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| | #31 | |
| Gear Head Join Date: Jan 2007
Posts: 51
| Quote:
If it works for you that's great. Just like the Neve with the other poster you just paid out on.
__________________ Ask me no questions and I'll tell you no lies. | |
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| | #32 | |
| Gear maniac Join Date: Nov 2006 Location: Melbourne, Australia.
Posts: 205
| Quote:
Well I wont make any apologies for trying to state that that Varimu is NOT a shit compressor, or, is easily bettered by an avalon or the like. If people are don't take the time to learn how to use this gem or are trying to compress the **** out of their music, then of course you're gonna get crap results. the VM is not a slam bam thankyou mam type compressor, however it seems like people are always asking it to be so. as for a the GML's top end sounding like' shattering glass', well I'm sure that's up for debate as flocks of the new generation eagerly buy the digital plug in of this classic eq. I'm pretty sure the countless masters this eq is, and has been used on, don't sound like shattered glass either. It astounds me that peolpe could downgrade either piece of gear. | |
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| | #33 | |
| Gear Head Join Date: Jan 2007
Posts: 51
| Quote:
Yeah I think you were paying out on that guy. I haven't seen that many GML 8200s in mastering rooms. If you're talking 9500 then you have a better case but it still doesn't change my opinion that it too would be a fine accompaniment to the 8200 as a boat anchor. Surely an expensive one but nonetheless a worthy one. Judging by your defensive reaction I can only assume you own one? Funny isn't it that one half of the genius behind Sontec, a REAL mastering eq couldn't follow up with an equal or better eq. As far as your plug-in argument goes, people who think they are getting the real deal in software are misguided and foolish even if it is a GML. Yeah I'm in a fighting mood so bring it on girl dog. | |
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| | #34 | |
| Gear maniac Join Date: Nov 2006 Location: Melbourne, Australia.
Posts: 205
| Quote:
The fact that you actually dis the 9500 as well, confirms to me that you're either taking the piss out of me, or, you have a rack full of Beringher and TLA gear. As far as sontecs go, please, they've had their day. I need an eq that works everyday and can be serviced. after all, I'm in the service industry. | |
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| | #35 |
| Moderator Join Date: Dec 2002
Posts: 3,352
Verified Member | I used the 9500 a handful of times when I was working out of Sony L.A. while my own room was being built. It wasn't exciting, but it seemed to work fine and I managed not to shatter any windows (they would have charged me extra I'm sure). The Sontec was very nice, but a little dirtier than some more modern designs. I'm actually happiest with the Millennia on balance, and the few things that bug me about it (not truly switched for one thing) I expect to be remedied when Fred Forrsell finally gets his real mastering EQ off the ground. Honestly, I could make a record with any of them. EQs in this class don't suck; they simply perform better or worse for some things, and fit certain tastes better than others. |
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| | #36 | |
| Gear Guru Join Date: Dec 2002 Location: Columbus, Ohio
Posts: 12,365
Verified Member | The 9500 is an amazingly powerful science project, but I agree that the top end is harsh and it has a sterilizing effect. Quote:
I used a Vari-Mu for a few years and dont miss it at all. Nor do I miss their clean/fast 'Pultec' variation, or the Massive Passive for mastering. Come to think of it we've owned/used the El-Op, their pres, Voxbox, Langevin pres, Ref Card and Gold Ref for tracking/mixing as well. Each of these had better alternatives elsewhere. The SLAM looks promising, however, but I dont need it. The Mini Massive looks interesting too. The MUs sweet spot was found, and that was not the issue, nor was it the action ... the low end was the thing, and the tone generally. The Manley line is a lineage of clean tube gear, not color gear (as the "tube" would suggests to many) and their weak low end carries through most of the line. I'm turned off by anemic transformers. For the color I wanted from the MU I much prefer the L2M ... or a Neve-type for non-tube transformer sounds.
__________________ brian lucey magic garden mastering The Shins, Dr. John, The Black Keys, OAR, David Lynch, Sami Yusuf, moe. | |
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| | #37 | |
| Gear Head Join Date: Jan 2007
Posts: 51
| Quote:
I have no gear. I'm a part-time furniture salesman with an interest in this stuff. I've been lucky enough to hear a lot of gear and I just have an opinion very much like you and Mr I Prefer Neves To Manleys. | |
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| | #38 | |
| Gear maniac Join Date: Nov 2006 Location: Melbourne, Australia.
Posts: 205
| Quote:
Having said that, I'm not gonna sell my varimu or gml in a hurry...sorry dude. I just find it really hard to get to upset with you as every time I see your avatar it just cracks me up (even if it is censored) ![]() | |
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| | #39 | ||
| Gear Guru Join Date: Dec 2002 Location: Columbus, Ohio
Posts: 12,365
Verified Member | Quote:
He needs a 'fact checker' too, probably one with a whip. Quote:
Anger Mgmt classes start at 10 ... next forum down the hall. | ||
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| | #40 | |
| Gear maniac Join Date: Nov 2006 Location: Melbourne, Australia.
Posts: 205
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| | #41 | |
| Gear Head Join Date: Jan 2007
Posts: 51
| Quote:
No need to sell Soundroid. And not trying to upset you. Consider the peace pipe smoked and passed back. | |
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| | #42 |
| Gear maniac Join Date: Nov 2006 Location: Melbourne, Australia.
Posts: 205
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| | #43 |
| Gear maniac Join Date: Nov 2006 Location: Melbourne, Australia.
Posts: 205
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| | #44 | |
| Craneslut | Quote:
As for service, Burgess is back, I've spoken with him several times recently. And of course there are those of us who still believe it to be the ultimate mastering EQ. There's a reason there are still so many being used today...
