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| | #1 |
| Gear interested Joined: Sep 2010
Posts: 5
Thread Starter | Any idea what type of work is being done here?
Hi, this is my first post here ![]() I would like to know what type of work is being done in this master? 1. final mix 2. master modern club house mp3_192k Thanks. |
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| | #2 |
| Gear maniac Joined: Dec 2009 Location: Chicago
Posts: 208
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Sounds like they're running their mix through a flux capacitance Johnson Rod Maximizer...jk. Welcome to the board...lol! Best...JD!
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| | #3 |
| Gear interested Joined: Aug 2010
Posts: 9
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I would say its more of a multi-sonic portal into a parallel compressed universe. Maybe a touch of C02 introduced during atmospheric normalization and MP3idge... But to be honest, I haven't heard it yet!
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| | #4 |
| Lives for gear Joined: Jan 2009 Location: Boise, Idaho
Posts: 2,088
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Doesn't sound like they did much other than boost the top end a little, compress it, then slam it with a limiter. I actually like the unmastered version better. |
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| | #5 |
| Lives for gear Joined: Apr 2005 Location: San Diego, California
Posts: 972
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this must be the 3rd or 4th time i have heard this track in a post or in the chat room what gives....is this all coming from the same person, or is this getting passed around ? in any event the master sounds pretty destroyed....kick went form something interesting to a click (of sorts)....this is WAYYYYY over limited.... I personally prefer the mix to the master |
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| | #6 |
| Lives for gear Joined: Feb 2008
Posts: 1,114
| I obviously don't love it when that happens, but it's happening more & more these days. Why can't there be a damn law that forces people to have near 10 years experience before they start charging people. It's what I did, because I never accepted that my mastering was good enough, until I had consistency and was able to "hang with" the sound most anyone else (on the "high-end" level of mastering, perception wise anyways) was capable of doing. And the proper monitoring to be a judge in the first place. thumbsup
__________________ ©1976 |
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| | #7 |
| Gear maniac Joined: Aug 2006 Location: manchester uk
Posts: 256
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there something familiar about this track, like I've heard it before ![]() It's not my master by the way but did supply a demo for this track |
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| | #8 | |
| Gear interested Joined: Sep 2010
Posts: 5
Thread Starter | Quote:
I think your master is the most balanced one. This master is from other guy and i know is too loud, but i would like to know what was done in the low frequency area, because the bass sound to me more transparent.Cheers! | |
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| | #9 | |
| Mastering Engineer Joined: Jul 2007 Location: Eindhoven, The Netherlands
Posts: 411
Verified Member | Quote:
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| | #10 |
| Lives for gear Joined: Feb 2008
Posts: 1,114
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Just heard the demo clip mix and master. Honestly even with mp3, the master isn't bad. Not sure Ari, maybe something is wrong with your mp3 playback and you're not getting a bit-accurate output from your (hopefully) reference quality decoder like FhG's... to your converter. iTunes is another possible major quality loss. ![]() What I'm mainly hearing in the master with the kick drum is some hole punching around the kick drum. And some low frequency EQ, below the initial fundamental of the kick. As far as what could make it sound more transparent. But also remember there's been a pretty decent density change too, so that can totally effect how the average spectral balance sounds alone, without any EQ required in many cases. So... Yeah, ask him or her. |
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| | #11 | |
| Lives for gear Joined: Apr 2005 Location: San Diego, California
Posts: 972
| Quote:
nothing is wrong with anything on my end champ.... the mastered track has transformed the kick from something interesting (in the mix) into something resembling a click IMO...that is what i said....I am sticking to it I prefer the mix to the master.... stop with the snarky BS you post everywhere....believe it or not....you are not the only guy who has been doing this for a while tutt | |
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| | #12 | ||
| Lives for gear Joined: Feb 2008
Posts: 1,114
| I used the words "maybe" and "possibly" for a reason, while I was asking you a question, and I am glad nothing is wrong. I have nothing against you Ari, and I don't care if you decide to hate on me for whatever reason. It wouldn't and doesn't bother me. Quote:
I wouldn't have bothered to ask you anything, if I had no respect for your opinion. My setup to audition this was: Winamp using FhG's reference decoder with currently default settings, decoding into 32bits dithered to 24bits at Winamp's output to an Apogee Mini-DAC with Beyerdynamic DT-880 Pro 250 Ohm cans plugged in. I also experimented with my EQ correction (linear-phase) turned off (bit accurate output from FhG), and also mp3Gain on the mp3s (changes mp3 gain without re-encoding) to prevent clipping on the output due to mp3 coding - which honestly wasn't very prevalent on this particular clip. It should have a very minimal impact on sound quality unless there is more serious problems with the playback system, such as a faulty clipping of "over" samples during decoding. That's what I came away from it with. And yes, of course it's also possible we heard the same things, but have different sensitivities to different things. I deal with a case of EXTREME sensitivity to clipping artifacts on a daily basis in the broadcast audio processing industry, my friend Leif Claesson. We're both very accustomed to each other's superior hearing abilities in certain areas, and also what bothers each of us more than the other. If you are more sensitive to clipping induced distortion than I am, it is far from a foreign situation for me to understand where someone's coming from - not that you've given me the chance.We agree on something. thumbsup Quote:
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| | #13 |
| Gear maniac Joined: Jul 2006 Location: Golden
Posts: 224
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| | #14 |
| Gear interested Joined: Sep 2010
Posts: 5
Thread Starter | |
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| | #15 |
| Lives for gear Joined: Feb 2008
Posts: 1,114
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