal ramifications are signigicant. If illegal file sharers persist and find ways to circumvent this which I'm sure they'll do everything they can then it's time for the infringement suits and the 3 strikes rule. | |
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| | #471 |
| Lives for gear Joined: Jan 2008 Location: Midwest
Posts: 4,580
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This is a very long thread, I've browsed it a bit, but forgive me if this has been mentioned. Let me start off by saying, that I'm in my mid thirties, and own an extensive amount of music. I worked in a record store for years to support my addiction. It allowed me to accumulate 1000's of cd's... most of which are gone now that they've all been uploaded to hard drive. Within the last 10 years or so, I've started collecting LP's. Many of these were "re-buys" of music I already had, but wanted it on the "new" format. Needless to say, I have invested many thousands of dollars to the music industry. You're welcome. Within the last few years, I have on a few occasions, swapped a hard drive with a friend. I frowned upon this practice for a long time, but given my history of spending, I rationalized it. Big mistake. Not that I don't like getting new music, but I don't APPRECIATE it... at all. There's simply too much to take in. I used to take pride in my hoarding. Not just on quantity, but quality as well. I could call up I-tunes, hit shuffle, and know that something good was going to come out. Now... who knows what crap one of my friends gave me. Sorry for the history, but now to my point. I believe that there should be a royalty tax charged to the sale of ALL blank media. CDR's, blank DVD's, hard drives,...all of it. This tax would go into a pool to be split by the publishing companies, and distributed to artists based on percentage of actual sales. Of course, some people will be paying a royalty tax on media that isn't intended for copying copy-writed material, but perhaps this loop-hole will make up for the discrepancy artists have been hit with since the tape recorder. Give tax breaks to businesses that require the storage of large amounts of information...banks, etc. Like they need it, but, fair is fair. So you go in to buy a 300gb hard drive. It's now going to cost you an extra, say, $50. These things are already incredibly affordable. If you need that kind of space, chances are, you are putting art on it. If it's your own art, you shouldn't be upset about seeing to it that another artist will get paid. If you're stealing art...well... no you're not. Not anymore. My 2 cents.
__________________ phantom power doesn't make your voice sound spooky |
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| | #472 | |
| Lives for gear Joined: Jan 2008 Location: Midwest
Posts: 4,580
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| | #473 |
| Gear addict Joined: Jul 2003 Location: new york
Posts: 361
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one thing that is working against our industry is the strange idea that downloading unlicensed music for free has somehow become a "right". When piracy is challenged the people supporting the reduction of it are vilified. The general population has "bought" the idea that the artists are not adversely affected. That is simply not true and the more true information made available the better. I for one believe the general population wants to do the right thing , and those who want to break the law intentionally should be subject to the due penalty. |
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| | #474 |
| 3 + infractions, forum membership suspended. Joined: Apr 2005
Posts: 1,096
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well it's good that Heidi Montag has a real reason why she aint selling much - downloading obviously!
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| | #475 | |
| Gear Guru | Quote:
Verizon Ends Service of Alleged Illegal Downloaders - Verizon - Gizmodo | |
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| | #476 | |
| Gear Guru Joined: Jul 2006 Location: So Cal
Posts: 11,509
| Quote:
![]() ![]() Did they tell you you weren't talented enough? Or that you didn't have the "look". Or are you just a hater?
__________________ Mindseye http://www.mindseyeprod.com IMDB Composer - Orchestrator Scoring & Mix Engineer - Music Editor | |
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| | #477 | |
| Lives for gear Joined: Apr 2009 Location: North of Mexico, South of Canada
Posts: 1,380
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Don't you just love people who don't have a clue how things work, have the loudest voices? The "Record Industry" is made up of individuals. The VAST majority (then and especially now) are hard working people, just struggling to stay afloat and pay the bills. Sure it's easy to point to the 10 acts that made obscene money, and think that's how "The Industry" goes... Get a clue. | |
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| | #478 | |
| Lives for gear Joined: Jan 2008 Location: Midwest
Posts: 4,580
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These are interesting times. I have some friends, used to be on Polyvinyl records. Put out a few records with them, and did ok. When they were dropped, they started their own record label, and are selling the new record themselves. Doing well I might add. This would never be possible without the internet. Did they benefit from three years of MINIMAL press support from a record label, lending them a fan base to make their venture possible...of course. But it's nothing that couldn't have been done through, Myspace, lastfm, etc... with a little free time and some cash. Hopefully the downfall of major labels will mean the downfall of all the middle of the road nickel crap we have to suffer through. You like blues? Check out the new Fat Possum roster. Punk? Try Dischord. Hopefully gone are the days of record labels that try to release everything; in doing so, they have released nothing worth while. P.S. Audio, I like your handle. | |
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| | #479 | |
| Gear Guru Joined: Jul 2006 Location: So Cal
Posts: 11,509
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Control? LOL You give them a lot more credit than they deserve. Ultimately Record Companies sign, produce, distribute and promote what they think they can sell. It's as simple as that. What sells is usually utter crap, but that's what the public seems to clamor for. If you don't like what they are selling, then you are in the minority. If there were more with your particular taste, then the record companies would be making music that fit YOUR genre because that's where the money would be. That's the beauty of a free market economy. The down side is that if you don't agree with the majority, you might have a harder time finding what you're looking for, and if you're a manufacturer or artist, you opportunities will be somewhat limited to provide your product/art. Evidenced as to how easy it is to find cheap chinese junk tools in the US, but being EXTREMELY more difficult to find quality built tools. I'm sure there are some small botique labels that cater to your tastes though. On the other note : Hate is bad. It rots the soul. PS - it was never my goal to "be signed" to a record label. Creatively I work primarily in the Film/TV side of things, and engineering wise, I work on others records. So it's all a moot point to me, but I find your arguements generally absurd, so I commented. | |
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| | #480 | |
| Gear Guru Joined: Oct 2002 Location: Oz
Posts: 16,852
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m127, you have no clue..... zero clue. That's all I have to say on that. Quote:
Everything that's new is old. In the late 70's young musicians tired of the big label dross. They put on their own gigs, started their own record labels and created Punk/New Wave. That was over 30 years ago. It's been possible since then to be quite successful outside the major label system. The only thing that's changed is that the internet has effectively ended the choice of musicians. If they don't want to give their work away for nothing, someone else will no doubt do it for them.
__________________ Chris Whitten | |
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