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| | #1 |
| Gear Head Joined: Sep 2010
Posts: 53
Thread Starter | why is dithering so important in mastering!
guys, whats the effective importance of dithering in mastering... i know its important but what would it add to my master ?
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| | #2 |
| Mastering Engineer Joined: Jan 2007 Location: Melbourne - Australia's music capital.
Posts: 1,722
Verified Member |
Short answer: minimizing your losses, retaining resolution of a higher bit depth/wordlength source. Long answers (via the Search function, above): To Dither or not to Deither? Why Not Dither for Mix-Down? Dithering down to burn audio cd in Logic Izotope RX Resampling - Dither Necessary? (32-bit to 24-bit issue) dithering needed?
__________________ Adam Jack the Bear's Deluxe Mastering facebook | twitter | myspace Is adding presence the same as subtracting absence? |
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| | #3 |
| Gear maniac Joined: Aug 2010 Location: Toledo, Ohio
Posts: 182
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If you don't dither while converting wordlengths, your tracks will sound "buzzy" (for lack of a better word) at reverb tails and fades. You lose depth in the recording. Dithering helps this by sort of covering up this buzziness; by applying a noise signal that smooths out the least significant bit (last bit in the digital word).
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| | #4 | |
| Lives for gear Joined: May 2010 Location: South Florida
Posts: 1,830
| Quote:
Dither adds low level noise to mask and to get rid of any quantization errors (mathematical errors) when going form a higher to lower bit depth Cj | |
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| | #5 |
| Gear Head Joined: Sep 2010
Posts: 53
Thread Starter |
thanks guys, really appreciate it.....
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| | #6 |
| Lives for gear Joined: Aug 2003 Location: Hollywood CA
Posts: 2,625
Verified Member |
After all this time, why do people still say that d*ther 'masks' or 'covers up' distortions? Strange. DC |
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| | #7 |
| Lives for gear Joined: Mar 2008 Location: 3rd Stone From The Sun
Posts: 2,933
Verified Member |
I have a feeling the ghost of Oky has just been summoned.
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| | #8 | |
| Gear addict | Quote:
I get asked a lot about it......what does Ted Jensen use???
__________________ Cheers, Tony "Jack the Bear" Mantz Jack the Bear's Deluxe Mastering facebook | myspace | twitter Glorified Tape Copy Boy & Audio Janitor Ground 'n' Pound Specialist All round goofball Dither authority K-System disciple Double blind AB BA BX tester | |
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| | #9 | |
| Moderator Joined: Dec 2002
Posts: 3,389
Verified Member | Quote:
Baffling. It's not like this stuff is new or not well-understood by science. | |
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| | #10 | |
| Lives for gear Joined: Aug 2003 Location: Hollywood CA
Posts: 2,625
Verified Member | Quote:
DC | |
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| | #11 | |
| Lives for gear Joined: Jun 2009
Posts: 1,022
Verified Member | Quote:
Quantization distortion. You exchange it for a bit of noise, white noise in the simplest case (already pretty unobtrusive at 16 bits), spectrally shaped to be less detectable (hopefully) in the more advanced cases. | |
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| | #12 |
| Lives for gear Joined: Mar 2008
Posts: 976
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Just for the next fella who'll care to use the search engine on that subject... Here's a quick quote the best explanation I found on dithering, for which the guys at Izotope should be granted a Nobel Prize of vulgarization (the complete explanation, longer, can be found on their website) : Consider your 24 (or 32, or 64) bit file to be an original photography, with all shades of grey from black to white. If you need to print it at a large scale, you'll have only black ink and white paper at your disposal. No grey at all : that's how printing works. THAT would be your 16-bit result. You've reduced the means at hand, but still want to convey the same image. The function of dither is to act like a screen acts in printing. Adding a very low layer of shaped noise is comparable to "dividing" your image in an array of very small ink dots, small enough (inaudible enough in the case of the shaped noise) to trick your brain in believing you're seeing a shade of grey. Or to reveal nuances that would otherwise be lost in the wordlength reduction. That's where the comparison ends. Dont' use a screen while printing and you'll have a result resembling the famous portray of Che Guevara we all know, made only of solid black and white patches with no in-between grey. Don't use dither when reducing wordlength and you'll abruptly cut the lowest (in intensity) signals to silence (your reverb tails, particulalrly, will be abruptly muted). |
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| | #13 |
| Gear maniac Joined: Aug 2010 Location: Toledo, Ohio
Posts: 182
| I'm sorry if I was incorrect before. I've still got a LOT to learn, and I realize that there are alot of professionals on here who have much, much more knowledge and experience than I do. I was just giving an example I guess, of something I noticed before with dithering (the tail on a mix). I shouldve just held my tongue and read what a pro said! ( ) |
