18th December 2012
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#91 | | Gear addict
Joined: Aug 2012 Location: Stamford, CT
Posts: 499
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Originally Posted by wado1942 I said I can't think of a song that only sounds great as a crushed master. MGMT's demo is about -10dBfs RMS, whereas the "studio" release is about 5dB hotter and sounds horrid, though it's largely the same production style. | I'll take the demo over the studio, thanks.
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18th December 2012
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#92 | | Lives for gear
Joined: Jan 2009 Location: Boise, Idaho
Posts: 2,582
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Originally Posted by The_K_Man I'll take the demo over the studio, thanks. | That's what I'M saying!
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18th December 2012
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#93 | | Lives for gear
Joined: Mar 2004 Location: Hollywood, CA
Posts: 933
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Originally Posted by engmix Who's up for a little friendly Mastering Throw-down. I'll try and provide a minute of a track, a quick but decent mix, and see how far it can get pushed without total destruction. Then we can reveal our process (gear, converters, plugins) and see what the results are... And if someone feels that keeping their Master at -18 RMS verses someone at -8 then cool, we can debate the impact of the results.
Who's in? I personally won't post a track unless there's at least 10 engineers out there willing to dive in. | I'm in.
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18th December 2012
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#94 | | Lives for gear
Joined: Mar 2010
Posts: 1,388
| Quote:
Originally Posted by wado1942 I said I can't think of a song that only sounds great as a crushed master. MGMT's demo is about -10dBfs RMS, whereas the "studio" release is about 5dB hotter and sounds horrid, though it's largely the same production style. | We've just wandered into "agree to dissagree" territory.
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18th December 2012
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#95 | | Gear addict
Joined: Mar 2008
Posts: 425
| Quote:
Originally Posted by engmix Who's up for a little friendly Mastering Throw-down. I'll try and provide a minute of a track, a quick but decent mix, and see how far it can get pushed without total destruction. Then we can reveal our process (gear, converters, plugins) and see what the results are... And if someone feels that keeping their Master at -18 RMS verses someone at -8 then cool, we can debate the impact of the results.
Who's in? I personally won't post a track unless there's at least 10 engineers out there willing to dive in.
| I'm in too.
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19th December 2012
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#96 | | Lives for gear
Joined: Mar 2006 Location: New York City | Mastering Throw Down
Ok, so i've gotten a few PM's from those who are interested in having a bit of fun. And that's the hope, that this is all in good fun, educational, and not a personal verbal smack down. Personally i'm super stoked to have some potential heavy hitters get involved. It will be good to see up and comers get into it too. As well as Digital and Analog Hybrid approaches. Obviously i can't wax any rules with this, it's an open forum, but my hope is, that all involved will reveal their processing chain, software, and concepts into why they did what they did.
In the next 48 to 72 hours (i have some records that i'm in the middle of working on) i will post a minute of a demo that is currently collecting dust. It's in the pop mid tempo realm. It's very dynamic, which will help to make this interesting.
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19th December 2012
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#97 | | Lives for gear
Joined: Feb 2006 Location: Milan Verified Member |
i'm in too, but the target is a little unclear. are we supposed to be making it as loud as we can (going against what i would usually go for), or are we going for the best possible sound?
i think you do have to be careful with these shootouts. the way they work on the REP forum with the WUMPs is great (loads of pros helping each other out, and a real lack of egos), but i've seen them get very nasty on certain other forums. i'm just not sure there's enough maturity shown on here for it to be anything other than a huge cluster****.
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19th December 2012
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#98 | | Lives for gear
Joined: Mar 2006 Location: New York City | Quote:
Originally Posted by Babaluma i'm in too, but the target is a little unclear. are we supposed to be making it as loud as we can (going against what i would usually go for), or are we going for the best possible sound?
i think you do have to be careful with these shootouts. the way they work on the REP forum with the WUMPs is great (loads of pros helping each other out, and a real lack of egos), but i've seen them get very nasty on certain other forums. i'm just not sure there's enough maturity shown on here for it to be anything other than a huge cluster****. | The thread says it all "loud pop tracks" but that is up to the person mastering the track. Loud with quality being the focus, but i think it will be interesting to see what people think is "good" because one's pancake mastering is another's mojo. As for worrying about the trolls and negativity, well this is an open forum, so other than the moderator shutting down the thread, it's at the mercy of all involved. There's also nothing wrong with a bit of ego flaring, it comes with the territory. The good thing about throw downs, is it pretty much weeds out the idiots.
