Shadow Hils Mastering Comp ? - Gearslutz.com Gearslutz.com
 


All Advertisers
Go Back   Gearslutz.com > The Forums > Mastering forum

Shadow Hils Mastering Comp ?
Topic: New Reply New Reply Thread Tools Search this Thread
Old 21st July 2012   #1
Lives for gear
 
TanTan's Avatar
 
Joined: Feb 2005
Location: Israel
Posts: 1,044

Thread Starter
Shadow Hils Mastering Comp ?

Hello,

I'm working on my new mastering chain and I'm considering the Shadow Hills as my main mastering comp for several reasons: it sounds great, it's versatile, all stepped recallable switches and it looks amazing !

So what's the question ? OK, I admit that I'm confused here.. I'm so used to have a different machine for every specific task and the SHMC is actually 3 different units in one shall which can be a great thing or a bad thing, it depends.. It's actually a VCA comp, an Opto comp and a coloration device.. I've been searching the forums to find out how each part compares with its competition and couldn't find any info and I need your help.. two separated compressors (1 VCA and 1 OPTO\V.MU) or a SHMC ?

1. Did any of you ever compare the VCA compressor with: GML, Vertigo, MLA3, STC-8, SSL, or any other heavy weight competitor I didn't mention ?

2. Did any of you ever compare the OPTO compressor with: OCL-2, MLA-2, or any other heavy weight competitor I didn't mention ?

3. as for coloration I'm not really worried because I have a fully loaded Anamod ATS-1 and many other "coloration devices" so the SHMC tranni choice in the make up gain thing can be a cool bonus but not really a factor for my choice of mastering compressors setup..

What do you think ?

Thanks
TanTan is offline  
Reply With Quote
Old 21st July 2012   #2
Gear Head
 
Joined: Jun 2012
Location: Ireland
Posts: 49

Quote:
Originally Posted by TanTan View Post
Hello,

I'm working on my new mastering chain and I'm considering the Shadow Hills as my main mastering comp for several reasons: it sounds great, it's versatile, all stepped recallable switches and it looks amazing !

So what's the question ? OK, I admit that I'm confused here.. I'm so used to have a different machine for every specific task and the SHMC is actually 3 different units in one shall which can be a great thing or a bad thing, it depends.. It's actually a VCA comp, an Opto comp and a coloration device.. I've been searching the forums to find out how each part compares with its competition and couldn't find any info and I need your help.. two separated compressors (1 VCA and 1 OPTO\V.MU) or a SHMC ?

1. Did any of you ever compare the VCA compressor with: GML, Vertigo, MLA3, STC-8, SSL, or any other heavy weight competitor I didn't mention ?

2. Did any of you ever compare the OPTO compressor with: OCL-2, MLA-2, or any other heavy weight competitor I didn't mention ?

3. as for coloration I'm not really worried because I have a fully loaded Anamod ATS-1 and many other "coloration devices" so the SHMC tranni choice in the make up gain thing can be a cool bonus but not really a factor for my choice of mastering compressors setup..

What do you think ?

Thanks
Personally I never used the SHMC, but from the people around me that do, there doesn't seem much of a need for another compressor in the chain.
petermontg is offline  
Reply With Quote
Old 21st July 2012   #3
Gear interested
 
Joined: Jun 2012
Posts: 21

The Shadow Hills unit is awesome. It kind of does it's own thing, especially with switchable output transformers. Gear that nice doesn't really "compete", each unit has its own use and application, but to agree with the above, I never really use any other comps anymore. Especially for tracking.
snax_box is offline  
Reply With Quote
Old 21st July 2012   #4
Lives for gear
 
MAzevedo's Avatar
 
Joined: May 2007
Location: Boston, MA
Posts: 551

I have used the SHMC, STC-8, and OCL-2 in the same session.

I think the differences come down to color. The SHMC is very, very colorful, even with the most neutral output trafo engaged. The STC-8 is very clean, and the OCL-2 is probably the cleanest tube opto around. I found the SHMC to be very quickly and obviously Right or Wrong for a track, either the coloration worked or it didn't. I wouldn't want the SHMC as my main compressor because I've heard it sound wrong on enough material that I know I'd need to go elsewhere often, but I think it is a cool thing to have as a 2nd or 3rd option.
__________________
~Matt Azevedo
Consultant in Acoustics www.acentech.com
Freelance Mastering, Production, and Design
MAzevedo is offline  
Reply With Quote
Old 21st July 2012   #5
Lives for gear
 
TanTan's Avatar
 
Joined: Feb 2005
Location: Israel
Posts: 1,044

Thread Starter
Quote:
Originally Posted by snax_box View Post
The Shadow Hills unit is awesome. It kind of does it's own thing, especially with switchable output transformers. Gear that nice doesn't really "compete", each unit has its own use and application.
I Agree so I'll make my question more specific, I'm looking for a VCA and an Opto comps that will provide the most versatile and powerful dynamic manipulation rather than cool color that Im getting anyway from my Anamod ATS-1, tube EQ's etc, does the SHMC provides that ?

