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| Lives for gear | has anyone ever gotten placements via Pump Audio?
I see a lot of threads about Taxi and such. Has anyone ever done any business through Pump Audio? http://pumpaudio.com/artists/index.php |
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| | #2 |
| Lives for gear Joined: Dec 2004
Posts: 1,069
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I havent done anything directly with them but I hear great things. They get a lot of placements in film and tv. |
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| | #3 |
| Lives for gear Joined: Oct 2005
Posts: 3,441
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No but that looks pretty damn good and... it's free. Ima try that. thanks for the link, lol
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| | #4 |
| Gear maniac Joined: May 2007
Posts: 278
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They want a SSN. I don't like giving that out. I will have to research more.
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| | #5 |
| Lives for gear Joined: Jan 2007 Location: Los Angeles, CA
Posts: 2,010
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I just did a deal with Pump Audio, just to try it out. It's a typical 'rename' non-exclusive deal: 50/50 on fees and 50/50 publishers "share" (100/0 writer's "share") on royalties. I can say this: they screen all their stuff and are pretty picky - it's not like soundclick or anything LOL. I can also say that it's SLOW. After they were bought by Ghetty Images they basically shut down taking on new material until this past March. So I did a deal with them maybe a month ago and they basically said it will probably be six months before they add the material to their library. zzzzzz...... People should also understand that Pump does NOT shop your stuff. What they do is compile a lot of stuff and have it available for people to dig through in an audio database; they don't actually pitch anything. I do a lot of licensing myself and figured I'd try Pump just to see if anything happens through them. If so, then it's extra money. If not, well, I'm not really expecting anything. edit: they need your SSN for tax purposes so they can pay you. THis would be normal. If I licensed something for you and the money came through me I'd need your SSN as well.
__________________ Chris 'Von Pimpenstein' Carter Mixer | Producer Two #1 hit singles; several top 40s; over 100 tv/film/ad placements Me: www.vonpimpenstein.com Studio: www.feistychicken.com Twitter: www.twitter.com/vonpimpenstein Facebook: www.facebook.com/chriscarterproducer Mix Rates: Major Label: $900 Indie / Unsigned: $550 per song Budget / mixtape / beat mixes: $49 - $99 |
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| | #6 |
| Gear addict Joined: Oct 2006
Posts: 333
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Yeah they are slow...The PumpBox thing is interesting. Along from the mass of music on their site, they somehow also select the "best" music and put it on these networked hard drives they provide to MTV, Vh1, etc...who can quickly pull music from it. I don't the % of music on these hard drives compared to all the music on the site. It can't be a lot though.
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| | #7 |
| Lives for gear Joined: Mar 2004 Location: Toronto
Posts: 1,224
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genre aside, usually what is the duration / length of these pieces of music?
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| | #8 |
| Lives for gear Joined: Nov 2006 Location: san ramon ca
Posts: 1,249
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I'm waiting to see if anyone has made any $ from pump. Out of 22 submissions to taxi i have 10 forwards and have made a nine song deal with one of the companies,but still in the where is the money stage.Luckily i still have residuals coming from freelancing for someone else for fifteen years.Lets here from some pump kats who have made some money! Dan P |
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| | #9 | |
| Lives for gear Joined: Apr 2007
Posts: 2,146
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Hey Dan P. When you say where is the money do you mean they have not paid you yet or do you mean its not a lot at this point? Quote:
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| | #10 |
| Gear nut Joined: Nov 2005
Posts: 85
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Interesting thread! I'm brand new to this so sorry if these are really basic questions. If Pump Audio selects your music, do you get paid immediately or do you have to wait til they place your music somewhere? Does anyone know what to expect in terms of payment per song? Are these guys preferred over Taxi? Thanks |
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| | #11 | |
| Lives for gear Joined: Nov 2006 Location: san ramon ca
Posts: 1,249
| Quote:
Dan P | |
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| | #12 | |
| Lives for gear Joined: Nov 2006 Location: san ramon ca
Posts: 1,249
| Quote:
Dan P | |
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| | #13 |
| Gear addict Joined: Mar 2008 Location: NY
Posts: 306
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This is the future of licensing placements... The3030Career.com :: THE 30-30 CAREER: MAKING 30 GRAND IN 30 SECONDS! Producing Music for Commercials Tell Wendell Jim Bond sent you! |
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| | #14 | |
| Lives for gear Joined: Sep 2007 Location: Hercules, Ca
Posts: 1,298
| Quote:
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| | #15 |
| Gear addict Joined: Mar 2008 Location: NY
Posts: 306
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What's good Mr Lipps? Yeah man, I like this place. We are coming to L.A. in March.
