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| | #361 | |
| Gear maniac Joined: Sep 2006 Location: Michigan
Posts: 207
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| | #362 |
| Lives for gear Joined: Jun 2007
Posts: 941
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As sad as it is, he is serious and that website is his, I went to it when he asked for some mixing and the site had the files to download. He is not joking, he is this disturbed.
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| | #363 |
| Gear addict Joined: Nov 2005 Location: Leesburg VA and Nashville TN
Posts: 414
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Anyone that trashes engineering as a profession is an idiot. To say that they are not needed is stupid. When a musician learns the gear, and technics to run it...you become an engineer.....so if it is you or someone else...there is a need for an engineer. My personal experience is that musicians almost never understand the recording process, or what is needed to get to their "vision"..BTW the vision is often not a complete thought....and guess what, the engineers are expected to extapilate the band's unformulated, uncommunicated ideas! thus making the engineer more of an artist than you think. I am a musician first, and engineer second. I spent thousands of dollars at local commercial studios with staff engineers. But when I figured out how to hire an engineer I started turning out fantastic recordings! Remember, when you are booking studios, and staff, you are the boss. You need to learn the craft of producing a project and not trust someone you don't know, and haven't taken the time to research his/her background as an engineer. So to the guy who says engineers are a waste, you need to stop blaming others for your inability to communicate your craft. I would advise you to take the time to learn something about what you do...not just your chords, melodies and lead sheets, but also how the other jobs involved with putting a record together are suposed to mesh. It is a beautiful thing when you actually are smart enough to hire the right people for the job...... |
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| | #364 | ||
| Gear Guru Joined: Oct 2004 Location: The Land of Sunshine
Posts: 11,292
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defending (and attacking) has nothing to do with the 'truth', and everything to do with ego. Quote:
there are many types of social skills. verbal repartee is one of them, and is displayed in abundance in this thread. sarcasm is another; pointed abuse yet another. they may not be skills you value, and they may not be in service of agendas you favor, but they are skills nonetheless. what you are characterizing as 'social skills' is merely a very specialized and narrow subset of the broader array of dialogs available to people in social situations. life would probably be very calm if everyone exercised those skills all the time. it'd also be very one-dimensional, and equally as self-centered as the responses on this thread. your own example boils down to "i disagree, XXX, and i don't care," XXX being a laundry list of justifications for the mental position. it's still ego, just wearing a different disguise. gregoire del ubk . | ||
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| | #365 | |
| Lives for gear Joined: Oct 2006 Location: london
Posts: 6,739
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![]() ![]() ![]() Value the dfegadskill, my brother, for the world would be a boring place without the skillfull dfegad-er....... ![]() .....and then there's 'dignity', but that turns out to be a highly personal and subjective subject........
__________________ what is a small difference? genetically there's only a small difference between a human and a banana. - golden beers | |
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| | #366 | |
| Lives for gear Joined: May 2006
Posts: 1,252
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Well, I'm not defending him but he did say $5K to "track" a record. I read that as not including mixing and mastering, of which the former is a HUGE factor IMO for the type of music he is doing. I think his problem is that he does not understand that the record is far from finished when the tracking is merely complete. Most all musicians (including myself in the past) do not understand what a great mixing engineer brings to the table, especially for this type of music. They think all of the major artists they like just really sound that good on their own, and these geeky engineers are just there to turn a couple of knobs every now and then. If they really knew how shitty some of these artists would sound without a certain team of professionals helping them, then they would instantly lose a heap of respect for them. He's mad because he dumped $5K into a studio with all the bling and blang, and just assumed (as most due) that in a few sessions he would have a record sonically on par with Marilyn Manson. The problem is that there are MANY studios out there whose advertising will try to convince you that for $5K you will walk out with such a record. They say "yes, we have all the same gear that the BIG pros use" and that makes naive musicians (which are 99.99% of them, especially in his genre) feel they have arrived. He's actually lucky he only spent $5K. I have heard some stuff where the band spent $$10K-$15K at the bling and blang mill studio with the $10,000 curtains, and it was so bad (sonically) and so far away from what the band wanted that is was truly sad. Ya know, mixed by an intern on the big SSL, rushed, mangled, thin, muddy -- and when you call back they stick by their assertion that it sounds great and you should be more than happy because "real" records cost $100K or more to make. | |
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| | #367 | |
| Lives for gear Joined: Sep 2006 Location: El-Lay
Posts: 1,328
| Quote:
Todd Rundgren Prince Imogen Heap and a slew of not so famous, very talented indie artists with home studios
__________________ "first guy to the bridge gets the solo" ____________________________ "'I'm having a bad feeling about my intuition" www.poodiemusic.com www.marvinkanarek.com | |
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| | #368 |
| Lives for gear Joined: Sep 2006 Location: El-Lay
Posts: 1,328
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I'm reminded once again of my tumultuous "love-hate" relationship with Gearslutz. The original poster,who I don't feel is a troll,was stating his opinion predicated on his personal experience. The accusations regarding his stupidity and the assumptions regarding his lack of talent reflect more negatively on the character of the angry respondents than they do on the original poster. Wouldn't it be more constructive to accept this man's stance,whether you agree or not? In doing so, we,including the original poster, might all learn something by engaging in civil dialogue.. If he is a troll, then allow intelligent conversation to "draw him out". I for one have had the privilege and good fortune of being a session musician for many years during the "golden" mid eighties to the early nineties when there actually were sessions in abundance in real studios.. During this period, I'd have to say that I would occasionally come across engineers that fit the description of the original poster,but for the most part they were guys like Ed Cherney. Now wearing many hats being an indie artist and FTP session player in my home studio, I appreciate the tremendous challenges faced by producers,engineers and musicians and feel fortunate that I suffer from multiple personality disorder. Sorry about getting a little OT,but in conclusion,I think we could learn alot by lightening up a bit,be open enough to listen,even if you don't agree. Sometimes you can unearth a gem in a field of manure. Here's to peace and great music in '08 and beyond. |
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| | #369 | |
| Lives for gear Joined: Apr 2007
Posts: 1,673
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I don't have a need to reply to the OP, as I don't think it would do any good, but consider this: 1: He just joined the forum, and this was the first time he has posted, and has only posted to this thread. This means either he is seeking out an audience to instigate, or that he has created a second screen name specifically to instigate. 2: He actually started another thread which was much more venomous, and was directed specifically toward the members of this site. This thread was immediately deleted by the moderators. So, while I agree that some of the replies have brought other members of GS down to this guys level, the reality is that the OP brings nothing of value to this forum, and therefore should not warrant a response. DON'T FEED THE TROLLS! | |
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| | #370 | |
| Gear maniac Joined: May 2008
Posts: 217
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| | #371 |
| Lives for gear | |
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| | #372 | |
| Lives for gear | Quote:
If a guy breaks into my house and starts shooting up the place, I never consider this to be the best time to get to know someone or see their side. | |
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| | #373 | |
| Lives for gear Joined: Jun 2004 Location: London
Posts: 5,450
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I have the original saved from years ago, if anyone wants to see it, but this abuse is plagiarised from another source.
