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Old 11th April 2007   #1
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Singers who can't Sing

Recording a heavy band. The singer is more of a "screamer" but he wants to sing here and there...and cant. I mean he can't sing a note the same twice. Usually about a minor third or more sharp all the time.

Bought and have been trying Melodyne...nope. Not doing it. His voice must be too gravel-y for it to get the pitches right. And when i can get the pitches right it sounds like a cyborg.

The only thing i can get to work is figure out the pitches on my guitar, put on
Autotune and pitch-shift each note until its right. The final product sounds horrible. Need to add tons of reverb and delay and doubles to make it even tolerable.

I'm sure some of you have some stories or methods you could suggest....
I'm sure this is becoming more prevalent with the whole american idol thing.

oh and they paid me a set amount for the record and a big back end chunk if something happens. So i want it to be decent.
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Old 11th April 2007   #2
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Just solo the unprocessed vocal during the painful parts, maybe he'll get the idea. A man's got to know his limitations.

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Old 11th April 2007   #3
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Originally Posted by dillweed View Post
Usually about a minor third or more sharp all the time.
Let him sing harmony. The 'or more' bit doesn't sound too promising though.....
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Old 11th April 2007   #4
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First
What's this mean? I've seen this on a couple of threads this afternoon. What, are you artifically raising your post count for some reason?
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Old 12th April 2007   #5
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What's this mean? I've seen this on a couple of threads this afternoon. What, are you artifically raising your post count for some reason?

It means he is the first one to respond.
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Old 12th April 2007   #6
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It means he is the first one to respond.
Well, yeah, I figured that. But what, does he win some sort of prize? What is this, junior high?

So I checked his other posts. They're all like this. What an ass. Oh, wait, maybe he's ********...sorry. Poor guy.
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Old 12th April 2007   #7
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Well, yeah, I figured that. But what, does he win some sort of prize? What is this, junior high?

So I checked his other posts. They're all like this. What an ass. Oh, wait, maybe he's ********...sorry. Poor guy.
Wow, no kidding. Great contribution he's got goin' there.

http://www.gearslutz.com/board/searc...archid=4466214
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Old 12th April 2007   #8
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Leave the vocals alone.

I've recorded a few bands where the singer didn't even know what "in tune" meant. Most of them said "Nobody says anything when we play live!"

There's a whole sect of metal bands where singing in tune is almost frowned upon (not to start a war, but I have yet to hear that dude from Korn hit a note that had anything to do with ANYTHING). I don't get it. Just fit thevocals in the track, make the rest of the track rock, and the fans'll love you.

Unless you were hired specifically to get in tune vocals out of him; in which case distortion, ring modulators and delay are your new best friends.

Good luck.

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Old 12th April 2007   #9
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Leave the vocals alone.

I've recorded a few bands where the singer didn't even know what "in tune" meant. Most of them said "Nobody says anything when we play live!"

There's a whole sect of metal bands where singing in tune is almost frowned upon (not to start a war, but I have yet to hear that dude from Korn hit a note that had anything to do with ANYTHING). I don't get it. Just fit thevocals in the track, make the rest of the track rock, and the fans'll love you.

Unless you were hired specifically to get in tune vocals out of him; in which case distortion, ring modulators and delay are your new best friends.

Good luck.

I
Wow! thats great advice. thumbsup I get too caught up in making every thing "perfect", but the band could care less, and probably the fans as well. They really can't hear the difference. Much less stress.

I've also found that distortion and delay as well as tucking the vox in the mix really helps. Take the focus away from the pitch.

I still wonder how engineers who have to record horrific singers pull it off. Like say a label signs a Paris Hilton type, or some hot model or actor who can't sing a lick and you have to make it sound good.
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Old 12th April 2007   #10
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I've heard horror stories about Paula Abdul's records going through every engineer in LA in the 80's. APPARENTLY she can't sing a lick and after every trick in the book was used to fix her out of tune vocals, they had to write a whole new book.

I blame her for the Vocalist/Autotune/Melodyne laden vocals I hear every day.

I


P.S. YES, I have auto-tuned singers. I have to pay my rent, too.
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Old 12th April 2007   #11
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You must have a horrible life, getting a living out of autotune!
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Old 12th April 2007   #12
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Hmm.... If he's that far off each time, maybe its because he doesn't actually have a definite part written yet.

Maybe he needs a guide track of a piano or something to hold down the melody, which he can then sing along to.

If he's more than a tone off, melodyne will make him sound cyborgey...
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Old 13th April 2007   #13
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Maybe he needs a guide track of a piano or something to hold down the melody, which he can then sing along to.
this is a good idea. i tend to use synth lead sounds as guide tracks to help me build big multitracked harmonies easily, but then when producing myself there are no ego issues. just tell him that's what mike patton does or something
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Old 13th April 2007   #14
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I think a big reason why your singer is always going sharp is because he is sooooo use to screaming and throwing everything he has into is vocals, that he just oversteps everything. He's just got to relax a bit, and he'll start leveling off to were he's not sharp. My two cents
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Old 13th April 2007   #15
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press mute on lead vocal! Hope it will help..
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Old 20th April 2007   #16
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Old tricks

I know it's rock 'n roll and singers generally want to feel like they're ontage performing instead of focusing on the issue at hand which is ummmm . . . singing but, try lessening his headphone mix so that he can hear himself sing "in his own head" as well ass a tiny bit through the headphones. What a singer hears in their head versus what they think they're hearing in their mix are two completely different realities.

It'll take time for him to get used to it, and you'll have to maintain "sainthood" bcz he's going to bitch and moan and then use it as yet another excuse as to why he can't sing, but it works. Bear with it.

If that fails douse him in effects and bury it in the mix like an artsy alternative record and maybe no one will be the wiser, but this guy sounds extremely gifted at delivering bad vocals.
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Old 20th April 2007   #17
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Dropping him by 4-5 db at 3 khz will blur the actual tones he's singing a little bit.. if you're going for less emphasis on the notes.
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Old 20th April 2007   #18
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I feel for you too, everything said above is good advice, i have an additional point.
Sometimes those singers are very uncomfort with the average studio-situation.
They're used to bend down, go on their knees (some) move or twist their body, whatever gymnastics you imagine. Standing straight in front of a fixed Mic on a stand could make them uneasy and feel limited.
You should at least once try to give hime the SM58 with long cable opportunity .
Let him jump around and shout into the thing.
Trade performance for sound... if he still can't do it :

Is there actually a good Studio pet?


I sometimes got some good takes out of the SM58-thing. >And Hey, its RocknRoll.
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