Quote:
Originally Posted by MAzevedo View Post
I have used the SHMC, STC-8, and OCL-2 in the same session.

I think the differences come down to color. The SHMC is very, very colorful, even with the most neutral output trafo engaged. The STC-8 is very clean, and the OCL-2 is probably the cleanest tube opto around. I found the SHMC to be very quickly and obviously Right or Wrong for a track, either the coloration worked or it didn't. I wouldn't want the SHMC as my main compressor because I've heard it sound wrong on enough material that I know I'd need to go elsewhere often, but I think it is a cool thing to have as a 2nd or 3rd option.
That's a very important input for me, thanks, what would be your choices for main mastering compressor/s ? And why ?
TanTan is offline  
Reply With Quote
Old 22nd July 2012   #6
Lives for gear
 
MAzevedo's Avatar
 
Joined: May 2007
Location: Boston, MA
Posts: 551

Personally, I am a big fan of an STC-8 or pair of Trakkers (which in some ways are more flexible than the STC-8) and the OCL-2 that I mentioned. I demo'd the Elysia Alpha and really liked it, but it is a lot of dough. I played with the Neve MBP at a convention and really liked it, but haven't used it on a session. I also have done some great sounding work with the Foote P3S. I did a ton of records with a Requisite L2M which I really love with .5 to 1.0 dB of reduction. The L2M is also colorful, but in a mild, euphonic way to my ear.
MAzevedo is offline  
Reply With Quote
Old 22nd July 2012   #7
Lives for gear
 
MAzevedo's Avatar
 
Joined: May 2007
Location: Boston, MA
Posts: 551

And, the "very, very" colorful description of the SH might just be my preferences. As you can see from that list of things I like, they tend to be on the clean side of things.
MAzevedo is offline  
Reply With Quote
Old 22nd July 2012   #8
Gear addict
 
Joined: Jul 2009
Location: France
Posts: 424

Check the Rockruepel comp one. it's a beautiful vari mu quite transparent.
priko is offline  
Reply With Quote
Old 22nd July 2012   #9
Lives for gear
 
Magucci's Avatar
 
Joined: Dec 2011
Location: Germany
Posts: 553

Quote:
Originally Posted by priko View Post
Check the Rockruepel comp one. it's a beautiful vari mu quite transparent.
+10000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000
on the Rockruepel!!!!!!!!!!!

P.S. I didn't count the zeros above...but to suggest a comp wich kicks @$$es of all comps mentioned in the thread and all time on GS is almost illegal

Magucci is offline  
Reply With Quote
Old 23rd July 2012   #10
Lives for gear
 
Ben F's Avatar
 
Joined: Feb 2006
Location: Sydney, Australia
Posts: 3,031

Verified Member
The SH is more of a mix bus EQ IMO, very coloured in an obvious way. Quite heavy handed for mastering.

You can't go wrong with vari-mu for rock/acoustic music. There are so many high quality options put there!
__________________
Studios 301
Ben F is offline  
Reply With Quote
Old 23rd July 2012   #11
Lives for gear
 
TanTan's Avatar
 
Joined: Feb 2005
Location: Israel
Posts: 1,044

Thread Starter
Quote:
Originally Posted by MAzevedo View Post
And, the "very, very" colorful description of the SH might just be my preferences. As you can see from that list of things I like, they tend to be on the clean side of things.
Thanks MAzevedo actually I'm considering all the compressors you have mentioned above !

Quote:
Originally Posted by priko View Post
Check the Rockruepel comp one. it's a beautiful vari mu quite transparent.
It looks great ! unfortunately I can't demo one in Israel..
Quote:
Originally Posted by Ben F View Post
The SH is more of a mix bus EQ IMO, very coloured in an obvious way. Quite heavy handed for mastering.

You can't go wrong with vari-mu for rock/acoustic music. There are so many high quality options put there!
Thanks ! I'm off the Shadow Hills for mastering. I didn't consider a VaMu but it really make me think, the times I've heard the Manley VaMu I thought it was a bit muddy and slow, very nice "warm" character but "going against the groove", but, it was in another engineer's hands so I'm not sure about it and got to try it myself..



