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| | #181 | ||
| Gear interested Join Date: Aug 2007
Posts: 2
| Quote:
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This will likely come down to whether "possession" is as violative of copyright as "use" (insert favorite "Honest officer, that's my friend's crack/weed/coke in my pocket, not mine" story here) Consult an attorney instead of all of the would be barristers here. The first thing s/he will probably tell you is to stop posting about this. You've already admitted online to possessing a copy. Gearslutz probably logs your IP address. Subpoena anyone? (aka "witness summons" in England and Wales) | ||
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| | #182 | |
| Gear maniac Join Date: Sep 2005 Location: Long Beach, CA
Posts: 153
| Quote:
Too many low count posters with "friends" stories... and even stories of their own... This is foolishness... if the posters are legitimate... Then identify yourself... If not.... Then... Please... get a life.... -Doc | |
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| | #183 | |
| Lives for gear | I find it interesting that the number of low post count people/new members seems to be up, especially in threads with a lot of contention. Chances are its just because of increased awareness of the site. Which is cool for the site. Run a Google search on any subject discussed on Gearslutz, and you will see Gearslutz on the results and fairly high up. Quote:
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| | #184 | |
| Gear interested Join Date: Aug 2007
Posts: 2
| Quote:
I've posted in many professional forums under my full name. Have you? It doesn't seem to be the habit in this haunt. When in Rome... Do you remember PAN? The CompuServe BP Forum? 2400 baud modems? When connecting Synclaviers across the country at 9600 baud was the $h!7? Do even know what cracking open a case of pancakes smells like? --and no, I don't mean something from Betty Crocker. I've still got my ProTools version 1.x floppies (kinda quaint next to those big ol' 5-1/4" Synclav floppies). I've been mixing for over 20 years. I own a facility with multiple HD rigs and engineers to run them and you can be damn sure that there is no pirated software on my rigs, on the laptops I provide my engineers or on any other machine at my place. I've fed my kids and put shoes on their feet in spite of direct competitors who I know use pirated software. Do I out them? No. I just keep providing great mixes and kick-ass service. People who resort to shortcuts have shortcomings that will not be solved by piracy, cheating on their taxes, badmouthing the competition or abusing others. So post count is only the measure of cred, here, eh? Explain exactly why a discussion of one of the most contentious issues in the studio world for a least a decade doesn't belong here. "Turning off legitimate customers?" What? | |
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| | #185 |
| Gear nut Join Date: Nov 2005
Posts: 148
| Just remember that the customer is king. If this unorthodox software police patrol is in fact true (I have my doubts) then Waves doesn't stand a chance in tomorrows market. |
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| | #186 | |
| Lives for gear Join Date: Jan 2006 Location: London, UK
Posts: 1,643
| Quote:
http://futuremusic.com/blog/?p=1744 even better - http://prosoundnewseurope.com/pdf/ps...st07_Waves.pdf | |
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| | #187 |
| Gear nut Join Date: Aug 2007
Posts: 79
| As a x-user of the Uad-1 card with it's limited DSP and that it too had it's own (WUP) like upgrade problems (PCI card wouldn't fit into my MacPro) I decided to finally jump into Waves and the iLok system. Though I'm slightly nervous that it will die sometime, I have the SSL bundle and the Ir. Soon will be the API and V series as some $$ come in. But I have to say overall that for $700 for the SSL and there abouts for the IR, I have no problem parting with my $$ to use them. Yes I have run the Gold crack package way back in the V2 era in my PC and really didn't find anything useful. As long as I can demo it for a couple of weeks I feel that is fair as I hate that I can't sell most software if I don't like it. I'd rather they cancel all the copy protection and hire more people to come visit my studio and see for themselves. It'd save them $$ and me a headache. Later ![]() |
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| | #188 | |
| Lives for gear Join Date: Jan 2006 Location: London, UK
Posts: 1,643
| Quote:
What this whole campaign of intimidation and lawsuits is showing me (at the least) is that their copy protection system is in fact completely, utterly, 100% useless. Obviously it's neither functional as either an actual anti-piracy system or even as a deterrent if they're actually finding cracks all over the place. Being that one of the big gripes about Waves is in fact their ridiculous iLok implementation, maybe they ought to look at a new system which is neither restrictive nor difficult to use, since obviously the current system is a complete waste of time. Since they're going to alienate a lot of people with this BanPiracy(R) program anyway, they might as well endear themselves to others with an easier CP system. | |
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| | #189 | |||
| Gear addict Join Date: Apr 2006 Location: Antwerpen
Posts: 461
| Quote:
I am not a police officer! Are you a saint? Did YOU report EVERY cent you EVER made to the IRS? Quote:
I worked in IT... Well, all i can say is this is common practice. Quote:
If it is MY studio, it IS my business. And i WILL do it in a professional manner and BUY my software... But NOT Waves if this is their policy. | |||
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| | #190 |
| Gear maniac Join Date: Aug 2006 Location: Nacogdoches, Texas
Posts: 269
| If WAVES is really that desperate for revenue, maybe they should try coming up with more than 3 plugs that are useful.
