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Mastering techniques for warmth/glue for instrumentals
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Old 17th October 2012   #1
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Mastering techniques for warmth/glue for instrumentals

I'm noticing that my tracks tend to sound a little all over the place on my car speakers. I want to get the whole song to sound more together and warm. As if everything is flowing together. I am 100% ITB btw.

I am currently using Ozone 5 and messing with some of the presets.
Do I need to add any minimal compression in addition to the Ozone, or any
harmonics? I have a lot of plugins but I am more a programmer so I don't get to use my effect plugins as much as I'd like. Working in Pro tools using Waves/Massey/Ozone/Fab filter/ and some others. Suggestions?
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Old 17th October 2012   #2
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Mastering is a little late for an issue like that. Can you get a remix?
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Old 18th October 2012   #3
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And "messing with presets" in Ozone is certainly not a way to find consistency (or anything else IMO).

You need to do what the mixes need you to do. Listen, establish what they need, do that.
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Old 18th October 2012   #4
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I make the music I mix so I'm pretty much attacking all aspects of production at this point. Don't have much experience mastering. Mixing... I can get along but I'm no expert.
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Old 18th October 2012   #5
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Old 19th October 2012   #6
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If the components don't seem to mix well or (come together) as you put it, EQ'ing can help significantly. And the implementation of a good reverb can help with that as well.

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Old 19th October 2012   #7
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This doesn't seem to be a mastering issue. You'll probably have to work on your mixes if there is an issue with "togetherness."

Mixing sews Frankenstein together. Mastering brings him to life.
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Old 19th October 2012   #8
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I see what you guys are saying. Maybe I need to focus more on the mix. That's a good analogy notch
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Old 21st October 2012   #9
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Mixing? If it's disjointed, mixing is already too late. You have to play or program it coherently in the first place.
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Old 23rd October 2012   #10
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Take the Ozone off first. Apply some light (1.1:1 or 1.2:1) compression. Try also a HPF, 32Hz....be brutal...24dB slope. Then think about the Ozone layer (pardon the pun).

When compressing at first have the input and output levels equal....once you have enough glue....you can worry about warmth , level and anything else you might want to do to it....be gentle, subtle....etc
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Old 23rd October 2012   #11
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As long as I can remember I'm usually looking for the opposite of "glue". More definition, more depth. I don't think "glueing" something together makes it sound "warmer"...
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Old 23rd October 2012   #12
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Wow 24db/octave/ HPF @32 Hz seems a lot of bass draining!
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Old 23rd October 2012   #13
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Quote:
Originally Posted by Alécio Costa View Post
Wow 24db/octave/ HPF @32 Hz seems a lot of bass draining!
Not bass really....more seismic. I disagree though, 32Hz is a good place to start.
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Old 23rd October 2012   #14
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Quote:
Originally Posted by IIIrd View Post
Not bass really....more seismic. I disagree though, 32Hz is a good place to start.
32Hz is a good place to start, but I prefer a steeper shelf or harder MB compression in that range rather than a HPF - if the mix needs it.
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Old 24th October 2012   #15
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Quote:
Originally Posted by NotchontheRocks View Post
32Hz is a good place to start, but I prefer a steeper shelf or harder MB compression in that range rather than a HPF - if the mix needs it.
as with everything....only if it needs it.
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