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| | #1 |
| Gear interested Joined: Jun 2009
Posts: 9
Thread Starter | Mix sounds too good!?!?!?
I have had a couple clients over the years say that the mix sounds "too good". This seems to happen with punk bands more than other genres. Ever run across that? What do you use to trash out the mix?
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| | #2 |
| Project Code CL2465 | Yeah it's happened to me, and it just means too polished (too much compression etc). I just keep it more raw and then they like it again.
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| | #3 |
| Lives for gear Joined: Nov 2010
Posts: 1,406
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I think that was one of Bob Dylan's occasional complaints
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| | #4 |
| Lives for gear Joined: Feb 2005 Location: UK
Posts: 3,514
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more distortion/harmonics. recording to digital and tracking well and not adding saturation and harmonic content can make things seem sterile very quickly.
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| | #5 |
| Lives for gear |
Turn up the drum room mic, turn down the vocals. |
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| | #6 |
| Lives for gear Joined: Jan 2008 Location: Southern Cali
Posts: 894
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just bounce the final mix through some neves or something dark!!!
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| | #7 |
| Lives for gear Joined: Jan 2008 Location: san francisco
Posts: 850
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distortion, overdrive, saturation is your friend. if any gating/strip silence type stuff is going on take that off. let it bleed!
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| | #8 |
| Lives for gear Joined: Nov 2009
Posts: 891
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Thing with punk bands is that you'll spend alot more time editing and aligning stuff than eq'ing and compressing unless they're REALLY into the "garage" thing.
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| | #9 |
| Gear addict Joined: Oct 2006
Posts: 302
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Yup - I've had this complaint before as well. It definitely makes you a do a double take. ![]() Step away from correcting pitch, fine tune editing of instrument parts, maybe take a second look at your reverbs, delays and any other effects you might be using. They might be a little too slick and polished sounding. In general though, as others have said, a much more "raw" approach usually does the trick. As one guy said to me "It needs to be more roots..." |
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| | #10 |
| Gear maniac Joined: Feb 2010
Posts: 212
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If they said it sounds too good then I'd just give them the mix with no compression on it. lol If they're going to complain that it was mixed too well then they might be after that garage band sound. |
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| | #11 | |
| Lives for gear Joined: Oct 2010
Posts: 2,195
| Quote:
SORTED> | |
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| | #12 |
| Gear Guru Joined: Aug 2005 Location: underground railroad
Posts: 13,394
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. Just run your mix through SATAN - and it will sound perfectly evil... . |
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| | #13 |
| Gear maniac Joined: Aug 2011 Location: International
Posts: 182
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| | #14 |
| Lives for gear Joined: Feb 2005 Location: UK
Posts: 3,514
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And when they say 'good', don't feel too flattered. They mean 'too clean, not right' :-)
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| | #15 |
| Gear interested Joined: Dec 2011 Location: North East, UK
Posts: 23
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add slight (tube simulation) saturation to the master with small amounts of the most awfuly metallic "im in a huge metal box" reverb. Might do the job |
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| | #16 |
| Gear addict Joined: Sep 2011
Posts: 317
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| | #17 |
| Gear Guru Joined: Aug 2005 Location: underground railroad
Posts: 13,394
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. The next time someone tells you your mix sounds too good, just tell them they don't need to listen to it - if it bothers them that much. ![]() It's called a volume knob. Learn it. Live it. Love it. .
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| | #18 |
| Lives for gear |
Not all punk bands are that way. The ones that crossover into the hardcore scene don't mind things more hi fi. But there is a certain segment that want things to sound trashier and lo fi in general. As mentioned distortion in the rights places and amounts is a good idea, as is using more dynamics than you would usually use (even sometimes on overheads).
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| | #19 |
| Gear Guru Joined: Nov 2005 Location: S.Carolina
Posts: 11,479
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I have recorded several bands over the years that went that way, they just had perfect attack etc, I could take away the compression and it's still great. Perfect tracking my friend from a great band. When I get a track like that I just pat myself on the back that I was apart of it.
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| | #20 | |
| Lives for gear Joined: Aug 2010
Posts: 1,212
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I think when people say it sounds "too good" it reflects their lack of ability to explain what they mean in technical or musical terms. Get them in person and ask them a lot more follow up questions to find out exactly what they mean. Otherwise you risk making the tune more "orange" with your mindreading...
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| | #21 |
| Gear interested Joined: Jan 2012 Location: Hamburg, Germany
Posts: 10
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try to attenuate lower mids between 250 and 500 hz! the mix will get more muffled. thats what punk bands mostly want to hear.
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| | #22 |
| Gear interested Joined: Jan 2012 Location: Hamburg, Germany
Posts: 10
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sorry, i meant boost...not attenuate
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| | #23 |
| Gear addict Joined: Jul 2009
Posts: 396
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You have to cater to the genre. Give them the option of a more polished mix if you have the time
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| | #24 |
| Gear maniac Joined: Mar 2010
Posts: 167
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Punk? Just put cardboard boxes over all the mics, they'll love it in no time
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| | #25 |
| Gear Head Joined: Jan 2012 Location: In a tent
Posts: 51
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Sum your mixes to mono and run them through a Boss DS-1 or similar harsh-sounding distortion pedal.
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