__________________ euphonic masters | |
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| | #45 | |
| Gear maniac Join Date: Nov 2006 Location: Melbourne, Australia.
Posts: 205
| Quote:
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| | #46 | |
| Lives for gear Join Date: Jan 2007 Location: Melbourne - Australia's music capital.
Posts: 1,632
Verified Member | Quote:
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| | #47 | |
| Gear Head Join Date: Jan 2007
Posts: 51
| Quote:
I'm afraid I don't suffer fools gladly. And sure at times I probably don't contribute as dilligently as I should but I try. Remember I am a part-time furniture salesman. Back on topic I agree about the "magic spot" on the Mu. | |
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| | #48 |
| Lives for gear Join Date: Aug 2003 Location: Hollywood CA
Posts: 2,492
Verified Member | But when you say "Mu" is this the original with Sowther transformers and 6386's or the latest design? DC |
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| | #49 | |
| Gear Guru Join Date: Dec 2002 Location: Columbus, Ohio
Posts: 12,365
Verified Member | Quote:
Here's a chance, once again, to discuss something without getting personal or nasty ... to do what you claimed to already do (but in realty don't) : The "magic spot" on the MU is real, but gain color is not the issue for most people I've talked to who are unhappy ... it's the transformers and the low end. Props actually to Fletcher on that one as he called it long ago. The MP? ... a great midrange eq but a weak low end as compared to the colorful transformers that most are looking for in 'tube gear'. The 'enhanced' Pultec ? ... also neutered. There's more beef on an E27 than 3 Manley's in a chain. A Manley mastering desk, as counter example (here's a conversation-maker Punyshire ... coming slow and right over the plate) ... would likely be a nice and clean thing. The design lineage/history of Manley is clean tube, not old skool transformer/tube, that's my point. So for the Slam, Mini Massive, or a mastering desk ... likely great ways to go. | |
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| | #50 |
| Lives for gear Join Date: Mar 2006 Location: Austin, Texas
Posts: 1,864
Verified Member | Here's a pic of a sweet Mu Spot setting I used today: ![]() They say it's better to teach a man to fish, how 'bout if I bait the hook for you : - ) Cheers JT |
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| | #51 | ||
| Lives for gear | Quote:
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| | #52 |
| Moderator Join Date: Dec 2002
Posts: 3,352
Verified Member | In March of 1996 they switched from Sowter and started using their own Manley transformers (the version 2), three months before they stopped using the 6386 tubes due to supply difficulties, and started using the 5670 (the version 3). They also changed output tubes from 12BH7 to 7044. In October 1997 came the version 4, and current production is the 4a since February 2004. The 4 changed board layout and power transformer (a single big one completely outside on back), and the 4a changed output tubes from 7044 to 5687, and gain tubes to 12AX7EH. |
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| | #53 | ||||
| Lives for gear Join Date: Mar 2006 Location: Austin, Texas
Posts: 1,864
Verified Member | Quote:
I happily used it on many masters for a few years til' I replaced it with a Sontec 432. The GML now lives in our B Room alongside an Avalon 2055 and a (version 3) Manley Vari Mu. imho that day continues, at least at our place. Quote:
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----------------------------------- As to which pieces of mastering gear are ~ the~ best... imho most the pieces we discuss in the mastering forums are found in many professional rooms, I think it comes down to a matter of personal preference, and being liberal music folks, we should celebrate diversity : - ) Cheers Guys - JT | ||||
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| | #54 | |
| Gear Head Join Date: Jan 2007
Posts: 51
| Quote:
It's pointless making conversation with you. I see how you engage with others. Have you ever stopped to consider why so many people hammer on you? People take the time to create avatars and animated gif's depicting you spewing faeces everywhere - why is that? Why is it that no one else is singled out like this? Maybe you should stop to consider that for a bit - it's not because you're the only one 'seeking the truth'" as you so put it. | |
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| | #55 |
| Gear Head Join Date: Jan 2007
Posts: 51
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| | #56 |
| Gear Head Join Date: Jan 2007
Posts: 51
| As a matter of fact I am. I have been helping a friend with his family business and ocassionally deliver stuff as well. I'm lucky enough to know a fellow who has a growing business buying out studios who are going to the wall. You can imagine the stuff that goes through his hands. It's through these experiences that I base my opinions. |
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| | #57 | |
| Gear Guru Join Date: Dec 2002 Location: Columbus, Ohio
Posts: 12,365
Verified Member | Jerry do you ever pull it back below 11 and get the same results? IIRC the sweet spot was always in the box, and not so much a gain stage thing. Sorry folks, but when repeatedly trolled and slandered online ... and the coward wont PM ... then here we are. ------------------- How would you know ... never having the character to try? And having decided years ago to attack, attack, attack? Again with this last post, where I put one over the plate, you've 100% skipped over the points ON THE ACTUAL TOPIC and stuck with the personal. Myopic, again. It makes you look insane ... and again ... it's feeling a little gay to get all this attention from you. Did daddy beat you up and now you feel the need to pass on the abuse? With all the "girl dog" and "hammer" language that's seeming more and more possible. Quote:
Please get over your imagined status as 'Punisher', or at least take it to PM. With every personal attack you force a rebuttal, and that's trashing up the forum. | |
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| | #58 | ||
| Moderator Join Date: Dec 2002
Posts: 3,352
Verified Member | Quote:
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| | #59 |
| Lives for gear Join Date: Dec 2004 Location: Philadelphia
Posts: 725
| Did the original poster get a processed sound file yet? |
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| | #60 |
| Lives for gear Join Date: May 2005 Location: Netherlands
Posts: 1,783
Verified Member | yes I did, included a tubetech smc-2b .... long, long, LONG time ago !!!! enjoyed the talk about the sweetspot from the vari-mu though ..... regards wim, www.inlinemastering.com |
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