__________________ Regards, Jim Richmond "I don't go to mythical places with strange men." Douglas Adams | |
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| | #374 | |
| Lives for gear Joined: Jun 2007 Location: Maui, Hawaii
Posts: 989
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| | #375 | |
| Lives for gear Joined: Sep 2006 Location: El-Lay
Posts: 1,328
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Well I guess I just think a little differently than you do. It's what makes the world go around. Even if he is a troll, it's a real stretch comparing his actions to someone breaking into your house threatening your life,don't you think? | |
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| | #376 |
| Lives for gear | That's not an answer. Quote, from his post, exactly what made you think he was interested in a constructive discussion. Because I can't see it. Yes. My analogy was a stretch. However, 99.9% of the members know how to behave on this forum. |
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| | #377 |
| Lives for gear Joined: Apr 2008 Location: Minneapolis
Posts: 2,233
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"I'd like to have an argument, please..." |
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| | #378 | |
| Lives for gear Joined: Sep 2006 Location: El-Lay
Posts: 1,328
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Not an answer? Sorry I failed you your highness! And is your attempt to be argumentative an example of how to behave here at GS? | |
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| | #379 | |
| Lives for gear | Quote:
You claimed my behavior was as bad as the OP. You claimed that we should be constructively discussing his points, concerns or complaints. I'm sincerely asking you, what from his post gave you the faintest idea that he wanted to have an intelligent conversation about his problem? I contend that if he's not just a troll, that he was at least asking for a beating. He certainly isn't creating a dialogue with anyone who has responded. Even his apologists. | |
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| | #380 | ||
| One with big hooves |
Didn't read the whole thread... Don't care to. Don't have the time either... Just skimmed it... HOWEVER! Quote:
Find a producer or engineer with a vested interest in the outcome of the project. Otherwise it's too easy to end up unhappy... And records don't have to cost $100,000 or more either. All those Emmylou & Bela Fleck records that Bill VornDick did were like $12,000 records. Someone like Blues Traveler gets a $30,000 budget & they don't do too badly...
__________________ J. 'Moose' Kahrs producer|mixer|recordist MooseAudio.com mooseaudio.bandcamp.com Quote:
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| | #381 |
| Lives for gear Joined: Dec 2007 Location: Vegas, Norcal
Posts: 3,608
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| | #382 | |
| Lives for gear | Quote:
Those three examples are acts that are always at the top of their game. It's a whole different ballgame when you are working with artists like that. With artists less talented, you spend a whole lot more *trying* to get them to sound as good.
__________________ I'm not a producer, but I play one on Gearslutz.com | |
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| | #383 |
| Gear Head Joined: Jul 2007 Location: Berlin
Posts: 48
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screw the first poster...if you don't have the abilities to detect false yourself don't blame anyone. It's like bulding a house with friends who have no clue or tools for building but charge standard price for a house and blaiming them if it collapses after the first party you have in it. Engineering is a complex craft (musical thinking, technical skills and analytic skills for loudness and psychoacoustics& acoustics etc.) like building a custom bike(design, mechanics, paint, motor efficency etc.). You need a certain experience and equipment to build something that knocks a good notch out of other competetors in the market. If you don't do your homework about people you work with, you could as well spend your money on beer or drugs. It would be more fun for you and you would be less of a pain in the ass for engineers.
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| | #384 |
| Gear Guru Joined: Aug 2005 Location: underground railroad
Posts: 13,394
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| | #385 | |
| Guest
Posts: n/a
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Cheers, Matt | |
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| | #386 |
| Lives for gear Joined: Apr 2008 Location: Minneapolis
Posts: 2,233
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| | #387 |
| Lives for gear Joined: Oct 2006 Location: london
Posts: 6,739
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That parrot is dead. That is a dead parrot! No it's not....... |
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| | #388 |
| Gear Head Joined: Mar 2008
Posts: 40
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| | #389 |
| Lives for gear Joined: Dec 2007 Location: Vegas, Norcal
Posts: 3,608
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| | #390 |
| Lives for gear | |
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