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| | #1 |
| Lives for gear Joined: Mar 2005 Location: Annapolis, MD/Los Angeles, CA
Posts: 3,631
Thread Starter | Help! I have to start songs with drum fills!
I've noticed I've developed an illness lately...My songwriting partner pointed it out to me...For the last two years or so, I've been starting almost every song I write with a drum fill or drum hit! I can't stop! Should I be worried? Please advise! |
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| | #2 |
| Lives for gear Joined: Mar 2005 Location: Mesa, AZ
Posts: 685
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Chop off the first 8 bars of drums including the fill or hit and see what happens. use the fill in the 8th bar of the song instead of the 0th bar... if that makes sense
__________________ Makin records in The Jungle |
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| | #3 | |
| Lives for gear Joined: Jul 2002 Location: San Francisco
Posts: 4,779
| Quote:
I'd say the drum intro writing style is cool and best not to worry about. All songwriters have (hopefully) a style that distinguishes them from other songwriters. If most of the intros are very similar and some are the same, then I'd be worried. Like if you have 4 songs that start with a snare flam on the 4 of a grace measure... ...you don't do you? Cos that one's mine! lol | |
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| | #4 |
| Lives for gear |
Listen to Tom Petty's 'Last Dance with Mary Jane', specifically the drum break after the rhythm guitar intro. Then listen to Tom Petty's version of 'Something in the Air' (a song by Thunderclap Newman that Petty recorded for his 'Greatest Hits'.) Again there's a guitar intro folowed by the exact same drum fill as on 'Mary Jane' , I guess it's spliced in from one or the other song because the sound is identical too. I wonder what the story was behind that but it works great. So don't worry about your drum fills, it's probably a style in the making....
__________________ 'Ever since the Supreme Court overturned the Snare Act, it has been legal to use any mic you like on snare.' - joeq http://www.doorknocker.ch/ |
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| | #5 |
| Lives for gear Joined: Nov 2006 Location: ∑∆
Posts: 1,553
| Even the funkiest groove starts out with a single note. You know, you could just start it out with....... aw hell... I don't like writing drum parts and I'm a drummer. Go with it.
__________________ "Oh freddled gruntbuggly/thy micturations are to me/As plurdled gabbleblotchits on a lurgid bee. Groop I implore thee, my foonting turlingdromes. And hooptiously drangle me with crinkly bindlewurdles, Or I will rend thee in the gobberwarts with my blurglecruncheon, see if I don't!" |
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| | #6 |
| Lives for gear Joined: Mar 2005 Location: Annapolis, MD/Los Angeles, CA
Posts: 3,631
Thread Starter |
Thanks, guys! I just thought it was funny, my songwriting partner pointed it out, but I didn't see a problem with it. All the fills are different, some are cut measures, some are actual fills, etc.. I AM running out of options, tho, so this phase will probably stop or at least cool down for a bit. I did write one song that had four flams at the beginning, and my friend was like "Oh, I thought you were going into a cover of 'Judith!' (APC)" That intro got cut. Damn you, Josh Freese! Anybody else catch themselves going thru (or breaking out of) some interesting stylistic patterns as far as songwriting and/or arrangement? There was, of course, my token "must have triple-doubled vocal harmonies on everything" phase, followed closely by my "must have absolutely no harmonies on anything" phase. |
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