Originally Posted by AdamONE
I just had a project come up and they want to release it on vinyl. The audio itself is actually part of a contemporary art piece, it's not musical, so I'm not as concerned with the normal sound issues. I'm just wonering if anyone could make some suggestions on things to think about, and the overall process when going to vinyl. Maybe suggest a good resource to look at?
okay, I am going to fu*ck up some ppl who hold "secret" knowledge for eternity .. but I am soooo bored of vinyl cutters not talking to clients about freaking technical details..
here are some important issues when vinyl cutting... (simple and ruff.. there is much more to the topic but I am in a hurry):
cut off the infrasub below 15Hz.. tone arms resonate around 5-10Hz and the needle will jump when played back on turntables...
check the phase alignment of everything below 500Hz .. should be very mono. how do you check? with a phase meter (keep it green) OR simply press MONO on your mixer / amp and listen if the bass is diminuished.. if so take out that cathedral reverb from the subsonics! ;-) .. kepp the stereo-wideners up of 500Hz!
carefull with hihats around 8.4 KHz .. or "S"-tones in vocals... DE-ESS the shit out of it, really do... they will sound MUCH more aggressive on vinyl - you are going to regret it... the SHURE SM58
sounds like crap when recorded on vinyl.
for dance music I place a "safety" sharp butterworth 5 or 6 LO-PASS filter at around 18.5 or 19 KHz to avoid intermodulation of highs to lower frequencies (happens sometimes) ..
and the most important rule:
keep it very, very slick and fat. weak mixes will sound terrible on vinyl.. good mixes will translate good even if the cutter is lazy or has a bad day.
dont exagerate with loudness... that especially applies to vinyl. -12dB RMS is really hot enough.. the cutter should decide how hot he can print the whole plate...
for 33 1/3 RPM (dance): keep the side under 15 mintes IN ANY CASE or it will sound like garbage. under 12 minutes will shine.
for 45 RPM (dance): keep the side under 9 minutes IN ANY CASE or it will sound worse then 33 1/3 (good 33 1/3 is superior to bad 45er cuts). for very loud an d crips records stay under 6 minutes for a 45er cut. these ones are my favourites..
if you dont do much bass and you have a more "hifi-ish" recording try DMM (direct metal mastering) .. it sounds pretty close to heaven if done properly
just my few lazy answers...
I wish you phat tracks.