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19th December 2012
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#99 | | Lives for gear
Joined: Feb 2006 Location: Milan Verified Member |
Yep, totally agree, and I am really looking forward to this! Thanks for organising and clarifying the "goal". I'm going to aim for a bit louder than I normally would with a client who asks for it loud/louder, so the k man may not want to listen to my entry... |
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19th December 2012
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#100 | | Gear addict
Joined: Aug 2012 Location: Stamford, CT
Posts: 499
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Originally Posted by Babaluma Yep, totally agree, and I am really looking forward to this! Thanks for organising and clarifying the "goal". I'm going to aim for a bit louder than I normally would with a client who asks for it loud/louder, so the k man may not want to listen to my entry...  | No personal jabs allowed in this contest.
Put that in the books.
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19th December 2012
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#101 | | Lives for gear
Joined: Feb 2006 Location: Milan Verified Member |
Good!
I'm not looking forward to having to perceptually volume match all the entries, it's tiresome work, but the only way for a fair appraisal.
I'd actually like to do two, time permitting. Would that be allowed? One for quality, and one for loudness? Or am I crazy to be second guessing myself before we even begin? |
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19th December 2012
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#102 | | Lives for gear
Joined: Mar 2006 Location: New York City | Quote:
Originally Posted by The_K_Man No personal jabs allowed in this contest.
Put that in the books. | No worries K-man, this is an open forum, all opinions welcome.
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19th December 2012
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#103 | | Lives for gear
Joined: Mar 2006 Location: New York City | Quote:
Originally Posted by Babaluma Good! I'm not looking forward to having to perceptually volume match all the entries, it's tiresome work, but the only way for a fair appraisal.
I'd actually like to do two, time permitting. Would that be allowed? One for quality, and one for loudness? Or am I crazy to be second guessing myself before we even begin?  | Yes, this is true, and it would be awesome if someone could pickup the slack on this task, but if i have to do it i will. With that said, i think having the files unmatched will be important as well, so we can just see how a master will impact the listener, who's transients are retained well, who's overall frequency balance is well done, within it's intended perceived volume.
And i don't think that this should be about getting the mix as loud as possible and have it suck, it's about getting it competitive in today's realm, but there be some sonic integrity, and that's where things get interesting, because we all hear differently.
I think instead of doing two, do one that you're happy with, and go with it. It's easy to make a nice sounding master where level is not front and center. But again, don't do something outside of what you would consider good taste. I could get my 14 year old niece to turn a mix up to -6 without worrying about compromise.
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19th December 2012
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#104 | | Lives for gear
Joined: Feb 2006 Location: Milan Verified Member |
Yeah, thought about this all afternoon, and you're right. Just go for it and do the best you can with "competitive" level in mind. Which is pretty much what I'm doing every day anyway!
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19th December 2012
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#105 | | Gear maniac
Joined: Oct 2011 Location: Los Angeles, CA
Posts: 243
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Originally Posted by engmix Ok, so i've gotten a few PM's from those who are interested in having a bit of fun. And that's the hope, that this is all in good fun, educational, and not a personal verbal smack down. Personally i'm super stoked to have some potential heavy hitters get involved. It will be good to see up and comers get into it too. As well as Digital and Analog Hybrid approaches. Obviously i can't wax any rules with this, it's an open forum, but my hope is, that all involved will reveal their processing chain, software, and concepts into why they did what they did.
In the next 48 to 72 hours (i have some records that i'm in the middle of working on) i will post a minute of a demo that is currently collecting dust. It's in the pop mid tempo realm. It's very dynamic, which will help to make this interesting. | I'm in too. Looking forward to the variety of results.
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19th December 2012
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#106 | | Lives for gear
Joined: Mar 2006 Location: New York City | Mix for Mastering Throw Down
Ok, i have the demo ready to go. How do i upload a hi res stereo file (24bits 44.1k) into the forum.