__________________ Boycott shampoo. Demand the REAL poo! |
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| | #191 |
| Lives for gear |
__________________ Regards, Jim Richmond "I don't go to mythical places with strange men." Douglas Adams |
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| | #192 | |
| Lives for gear Join Date: Jan 2006
Posts: 2,102
| Quote:
Talk about resorting to shortcuts: 2400 baud modems? Where were you then when we had it going on with 300 baud Teletype machines? ![]() ![]() ![]()
__________________ ___________________________________ "Revolution is the opiate of intellectuals." - Anon. | |
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| | #193 |
| Lives for gear Join Date: Jun 2005
Posts: 2,381
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| | #194 |
| Lives for gear Join Date: Sep 2004 Location: Copenhagen, Denmark
Posts: 2,571
| How about we start using middle eastern punishment? Chop off the right hand if somebody steals software, then not only will they be justly punished but they can't use the mouse again. Bonus
__________________ Producer & engineer Apple Certified Trainer in Logic Pro Popmusic.dk Production Hit Kit V3 Sample CD Urban & Electronic Beat Production - used on Billboard #1 hits (recently on: Katy Perry, Britney, Usher, Jordin Sparks, Leona Lewis, Sugababes, The Pussycat Dolls) |
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| | #195 | |
| Lives for gear Join Date: Jun 2005
Posts: 2,381
| Quote:
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| | #196 |
| Gear nut Join Date: Sep 2004
Posts: 89
| I don't see anything wrong with what Waves is doing--people, lots of people, are stealing from them and they have come up with a clever way to bust them. BUT Given some of the PR problems they already have you would think they would only want to bust more egregious violators they had dead to rights. If the piracy is as widespread as they claim, it should have been no problem for them to find a bunch of big commercial studios that were clearly using huge libraries of cracked Waves plugs on projects they were being paid for. It appears that this program is very widespread and has netted some small fish as well as some innocent ones (equating people who use demo versions on a project with pirates is just plain stupid). This combined with the clandestine nature of it makes Waves look bad—although given some of their other policies, it may well be that they don’t give a crap. Playing up busts of big studios with a lot of PR would have produced a lot less objection, as most people would agree that using cracks to obtain commercial work is not okay, and would have likely scared a lot of smaller fish into compliance. |
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| | #197 |
| Gear nut Join Date: Sep 2004
Posts: 89
| The better analogy would be what if hackers figured out how to get on studio’s hard drives, starting making copies of music files and sold them as part of a music library? What activities would you support to bust these people? My guess is most of you would be fine with warrantless wiretapping and waterboarding. |
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| | #198 | |
| Gear addict Join Date: Apr 2006 Location: Antwerpen
Posts: 461
| Quote:
Just making a point that some people acts like if they are holier than the pope. Chill man, don't take it to personal ![]() | |
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| | #199 | |
| Gear addict Join Date: Apr 2006 Location: Antwerpen
Posts: 461
| Quote:
As i said i worked as an IT'er, and i saw more copies then registered versions in all kinds of companies. But where do you draw the line? Only for audio equipement and software? -We all know that piracy is a bad thing. -Would you let your mixes do by somebody who uses SSL or Neve clones? Uses a piece of Behringer gear? They also STOLE the design of the gear! -Would you buy from a company (multinational) who stole and exploited from people, other companies, countries or the enviroment? (ok, a bit OT) This happens on a much larger scale than piracy, but these companies are getting stronger by the day because nobody gives a damn. If you use warez and you get cought, ok buy the software and maybe pay a fine of 10% of the amount you stole. But not $15.000!!! waves are ruining people with this. I don't know what waves are trying to achive with this, but they will NEVER get a cent from me! | |
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| | #200 | |
| Gear addict Join Date: Apr 2006 Location: Antwerpen
Posts: 461
| Did anyone see this: Windows uses pirated software? Quote:
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| | #201 | ||
| Gear nut Join Date: Sep 2004
Posts: 89
| Quote:
Quote:
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| | #202 |
| Gear addict Join Date: Apr 2006 Location: Antwerpen
Posts: 461
