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| | #1 |
| Gear maniac Join Date: May 2006
Posts: 180
| Eliosound vs Algorithmix? Hi, I realise the Algorithmix is sometimes regarded as the Weiss of software mastering EQ, but I'm wondering if anyone's compared the Algorithmix to the new AirEQ by Eliosound? I realise demos are available for both, but as I'm G5-based, I won't have the opportunity to try out the Algorithmix. The Eliosound EQ sounds pretty nice, but I wouldn't mind hearing some opinions from people with good monitoring (!) and experience! ![]() |
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| | #2 |
| Gear nut Join Date: Aug 2006 Location: Las Vegas
Posts: 137
| Barilla you should try the demo of PLParEQ at http://refinedaudiometrics.com/index.shtml |
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| | #3 |
| Gear maniac Join Date: May 2006
Posts: 180
| Well, I'm G5-based as I said, so trying out PLPar is out of the question, as there's no Mac version. ![]() |
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| | #4 |
| Gear nut Join Date: Aug 2006 Location: Las Vegas
Posts: 137
| well then maybe try psp neon http://www.pspaudioware.com/ air eq sound good but you probably looking for a linear phase equalizer |
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| | #5 |
| Lives for gear Join Date: Jan 2005 Location: Sydney, Australia
Posts: 1,525
| They are all nice eq's, I've used all the ones mentioned, The algorithmix red has a very thick sound, that is very nice, the orange sounds a little more clinical, psp neon is a great sounding eq, sometimes will choose neon over the algorithmix depending on what sounds better on which mix. PLPar eq is also a very nice eq though I prefer the others over it, the m/s funtion is great. AIR eq sounds very very sweet, I don't like the air funtion, but the high and low filters are great, great for sweetening most things. The best thing about the air eq is the low cpu load it achieves, though I wonder what the seasoned pro's think of it in real world mastering situations. "AirEQ is based on a new filtering technology, AMLT® (Analog Matched Linear Transform)", I'm not sure if this relates to Linear phase or not? Though it does sound good, I trust my ears on that. Hopefully the pro's here will get some time to test it and post thier thoughts.
__________________ If you don't like it don't do it, its like banging your head into a brick wall, you always feel better once you stop. http://au.myspace.com/mandalatheband http://www.myspace.com/lizard42c http://www.myspace.com/eggshellrecords http://www.underworldmusicproductions.com http://www.myspace.com/poetlaureatte http://www.myspace.com/thanorthernlightscrew http://www.myspace.com/originaldrzeus |
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| | #6 | |
| Gear Head Join Date: Jul 2006
Posts: 51
| Quote:
But it does not mean that it is Linear phase. In fact this transformation has a non linear phase, since it is based on an analog filter formulae, but for the high frequency settings, the shape produced by the standard Linear transform is wraped. There is also the Orfanidis filters, that are closer to the analog filter shapes, but not matched exactly, and the AMLT filters are matched to analog ones up to 20kHz. Fabrice, Eliosound | |
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| | #7 | |
| Lives for gear Join Date: Aug 2005 Location: Brisbane, Australia
Posts: 681
| Quote:
The Algorithmix Orange does sound very similar to the Weiss, although I still prefer the Weiss on most things although it's a lot cheaper then the Linear Phase version of the Weiss. I've tried the AirEQ demo, but in the end I've always found it too coloured (in a bad way) for mastering. The filters tend to ring & interact with the phase too much which makes it not very transparent. Having said that if you used it with wide Q's & at very low gain settings it may do an alright job. I also dislike & would never use the "Air" band. I have a Sontec MES-432C arriving tomorrow, I'll let you know how that compares ;) Matt | |
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| | #8 | |
| Gear Head Join Date: Jul 2006
Posts: 51
| Quote:
For mastering, you do not need such high gains and high Q factors, except if you have to remove some resonnances that have been left during the mixing stage. Anyway, we may make an option to lower the maximal gain of the AirEQ's knobs, so it will be more suited to mastering purposes. Fabrice, Eliosound | |
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| | #9 |
| Gear Head Join Date: Nov 2005
Posts: 46
| Hm, what´s the difference? Cannot see a sense in this feature, but it would be a nice trick to claim "you can boost it and boost it, it still will sound nice" It`s good to have the possibility to boost in a large amount; also to be prepared for boosting program material isn`t enriched with highs enough. (e. g. for tape-restauration) |
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| | #10 | |
| Lives for gear | Hey folks, I am abit sad Fabrice did not mention that his company posted the following news on their webpage: Quote:
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__________________ Interface: MIO 2882 PreAmps: Averill 1272, Fletcher P10 Compressor: Smart C2M, EL Fatso Summing Mixer: Sumo Monitors: Klein & Hummel O300 Microphone: Audix D6, Audix i-5, Audix OM-2s, CAD E-350, Beyerdynamic M160, Beyerdynamic MC930, Peluso 22 47 Outboard FX: Lexicon PCM 81, PCM 91, Ensoniq DP4+ DAW: Intel Mac, MOTU DP 5, Apple Logic 8, Cubase 4.1, Ableton Live 7, Celemony Melodyne 3, URS & Waves Plugins | |
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| | #11 | |
| Lives for gear Join Date: Jul 2004 Location: Germany
Posts: 566
| Quote:
fabrice posted about the groupbuy in 2 other threads here at gearslutz: http://gearslutz.com/board/showthrea...t=68783&page=3 http://gearslutz.com/board/showthread.php?t=77310 | |
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| | #12 |
| Lives for gear | sorry defjamm i missed that one!
__________________ Interface: MIO 2882 PreAmps: Averill 1272, Fletcher P10 Compressor: Smart C2M, EL Fatso Summing Mixer: Sumo Monitors: Klein & Hummel O300 Microphone: Audix D6, Audix i-5, Audix OM-2s, CAD E-350, Beyerdynamic M160, Beyerdynamic MC930, Peluso 22 47 Outboard FX: Lexicon PCM 81, PCM 91, Ensoniq DP4+ DAW: Intel Mac, MOTU DP 5, Apple Logic 8, Cubase 4.1, Ableton Live 7, Celemony Melodyne 3, URS & Waves Plugins |
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| | #13 |
| Lives for gear | I use Algorithmix LP EQ(Red) with Sequoia here. It is by far the most "transparent" eq I have personally ever worked with. I use it for classical music work. My monitors are B+W 802s, and truth TA 1Ps.
__________________ I think it is wrong to make everything equidistant from the listener with too many mics. The pasting-on effects end up like bad Photoshop work on graphics & photos - too unbelievable.-Tony Faulkner http://www.last.fm/user/TeddyBullard/ |
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| | #14 |
| Gear maniac Join Date: Apr 2006 Location: Romania
Posts: 240
| To the original poster: I'm mac based too, and I have PSP Neon HR, which is the best thing as linear eq-ing can go, on Mac. I have AirEQ too, and I believe it is great! It' in every mix I do, I'm so glad I have it. And by, the way, I use it with the option of not displaying values, it is soo cool to judge with your ears only! Definately the EQ of the moment in the plugin realm.
__________________ "When the MAN sings, the whole being rejoices" |
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| | #15 | |
| Gear Head Join Date: Feb 2009 Location: Recording Studio Brisbane, Australia
Posts: 54
| Quote:
However, as I have only a Mac, I wish I could experience your findings for myself 1st hand. Peace Josef Horhay Mixing Engineer | |
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