Play & Rec with same Platform

[WBM]

Please describe your mode since I notice, a lot of ME's, few with two or more computer's and others just one.

Same Platform system for Playback, and Rec with same clock?


what convertors sound better with a specific genre?
(Digi, Sonic, RME, Lynx, etc)


Please share your experience.

[PBM]

Originally Posted by WBM

Please describe your mode since I notice, a lot of ME's, few with two or more computer's and others just one.

Same Platform system for Playback, and Rec with same clock?


What style's of music, sometimes match better to play from what source?
(Digi, Sonic, RME, Lynx, etc)


Please share your experience.

Sequoia: play out of 3&4, round the block, record back in through 1&2. There's a button for each path on my Crookwood so I can choose which to listen to. Clock source is the AD half way round the chain.

I'm afraid I don't understand your second question.


Cheers,

Eric

[DominicWyeth]

I think he asking about what convertors sound better with a specific genre. I do similar with samplitude. Or playback on Mac record on pc.

[manman]

Basically RME converters are more midrange forwarded.
Mytek very precise and little dark.
Lynx are like combo of RME & Mytek.

Normally chain starts at Protools, goes out to Lavry Blue, Lavry Gold, Crane Song HEDD Mytek, Rme and goes through analog gear and coming back to Sequia or Sonic solutions.

[Jerry Tubb]

Easily done with Pro Tools HD or Sonic soundBlade on a Mac, with a digital or analog loop.

That said, I'm currently using two DAWs 'cause I like the workflow better.

JT

[WBM]

Yes I'm sorry about my typo
I mean what convertors sound better with a specific genre.

The MH 2882 works well for things that need to keep the air.
The Digi 002 more unified the sound into a ball.
And the Lynx 16E card commercial sound more in your face.

Any way the algorithm on the software's make it sound different the fire wire or the slots?

Please correct me, if I'm wrong, but that's been my experience.

I playback with Mac and track with PC

[WBM]

Originally Posted by Jerry Tubb

Easily done with Pro Tools HD or Sonic soundBlade on a Mac, with a digital or analog loop.

That said, I'm currently using two DAWs 'cause I like the workflow better.

JT

You try soundblade with RME or LYNX cards and the 300 series Sonic studio systems?

[PBM]

Originally Posted by WBM

Yes I'm sorry about my typo
I mean what convertors sound better with a specific genre.
DAW playbacks modes.
The MH 2882 works well for folk, jazz or things that need to keep the air.
The Digi 002 more for Rock, alternative, dance, unified the sound into a ball.
And the Lynx 16E card more commercial sound for Hip Hop, Rap more in your face.
Any way the algorithm on the softwares make it sound different with the fire wire or the slots?
Please correct me, if I'm going crazy, but that's been my experience.

I playback with Mac and track with PC

I think I have non-genre-specific converters. I use them on everything from classical to classic rock: seems to me that it's what's between them that counts after a certain level.

Cheers,

Eric

[DSD_Mastering]

Originally Posted by PBM

I think I have non-genre-specific converters.
Eric

My converters hate Country/Western..

[wado1942]

I have several computers but each one does a different job. There's an office/book keeping computer, a 16 input & 16 output workstation for multitrack & rearchival stuff, a 2 input 2 output workstation for mastering & video editing and a laptop for work on the go or just fiddling with stuff. The editor can send a signal into the mastering console and/or the mixing console. The inputs are fed directly by the mastering console OR the mixing console.

[Huntley Miller]

That's the first time I've ever heard Mytek referred to as dark.

[Sunbreak Music]

Originally Posted by Huntley Miller

That's the first time I've ever heard Mytek referred to as dark.

Well...just a little.

[Jerry Tubb]

Originally Posted by WBM

You try soundblade with RME or LYNX cards and the 300 series Sonic studio systems?

I'm using the Lynx AES16e card and Lavry converters with sBlade.

JT

[Thor]

Running a Sonic model 305 with soundBlade, as well as a Mytek 8x192 (and no, it isn't dark at all).

Thor

[retrodisko]

easy on Ableton too.Cubase also and Logic, from some years ive done that on an M Audio fast track, RME 400 MOTU and Saffire any of.. from usb 6 to the big babes.

I do it on every bounce before do the final master.

my signal goes from output to a mcintosh preamplifier, from there to a DBX 3bx, that i sometimes use when its needed,

then go back to the interfase,
my studio works mainly on mastering so there are no big gears around,
compared to some of what we see here in the forum,

hope that helps,

[leaper]

HEDD and Waveburner here. Taking advantage of the HEDD's double clock tomfoolery to input digitally from a typical 44.1 session, output analogue audio at higher sample rates, SRC and record digitally back at 44.1. If that makes sense...
I like HEDD for various genres. Clean enough for acoustic while also allowing for knob twiddling enhancements that suit more aggressive music styles.