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19th December 2012
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#107 | | Lives for gear
Joined: Feb 2006 Location: Milan Verified Member |
That would be great!
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19th December 2012
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#108 | | Lives for gear
Joined: Aug 2007 Location: France
Posts: 535
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I'm in too
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19th December 2012
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#109 | | Lives for gear
Joined: Mar 2006 Location: New York City |
Ok, i have the demo ready to go. How do i upload a hi res stereo file (24bits 44.1k) into the forum.
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19th December 2012
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#110 | | Lives for gear
Joined: Feb 2010 Location: New York
Posts: 1,491
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I'm sure that someone probably already said this, but pushing tape hard makes a tune sound louder than just dropping it digitally. Tape compression!
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19th December 2012
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#111 | | Mastering Moderator
Joined: Apr 2003 Location: Always on the Run
Posts: 2,947
Verified Member | Quote:
Originally Posted by engmix Ok, i have the demo ready to go. How do i upload a hi res stereo file (24bits 44.1k) into the forum. | It depends how big it is, up to 9 megs via the attachment manage option.
__________________ Velvet Room Mastering
"Can you imagine how great the Beatles or Pink Floyd could have sounded if they had used better cables?
I expect a Nobel prize to someday be awarded to an audiophile cable designer, as they clearly are way ahead of the rest of us.
" - DC -
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19th December 2012
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#112 | | Lives for gear
Joined: Feb 2006 Location: Milan Verified Member |
I'm sure it's gonna be bigger than 9MB if it's a 24bit 1 minute snippet. I'd be happy to host it, but only for one week. Should be time enough for all who want to be involved to download it. Let me know if I can help out. Is there no way you could put it on WeTransfer.com and send links to people who send you their email addresses? Not sure if that's doable, but another possible option.
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19th December 2012
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#113 | | Lives for gear
Joined: Aug 2007 Location: France
Posts: 535
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Any free file sharing service can do the trick. Once the upload done, you just have to share here the download link.
I love this one because of its nice pictures. https://www.wetransfer.com |
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19th December 2012
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#114 | | Lives for gear
Joined: Feb 2006 Location: Milan Verified Member |
yeah but i think with wetransfer you can't just provide a link, you need email addresses of recipients. might be wrong though...
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19th December 2012
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#115 | | Lives for gear
Joined: Mar 2006 Location: New York City |
I generated a link from my yousendit account.
And i think no one should post their mastering until this Friday or Saturday, giving everyone a few days to get it done. I want to avoid setting any kind of benchmark to reference from, so everyone is flying on their own jet so to speak.
Remember, this is a production demo, rock on with your bad selves.
The audio file is 24bit 44.1 Aiff https://www.yousendit.com/download/W...QVM5NVUxWjhUQw
By the way, i have to say this whether you like the song or not. This song is under copyright with BMI, and is the sole property of Waxmusic publishing. No one is permitted to copy this song for resale or any other reason without my written consent, for all territories on Earth.
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19th December 2012
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#116 | | Lives for gear
Joined: Feb 2006 Location: Milan Verified Member |
thanks, downloading now!
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19th December 2012
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#117 | | Lives for gear
Joined: Mar 2006 Location: New York City | Quote:
Originally Posted by Babaluma thanks, downloading now! | Cool, and obviously there are no strict rules, but i think you guys should give it a few days before you post your work...this way others wont be able to use your work as a benchmark to strive for and beyond.
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20th December 2012
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#118 | | Lives for gear
Joined: May 2012
Posts: 1,222
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Yeah, okay, but what is the delivery medium? I am just going to assume 320kbps mp3
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20th December 2012
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#119 | | Lives for gear
Joined: Feb 2008
Posts: 1,148
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Originally Posted by OpusOfTrolls Yeah, okay, but what is the delivery medium? I am just going to assume 320kbps mp3 | It should be lossless only. lossy codecs don't maintain peak control.
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20th December 2012
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#120 | | Lives for gear
Joined: Mar 2006 Location: New York City | Quote:
Originally Posted by Jesse Graffam It should be lossless only. lossy codecs don't maintain peak control. | agreed...
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