BTW I've heard great stuff about the Charter Oak mastering compressor, would you consider it a contender in this league ?
TanTan is offline  
Reply With Quote
Old 24th July 2012   #12
Lives for gear
 
Joined: Dec 2005
Location: Belgium // Brussels
Posts: 905

Quote:
Originally Posted by TanTan View Post
I didn't consider a VaMu but it really make me think, the times I've heard the Manley VaMu I thought it was a bit muddy and slow, very nice "warm" character but "going against the groove"..
Contact Jonte Knif for a demo of his Vari mu II then ....
livingstone is online now  
Reply With Quote
Old 1st September 2012   #13
Lives for gear
 
TanTan's Avatar
 
Joined: Feb 2005
Location: Israel
Posts: 1,044

Thread Starter
I've ended up with a Maselec MLA-2 and MLA-3, they compliment each other really good and allowing such a deep control over mixes its just amazing..!
TanTan is offline  
Reply With Quote
Old 1st September 2012   #14
Gear Head
 
Joined: Jun 2012
Location: Ireland
Posts: 49

Congrats on the MLA-3 and MLA-2. I was on the hunt for Vari Mu same time as yourself. Ended up with HCL Varis, just waiting for a finish date on it. Going hunting for MLA-3 now myself. Fun times.....
petermontg is offline  
Reply With Quote
Old 1st September 2012   #15
Lives for gear
 
TanTan's Avatar
 
Joined: Feb 2005
Location: Israel
Posts: 1,044

Thread Starter
Quote:
Originally Posted by petermontg View Post
Congrats on the MLA-3 and MLA-2. I was on the hunt for Vari Mu same time as yourself. Ended up with HCL Varis, just waiting for a finish date on it. Going hunting for MLA-3 now myself. Fun times.....
The HCL product line looks great ! it's the first time I'm seeing it.. thanks man, how does it compare with the Manley VariMu ?
TanTan is offline  
Reply With Quote
Old 1st September 2012   #16
Gear Head
 
Joined: Jun 2012
Location: Ireland
Posts: 49

I've never compared the 2 so I would not know.. The control options Hp/Tp feedforward/feed back is what really interested me and the samples I was pretty happy with.. Considering the price tag of the unit was another swing factor..

But I wouldn't know how it would compare to Manley. Let me spend some time with it and I shall let you know.
petermontg is offline  
Reply With Quote
Old 6th September 2012   #17
Gear Head
 
tyrobins's Avatar
 
Joined: Jul 2011
Location: Houston, TX
Posts: 71

I just got a chance to audition the new RND Master Buss Processor, and it is VERY versatile. FB, FF, Silk modes, M/S processing, a very transparent limiter, RMS vs. Peak, and a compressor that will allow for a lot of dB reduction before becoming apparent.

It is the exact opposite of a 1 trick pony...and it does its many tricks very well.

I've also used the SHMC, and it is amazing. But it is more colored. Especially the opto compressor. But when it works with certain material, it really works well.
tyrobins is offline  
Reply With Quote
New Reply New Reply Submit Thread to Facebook Facebook  Submit Thread to Twitter Twitter  Submit Thread to LinkedIn LinkedIn 

Thread Tools Search this Thread
Search this Thread:

Advanced Search

Similar Threads
Thread Thread starter Forum Replies Last Post
For studio construction slutz only - Sunshine Mastering, Vienna mischa janisch Photo diaries of recording studio construction projects 167 6th December 2012 11:08 PM
Has the Shadow Hills Gama 8 been discontinued? castle High end 4 8th November 2007 08:36 PM
Best Master / Worst Master - Why? Dannibal Mastering forum 26 19th October 2007 05:14 PM
FS: Maselec MEA-2 Mastering EQ Bob Boyd Mastering forum 0 17th April 2007 01:09 AM
Tweak on the Buisness Model? Sony Internet Mastering Eric Greedy Mastering forum 34 12th April 2007 03:01 PM


All times are GMT +1. The time now is 04:53 PM.

Home - Search Forum - Contact Us - Terms Of Use / Privacy Policy - Advertise on Gearslutz - All Advertisers - Top
 
 
Powered by vBulletin®
Gearslutz.com LTD - UK Company Number 7597610.
Registered Office - 35 Ballards Lane, London, N3 1XW.
Hosted by Nimbus Hosting.

By using this site, you agree to our use of cookies.

SEO by vBSEO ©2011, Crawlability, Inc.