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| | #1 |
| Gear Head Joined: Sep 2010
Posts: 53
Thread Starter | Low Pass Filter Question
Guys does it really matter to have such a low pass on my final master ?? and if yes then briefly explain why please http://i52.tinypic.com/idvkzm.jpg screenshot attached... |
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| | #2 |
| Gear nut Joined: May 2010
Posts: 105
| Low Pass Filter Question
That's not a filter. That's your incoming signal. The red line above it is the eq. As you can see, it's flat.
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| | #3 |
| Gear Head Joined: Sep 2010
Posts: 53
Thread Starter | |
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| | #4 | |
| Lives for gear | Quote:
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| | #5 |
| Gear maniac Joined: Oct 2008 Location: Sheffield, UK
Posts: 251
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That looks like the kind of drop off you get when the source audio is an MP3. Or when MP3s have been used instead of wavs for loops and the like.
__________________ An eagle for an emperor... A kestrel for a knave. |
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| | #6 |
| Gear Head Joined: Sep 2010
Posts: 53
Thread Starter | well, in the beginning i thought so but it turned out that all the work fromm this engineer has this same Q shape i just don't know what's so important about it ?
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| | #7 | |
| Gear addict Joined: Dec 2008 Location: Leeds, UK
Posts: 421
Verified Member | Low Pass Filter Question Quote:
__________________ Platinum Mastering Studio, Online and Attended sessions available | |
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| | #8 |
| Lives for gear Joined: Mar 2006 Location: the Netherlands
Posts: 3,953
Verified Member |
I doubt it is intentional. Maybe he works at higher sample rates and that is the SRC anti-aliasing cut-off? Alistair
__________________ Alistair Johnston - TV & Film Post, Mastering, Sound Design -- "The first principle is that you must not fool yourself -- and you are the easiest person to fool" -- Richard P. Feynman "There's a sucker born every minute" -- P.T. Barnum |
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| | #9 |
| Gear maniac Joined: Nov 2009 Location: Barcelona
Posts: 165
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I guess this curve done by some mp3 encoders.
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| | #10 |
| Mastering Engineer Joined: Jan 2007 Location: Melbourne - Australia's music capital.
Posts: 1,722
Verified Member | I suspect there's a few of us asking the same thing. How's it sound?
__________________ Adam Jack the Bear's Deluxe Mastering facebook | twitter | myspace Is adding presence the same as subtracting absence? |
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| | #11 |
| Gear Head Joined: Sep 2010
Posts: 53
Thread Starter | well it sounds just like any other mastered song but what really interesting about this man's work is the depth and punch of his songs, i mean you hear everything clear even though the song is extremely punched.
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| | #12 |
| Lives for gear Joined: Jan 2009 Location: Boise, Idaho
Posts: 2,088
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A lot of electronic music guys just download crappy loops and samples off the internet. So that "curve" would have been in his source files, not anything he did. BTW, this is one reason I'm SO glad I don't do rap that much anymore. I got so sick of people downloading MP3s, looping them and calling it "their music". |
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| | #13 | |
| Gear Head Joined: Sep 2010
Posts: 53
Thread Starter | Quote:
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| | #14 |
| Gear addict Joined: Dec 2009 Location: CALIFORNIA
Posts: 471
| Low Pass, and High Pass filter for vinyl masters
Indeed for vinyl masters! If you are mastering for vinyl yes you would want a low pass and a high pass filter to optimize vinyl reproduction during the lathing process and to not feed a cutting lathe unessary frequencies as they will turn exceesive high frequency sounds into distortions and too much low end will rumble in the final product. Anything else like a CD or MP3 master doesnt really need any sort of hi or low pass filter unless it is a funky master to begin with...your ears will tell. In The old days the mastering clerk who made your vinyl master took alot of these considerations into making a perfect record, Now you really have to search for the right person who still practices this dying art of laquer record mastering. I have received too many test press' that sound worse than what I had send mainly due to poor vinyl in-house guys who dont know whats up. So these days a ME who preps music for vinyl will have to take those extra steps that a vinyl ME once took....Everything is somewhat mixed up these days with the plethra of vinyl record labels springing up pressing garage band recordings into these squashed clipping distortion reverb discs that sound sub standard due to all these variables not being met...Looks like we have alot of work to do to overcome this trend.
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| | #15 | |
| Gear Head Joined: Sep 2010
Posts: 53
Thread Starter | Quote:
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| | #16 | |
| Lives for gear Joined: Jan 2009 Location: Boise, Idaho
Posts: 2,088
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A curve like that could only come from like a 40-pole or greater filter, which is what you'd get from band splitters for psychoacoustic CODECs and anti-aliasing filters. Mastering for vinyl, you'd likely see a 2 or 4-pole filter tops. There's no need for brick wall filters in the analogue domain. Quote:
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