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TK Audio TK-lizer eq VS Dangerous Bax eq
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Old 15th November 2012   #1
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TK Audio TK-lizer eq VS Dangerous Bax eq

I'm thinking of getting one of these.

I know BAX is very respected EQ but TK-lizer is cheaper. TK-audio products are top quality build and I love their BC-1 that I just got.

As I understand they are both Baxandall style EQ.

So if there is a chance to have a word from someone who used both. Or one of these EQ.

I know it would be the best thing to try them but in my country there is no option for testing.

Tnx
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Old 15th November 2012   #2
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Got the TK & I love it. Haven't used the Bax yet. Hit me up with questions!
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Old 16th November 2012   #3
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All I can say about the BAX is that I bought it as a "secondary" unit and I'd bet a dollar it's on nearly everything I've worked on in the past couple years.

That said -- I'm tempted to demo the TKL just for the M/S function...
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Old 16th November 2012   #4
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All I can say about the BAX is that I bought it as a "secondary" unit and I'd bet a dollar it's on nearly everything I've worked on in the past couple years.

That said -- I'm tempted to demo the TKL just for the M/S function...
From their site: We like to thank Wayne Kirkwood at KA Electronics for letting us use his genius M/S circuit!!
The MS encoder/decoder from Wayne is REALLY good! I also use it in my masteringconsole and it's simply brilliant.
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Old 16th November 2012   #5
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Jap, the M/S circuit is really a gift combined with that easy-to-modify HPF. Too bad it doesn't have separate outputs for M/S, but I'm sure TK will build one with additional outputs up on request.
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Old 18th November 2012   #6
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Got the TK & I love it. Haven't used the Bax yet. Hit me up with questions!
How do you use it? In any particular situation or it is somewhere locked in your chain?

What are the good things and what you don't like about it, if there is any.

Is that M/S internal? Beacuse you mentioned it doesn't have separate outputs for M/S?

Tnx
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Old 18th November 2012   #7
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Right now, I use it mainly to get the mix balance straight without leaving a too colorful footprint. Usually it sits right behind the comp in my chain.
I often use the HPF in M/S to mono out unwanted rumble in the S-channel as well as in the M-Channel, because I can apply different cutoffs to M and S.
For the rest it's mostly about broad stroke boosts, I do apply cuts digitally with ProQ. The HiShelf is great for bringing out some air in duller mixes. The separate gain controls per channel can be used to edit stereo wideness.

I'd love to have 0.5 dB steps above +-1dB and more overlapping between the bands. If the unit had additional M/S outputs it could be used as a M/S-decoder for the chain. But this can be done very easily in the digital domain.

I'm looking forward to have the TK team up with my Gyraf G14, which should arrive in a few days. This should give a powerful combination of tools for my needs.
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Old 18th November 2012   #8
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Right now, I use it mainly to get the mix balance straight without leaving a too colorful footprint. Usually it sits right behind the comp in my chain.
I often use the HPF in M/S to mono out unwanted rumble in the S-channel as well as in the M-Channel, because I can apply different cutoffs to M and S.
For the rest it's mostly about broad stroke boosts, I do apply cuts digitally with ProQ. The HiShelf is great for bringing out some air in duller mixes. The separate gain controls per channel can be used to edit stereo wideness.

I'd love to have 0.5 dB steps above +-1dB and more overlapping between the bands. If the unit had additional M/S outputs it could be used as a M/S-decoder for the chain. But this can be done very easily in the digital domain.

I'm looking forward to have the TK team up with my Gyraf G14, which should arrive in a few days. This should give a powerful combination of tools for my needs.
Tnx very much
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