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| | #14 |
| Gear maniac Joined: Aug 2010 Location: Toledo, Ohio
Posts: 182
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^ I read in Bob Katz's book about fading with dither vs fading with truncation, and so I tested it on a friends mix. It was very subtle, but when listening closely I noticed that with dithering, it seemed to extend the fadeout. This could just be a placebo effect...like something I wanted to hear? I'm still learning though, and thanks for pointing out that I was wrong
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| | #15 |
| Lives for gear Joined: Mar 2008
Posts: 976
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Good God, I didn't intend to say you were right or wrong. I just meant to add a bit of info, as dithering is not the easiest subject to grasp (wait till we enter the lovely world of jitter, though). Besides, I don't find the Bob Katz's Bible - which is however very complete and in-depth - to be so easy to understand at beginner/intermediate level. If you are interested, download the dithering manual AND the sound files in this page (even if you don't have Ozone, it doesn't matter at all), and read carefully the instruction before listening (you'll need to crank your monitors at a dangerous level to hear things clearly). Real eye-opener on the effect (and correct use) of the dithering process. |
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| | #16 | |
| Lives for gear Joined: Jun 2009
Posts: 1,022
Verified Member | Quote:
Dither doesn't "cover up" the quantization error, it changes its nature from being signal dependent (distortion) to random (noise). The point at which this will be most noticeable will be when the difference between noise and distortion is greatest, which means small simple signals, like the tail of your reverb. The quantization distortion isn't covered up by the dither, it's gone, in its place you have noise. | |
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| | #17 |
| Gear maniac Joined: Aug 2010 Location: Toledo, Ohio
Posts: 182
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Thanks for the link! Sorry if I misread your post, I also meant to say that to the others on the thread, as well. |
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| | #18 | |
| Gear maniac Joined: Aug 2010 Location: Toledo, Ohio
Posts: 182
| Quote:
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| | #19 |
| Moderator Joined: Dec 2002
Posts: 3,389
Verified Member |
No worries. Thanks for taking part in the discussion just the same.
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| | #20 |
| Lives for gear Joined: Mar 2006 Location: the Netherlands
Posts: 3,953
Verified Member | |
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| | #21 |
| Gear addict Joined: Feb 2006 Location: Milan
Posts: 354
Verified Member | |
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| | #22 | |
| Lives for gear Joined: Mar 2006 Location: the Netherlands
Posts: 3,953
Verified Member | Quote:
Feel free to use the search feature. This topic has been done ad nauseum. Alistair
__________________ Alistair Johnston - TV & Film Post, Mastering, Sound Design -- "The first principle is that you must not fool yourself -- and you are the easiest person to fool" -- Richard P. Feynman "There's a sucker born every minute" -- P.T. Barnum | |
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| | #23 |
| Gear Guru |
Dither is important on Gearslutz because, otherwise, after we got done arguing about the 50 to 100 other things that are vastly more important to music making, we'd have to stop arguing. And that just can't be allowed. Dither has the lovely benefit of being one of those angels on the head of a pin type subjects that can go on forever, so it serves a very important purpose here.
__________________ Dean Roddey Chairman/CTO Charmed Quark Systems, Ltd www.charmedquark.com Be a control freak! |
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| | #24 |
| Gear Guru |
Hmmm... Some of that sounds familiar. There used to be a guy around here who, in any discussion on dither, would go ballistic with various types of arguments of that nature. I'm not sure I even understand what he's trying to say, but he seems to be skipping the word length truncation step, without which there's not really any need for dither anyway. |
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| | #25 | ||
| Lives for gear Joined: Mar 2006 Location: the Netherlands
Posts: 3,953
Verified Member | I'm glad you argumented your point so well or you might have looked a real pillock. Quote:
Quote:
So Mr Jones, will you please enlighten us with your wisdom and share with us what you think dither does? I'm up for a giggle right about now. Alistair | ||
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| | #26 | |
| Lives for gear Joined: Jun 2009
Posts: 1,022
Verified Member | Quote:
But truncate that signal to 16 bits, and you're probably looking at quantization steps which match or exceed your original noise level. Most of the time you probably won't notice (as I mentioned before, dither is most needed when the signal is small and simple), but when you get to where it's fading out, then you may well do. | |
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