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| | #1 |
| Gear addict Joined: Aug 2008
Posts: 443
Thread Starter | Prices for mastering a sampler
I got a deal for mastering a sampler. Ive never professionally mastered before, though i do lots of live gigs (20€/hr.) Since all the tracks are mostly mastered already, im not sure what price seems right for creating a cd for production. The guy offered me 75€ for a finished cd (volumes, small eq changes fades etc.) There will be 20 songs on the Sampler. The thing is this guy will give me a deal for 10 Samplers, if this one works out. Obviously the price will stay the same for all 10 Samplers. I dont think this will be very time consuming, but i will have to check the Sampler on several systems. Im assuming about 4 hours per Sampler should be sufficent (which would lead to the 20€ per hour) |
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| | #2 |
| Lives for gear Joined: Jan 2010
Posts: 1,285
Verified Member |
Seems reasonable for your level of experience in the field, providing that you DO finish in 4-5 hours. I don't think I would be confident in balancing 20 songs in that time. |
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| | #3 | |
| Gear addict Joined: Aug 2008
Posts: 443
Thread Starter | Quote:
![]() but if i charge by the hour, noone will pay! ![]() im just thinking finishing the Sampler in 4-5 Hours is resonable, not that i will do it in that time. So i will charge for what is resonable and then take the time i need to finish it! | |
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| | #4 |
| Lives for gear Joined: Jan 2010
Posts: 1,285
Verified Member |
Don't forget about burning and checking the master either! So let's say that CD TEXT, burning and audio check of the CD takes 2 hours. That means that you have 6 minutes to eq, level and bounce each track to hit your target of 4 hours. This doesn't even sound possible. I would more realistically say a day of about 7 hours to level and bounce 20 tracks (which means you do one track every 20 minutes, with 20 minutes spare for housekeeping) The following day, allow yourself another hour to check the bounces with a fresh ear and make any necessary adjustments, plus another couple of hours to burn and check the CD. That's 10 hours... 7.50 euros per hour! Of course, if the audio is already in excellent shape, it might take less. I've been tempted to think that things would be quick before, but it rarely works out that way for me! |
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| | #5 |
| Gear addict Joined: Aug 2008
Posts: 443
Thread Starter |
Thanks for giving me more info! The songs i will get are all already mastered and sound good (i doubt i could do a better job with my current mastering knowledge!) I will only do little sound changes to each file, mostly eq. I doubt ill need any compression or so... But what do you mean with burning cd etc.? If it means what i think it does, then i dont see it taking 2 hours. Getting the cd read (inserting the ISRC codes etc) and burning should take more tha 30 mins. What am i overlooking? then of course i will have to check the cd on several systems. |
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| | #6 |
| Gear addict Joined: Sep 2008 Location: A country occupied by the Bankers used to be called Hellas
Posts: 463
Verified Member | I think you are overlooking what we call quality control...and it doesnt only involve listening at different enviroments and cd-players
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| | #7 |
| Gear addict Joined: Aug 2008
Posts: 443
Thread Starter | |
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| | #8 |
| Gear addict | I suggest you scroll up to #4 and actually read huejahfink's comprehensive post.....all is revealed right there......
__________________ Cheers, Tony "Jack the Bear" Mantz Jack the Bear's Deluxe Mastering facebook | myspace | twitter Glorified Tape Copy Boy & Audio Janitor Ground 'n' Pound Specialist All round goofball Dither authority K-System disciple Double blind AB BA BX tester |
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| | #9 | |
| Lives for gear | Quote:
__________________ Studios 301 | |
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| | #10 |
| Gear addict | You have learnt well grasshopper.......
Last edited by jackthebear; 23rd September 2010 at 10:32 PM.. Reason: had to draw a moustache on Ben's chin... |
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| | #11 | |
| Lives for gear Joined: Jan 2010
Posts: 1,285
Verified Member | Quote:
I usually burn 2 cds. One as a reference for the client. This I merely check that it comes up in the cd player ok. Second is the production master. This I put in the CD player carefully and check from start to finish in real time, which obviously takes as long as the cd is. Of course another way would be to rip the audio from the CD and then do a null test from the source file. If they don't null to infinity they are either not lined up properly, or you've got serious problems. I also do a basic test with Nero CD-DVD speed. Other folk on here do not sing its praises much but I find it adequate to check for basic errors and the plant will do a full integrity test when they receive it. I have never had a reject yet. | |
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| | #12 | |
| Lives for gear Joined: Feb 2010 Location: London
Posts: 1,389
| Quote:
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| | #13 |
| Lives for gear Joined: Aug 2004 Location: Essex UK
Posts: 739
Verified Member |
I generally find that compilations take up to about 75% of the time I would need to master a brand-new set of album mixes from scratch - it's deceptively time-consuming if done properly, and that needs to be taken into account when deciding how much to charge.
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