| Ok, lets look at it from another angle: The songs i make that are released on vinyl (yes it still exists) and cd can be downloaded for free on the internet, i've checked it. I put alot of time, money and effort into it to make my songs, while somebody can just steel them without me making a dime out of it. Dj's can burn it on a cd and make money out of it if they have to play in a club. But i am not going to start a crusade and collect IP adresses of every person that downloaded my songs. (Actually i don't care but that's another topic) If 1000 people downloaded my songs, did i loose 1000 times $XXX ? NO, i don't think everybody would buy my stuff if it wasn't on the internet (i'm not that good What i did gain out of it was advertising. More people know my music now and maybe will buy it if they came across it in a shop (at a fair price and without having to pay me every year to listen to it for another year (WUP)!!!). The same goes for waves i think. Not every kid that downloads it would have bought it if it wasn't on the internet, and 99% of them never make a dime with music. But they did have (free) advertising this way, and if the kid grows older and makes money out of his productions and uses waves plugs all the time, he will maybe buy the plugs because he is used to them.If he diden't use the pirated versions of waves first, he would have bought Massey, Ohmforce, PSP,... plugs, simply because they are cheaper and better offcourse.I think a part of the fact why people know waves (and think they are good) is because everybody can get them for free on the internet. Again i am against piracy, but it has it's advantages for the company's! |
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| | #203 |
| Lives for gear Join Date: Aug 2006 Location: No longer participating here.
Posts: 6,742
| I think the response of the engineering community to this development will be the spread of open source plugins. There are significant impediments to open sourcing plugins, foremost of which are the VST and RTAS/TDM proprietary standards. But there are workarounds to these problems...OS-provided DirectX and Audio Units, and the open JACK system that's under development. These issues are all very readily solvable, programmers would love to do this stuff if they see the pain they can relieve. Waves needs to realize that they are fighting a two-front battle. The programmers aren't going to stand for this kind of barratry. I would have already delivered an ultimatum to the management if I worked there. But even if Waves is run with militant tyranny, there are plenty of other programmers outside who will fill the gap in faith this is creating. Waves is generating demand--not for its own products, but for filling the hole their pirated products' absence will create (if they are indeed successful in frightening enough people). The vast majority of people aren't going to respond to this threat by paying a tyrannical Waves. They are going to look for safe alternatives. I suggest a labelling program for open source plugins. "When you see the open source label on your plugin, you know you're safe." Studio owners can then have a means of quickly reviewing plugins that are brought into their studios...if it doesn't have the label, it doesn't come into the building, period. Yes, we are witnessing the self-immolation of the audio software industry right in front of our eyes. If I was currently in that business, like I've said, I'm on the horn with the CEO of Waves telling him in no uncertain terms he is to stand down for everyone's benefit. If he ignored those pleas, I'd think of starting a very visible counter-movement based on the honor system and mutual respect rather than spying and lawsuits. There are very very very good reasons virtually no one else in the entire software industry has acted this stupid over the decades where piracy has been prevalent, and somehow, these Waves creeps have not found the clue. |
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| | #204 |
| Lives for gear Join Date: Jun 2005
Posts: 2,381
| wavesp.s. sorry sluts..I never used the pissing money before but I felt this to be the appropriate time ![]() |
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| | #205 | |
| Gear Head | Quote:
And the problem with open sourcing plugins is that there is indeed a lot of know-how in them. Let me explain better. Developing a software product has two important burdens: 1) Research and development so that you properly design it. 2) Implementation, optimization, testing, etc Today, with very capable operating systems being open source, it seems that every software should be open source. But if you think about it, Linux, the BSDs, etc, don't have so a strong R&D component. There are exceptions (such as ZFS, the new filesystem by Sun Microsystems), of course, but they are a minority. Plugins, on the other hand, are quite unique creations. Their sound depends on the design of their algorithms, and all that research work is what gives a developer an edge over another. This is comparable to a common misunderstanding at least in Spain. To justify music piracy many people say that musicians should be payed just for concerts, even claiming that musicians who don't perform live are lazy. Of course people who says this doesn't understand what composition or studio work is. I think the same misunderstanding is happening between musicians/studios and the audio software industry. | |
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