5th October 2012
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#1 | | Lives for gear
Joined: Nov 2006 Location: HI Ambacht, the Netherlands Thread Starter Verified Member | Fabfilter Pro-DS |
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5th October 2012
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#2 | | Lives for gear
Joined: May 2005 Location: Netherlands
Posts: 2,022
Verified Member |
just a fast test, but no attack/release ... love my DS1
bummer .. that's what makes a good d-esser ... it sounds good, but it just lacks the real controls I want/need .. why they did not add that ...
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5th October 2012
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#3 | | Lives for gear
Joined: May 2007 Location: Miami
Posts: 525
Verified Member |
It's an insanely good piece of software! I love it :D
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5th October 2012
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#4 | | Lives for gear
Joined: Jan 2010 Location: underneath the dank, cobbled streets of Landon Taaaan'
Posts: 1,863
Verified Member |
Aha! Maybe this is the reason Sonnox decided to put Suppressor on 40% discount this month |
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5th October 2012
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#5 | | Lives for gear
Joined: Jul 2007 Location: Philadelphia, PA
Posts: 1,639
Verified Member |
Yep! Came here to post a thread about this. I've been waiting for a de-esser plugin with a similar feature set by a company I respect like FabFilter for awhile. Will be demoing today!
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6th October 2012
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#6 | | Gear addict
Joined: Apr 2009 Location: Washington, DC
Posts: 395
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I kind like the Renaissance DeEsser but I will give this one a test drive, the FabFilter does have some great stuff. Razik Mastering |
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8th October 2012
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#7 | | Lives for gear
Joined: Dec 2009 Location: Seattle
Posts: 1,052
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Been needing better DeEssing and was just demoing this against the SPL plug. To me, FabFilter gets the win. Less audible distortion when working with challenging tracks. And the SPL plug is good, too. Excellent work, FF.
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9th October 2012
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#8 | | Gear nut
Joined: Jan 2007
Posts: 80
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I can't get Pro-DS to load in the Wavelab 6 master section - I get an error message stating "can't handle required number of input channels".
Is this a VST3 issue?
Any workarounds?
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9th October 2012
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#9 | | Lives for gear
Joined: Jan 2007 Location: Minneapolis
Posts: 1,509
Verified Member | Quote:
Originally Posted by duke89061 I can't get Pro-DS to load in the Wavelab 6 master section - I get an error message stating "can't handle required number of input channels". | Use it on the individual track.
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9th October 2012
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#10 | | Gear nut
Joined: Jan 2007
Posts: 80
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Thanks Greg -
I can get it to work there, but it doesn't fit my workflow as I use the master section to save EQs for each song, as well as the smart bypass feature.
Are you having the same issue? Does it work in the master section on your end?
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9th October 2012
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#11 | | Lives for gear
Joined: Jan 2005 Location: Oberlin, Ohio
Posts: 4,084
Verified Member | Quote:
Originally Posted by duke89061 Thanks Greg -
I can get it to work there, but it doesn't fit my workflow as I use the master section to save EQs for each song, as well as the smart bypass feature.
Are you having the same issue? Does it work in the master section on your end? |
See here FabFilter - Frequently Asked Questions
I had the same problem so I wrote the company an email and this is their solution.
__________________
-TOM-
Thomas W. Bethel
Managing Director
Acoustik Musik, Ltd.
Room with a View Productions
Oberlin, OH 44074 www.acoustikmusik.com
Doing what you love is freedom.
Loving what you do is happiness.
Celebrating 18 years in the mastering business in 2013
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9th October 2012
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#12 | | Lives for gear
Joined: Jan 2007 Location: Minneapolis
Posts: 1,509
Verified Member |
Thanks Thomas!
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9th October 2012
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#13 | | Lives for gear
Joined: Jan 2007 Location: Minneapolis
Posts: 1,509
Verified Member |
[QUOTE=duke89061;8339074]I can get it to work there, but it doesn't fit my workflow as I use the master section to save EQs for each song, as well as the smart bypass feature./QUOTE]
I see. I don't use the master section so I have not run into that problem.
FWIW, you can store all plugs directly in each song clip. Much more flexible, IMO, as you can have completely different processing for each song within the same montage. Then, put your final limiter in the effect and it will be saved with the montage without having to worry about saving the master section.
The only thing I can see that you'd be missing is the smart bypass, which I never found a use for.
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9th October 2012
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#14 | | Gear nut
Joined: Jan 2007
Posts: 80
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Thanks Tom and Greg-
Fabfilter pointed me to the same page and the plugin now works in the Wavelab 6 master section.
Greg, how do you compare processed to unprocessed without the so-called "smart bypass"? It's definitely got upsides and downsides.
I really wish Wavelab would allow you to route a montage track to a separate set of outputs so I could handle this externally, but there's no good way to do it as it stands.
Using the master section for EQs also helps me stay organized and use the same processing chain for mix recalls, 48k for video, etc., though I still have to recall the analog path. The master section is also necessary for using the analog path.
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10th October 2012
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#15 | | Lives for gear
Joined: Jan 2007 Location: Minneapolis
Posts: 1,509
Verified Member |
When I use plugs it's mostly fix-it type stuff like de-essing or narrow band EQ cuts so it's easy to bypass them individually to hear what they are doing. Different strokes. I've been doing it this way since WL6 came out and I can still recall mixes from 6+ years back with all plug-ins intact. Heck, I've been doing it that way since Sonic in the early '90s (Sonic 1.0 desk automation...oh, that was fun...).
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10th October 2012
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#16 | | Gear maniac
Joined: Oct 2004 Location: Norway
Posts: 288
| How does it sound?
Anyone gotten down to some serious hands-on work yet? How does it compare to the Sonnox?
JB
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12th October 2012
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#17 | | Lives for gear
Joined: Jan 2005 Location: Oberlin, Ohio
Posts: 4,084
Verified Member | Quote:
Originally Posted by bonne Anyone gotten down to some serious hands-on work yet? How does it compare to the Sonnox?
JB | I don't have the Sonnox to compare it to but I just used the FAB de esser on a project with an over sibilant female singer and it worked GREAT. This was used on the master tracks and not on individual tracks. One really GREAT feature is to be able to audition what you are doing to the track. Nice piece of professional software, My hat is off to FAB for always doing a GREAT job with their software and continuing to provide good tools for the pros and at a reasonable price point.
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16th October 2012
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#18 | | Lives for gear
Joined: Nov 2007 Location: buildy buildy
Posts: 2,375
Verified Member |
Hello all,
Not posted here in aaaages, hope all are well.
Two things about this product;
1 - it's a really, really good de-esser. Very smooth. Love using the look ahead almost as an attack control. My new favourite, bought it after 2 weeks of working with it.
2 - (and this the reason I ended up posting here) it really really needs a dim setting for the filter audition. Agony. My only complaint - going to mail them now.
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