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| | #16 |
| Registered User |
I just licensed a track with rumblefish which is a company like pump audio. I made a whooping.........................$25 for the license but it was for a companies internet promotion. Hopefully other stuff will come soon.
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| | #17 |
| Gear nut Joined: Sep 2006 Location: ATL, NJ
Posts: 116
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i highly recommend pump audio (among others). you retain all ownership (non-exclusive). |
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| | #18 |
| Lives for gear |
I just sent some stuff to Pump yesterday... We'll see what happens....
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| | #19 |
| Lives for gear |
So I sent my submissions to Pump Audio on Friday and I got the green light today... On the website it says something like "Please allow up to 45 days for music to be reviewed..." Now, for me to get a response in less than 5 days (over the weekend, believe it or not..) is either saying 1 of 3 things: 1. They truly loved my music and see great things for my future with them. (which I hope is true...) 2. They don't really have any legitimate "screeners" and let anything get through.... 3. They are another fly-by-night company looking for their next "victim"... Not saying this is a bad thing, I'm just saying I haven't heard any success stories yet. I hear a lot of people SAYING their great/good but I want to know someone who actually got something PLACED. Philly, Bgrotto, you heard any good things about them? Am I wasting my time? They seem legit...
__________________ http://www.youtube.com/watch?v=r5vdQ...86AUAAAAAAAAAA |
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| | #20 |
| Lives for gear Joined: Feb 2006 Location: Woodstock, NY
Posts: 1,430
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I know Pump Audio intimately. In fact, I am very close friends with the gents who started the company (many of which still remain after the Getty buyout). For one thing, I am in the fortunate position to have had many tracks in the catalog from the early days...... but, I get paid VERY well, and make a damn decent amount of money from Pump licenses. Best of all, most of the music is throwaway music for me. Not real songs, per se. And it's non exclusive. I can highly recommend Pump Audio. They are not scams, nor amateurs. They have a good process in place, that works. And to respond to one poster, they do in fact shop your music, just not in conventional ways. It doesn't just sit idle in a catalog. For qualification, my music has been used in: Oprah Winfrey Show various MTV shows Anthony Bourdain various Food Network shows various Travel Network shows Ellen DeGeneres show Good Morning America Discovery Network the list goes on.....
__________________ ------- D. James Goodwin www.djamesgoodwin.com **religion kills** **Freedom, morality, and the human dignity of the individual consists precisely in this; that he does good not because he is forced to do so, but because he freely conceives it, wants it, and loves it.** - Mikhail Bakunin |
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| | #21 | |
| Lives for gear Joined: Nov 2006 Location: san ramon ca
Posts: 1,249
| Quote:
Dan P | |
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| | #22 | |
| Lives for gear | Quote:
That's all I need to hear.... Thanks man! | |
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| | #23 |
| Gear addict Joined: Mar 2004 Location: seattle
Posts: 364
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+100 for pump audio! ive had many placements from them, they are way solid and dont forget about the performance royalty from ascap or bmi |
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| | #24 |
| Lives for gear | |
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| | #25 |
| Lives for gear | |
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| | #26 |
| Gear addict Joined: Mar 2004 Location: seattle
Posts: 364
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i'd rather not say on a message board but i can tell you that pump audio has been really good to me
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| | #27 |
| Lives for gear | |
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| | #28 |
| Gear maniac Joined: Aug 2006
Posts: 263
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Has anyone known of someone that didn't get green lit? They say something like 45 days.. but my submission was green lit in under 20 hours... Maybe I just submitted at the right time! |
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| | #29 |
| Lives for gear | |
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| | #30 |
| Gear interested Joined: Feb 2009
Posts: 1
| You could also try Audio Network
they are pretty good too, and have an office in NY, and Australia, loads of top composers and I know from one of my composer friends who works with them that they are looking for new material. He's earn't loads on PRS and hasn't a bad word to say about them. Check them out Audio Network - Production Music Library Jazzy
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