6th June 2010
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#1 | | Gear interested
Joined: Nov 2009
Posts: 10
Thread Starter | Your ITB dream chain...
I was wondering what would be your "dreamed" ITB chain....
Multiband compressor?
Eq?
Mastering reverb?
Exciter?
Limiter?
etc...
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6th June 2010
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#2 | | Lives for gear
Joined: Mar 2004 Location: Chicago (Schaumburg / Hoffman Est.) IL
Posts: 2,890
Verified Member |
A) I don't have one.
B) If I did, it wouldn't have a maul-the-band compressor, exciter, or "mastering reverb" (whatever the hell that's supposed to be).
The chain is decided by the mix.
__________________ John Scrip - Massive Mastering, LLC - www.massivemastering.com Spoon-feed a newb some answer and he'll mix for a day -
Get him to *think* about it and figure it out for himself and he'll mix for a lifetime --- JS |
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6th June 2010
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#3 | | Lives for gear
Joined: Jun 2008 Location: london/UK
Posts: 1,806
Verified Member | Quote:
Originally Posted by MASSIVE Master ......... it wouldn't have a maul-the-band compressor, exciter, or "mastering reverb" (whatever the hell that's supposed to be).
The chain is decided by the mix. | thumbsupthumbsupthumbsup
why people think that multiband is a must in mastering ??
when it's not ....
don't get it...
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6th June 2010
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#4 | | Lives for gear
Joined: Jul 2007 Location: Philadelphia, PA
Posts: 1,640
Verified Member | Quote:
Originally Posted by tresperros thumbsupthumbsupthumbsup
why people think that multiband is a must in mastering ??
when it's not ....
don't get it... | it's been marketed as such for whatever reason.
useful in rare occasions but definitely not a commonly used processor, at least for me and many others.
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6th June 2010
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#5 | | Gear interested
Joined: Nov 2009
Posts: 10
Thread Starter | Quote:
A) I don't have one.
B) If I did, it wouldn't have a maul-the-band compressor, exciter, or "mastering reverb" (whatever the hell that's supposed to be).
The chain is decided by the mix.
| Sorry if my ignorance is so annoying to you. I'm professional musician, not a mastering professional. I'm only wondering which plugins do you prefer to use in your work. I'm not saying that exists a chain that you ever use. I don't want to make comercial mixings or masters. When I want this results I go to a professional studio.
Thank's for your time.
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6th June 2010
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#6 | | Gear nut
Joined: Mar 2009
Posts: 84
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Yes, and it had infinite bands like the DSM from Paul Frindle it can be a real problem solver in a mastering environment.
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6th June 2010
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#7 | | Lives for gear
Joined: Feb 2009 Location: Brasil
Posts: 730
| Quote:
Originally Posted by jaumepardalito Sorry if my ignorance is so annoying to you. I'm professional musician, not a mastering professional. I'm only wondering which plugins do you prefer to use in your work. I'm not saying that exists a chain that you ever use. I don't want to make comercial mixings or masters. When I want this results I go to a professional studio.
Thank's for your time. | 112dB
I´m with the 60 days trial - sounds good!
Ciro
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6th June 2010
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#8 | | Lives for gear
Joined: Feb 2009 Location: Brasil
Posts: 730
| Quote:
Originally Posted by tresperros thumbsupthumbsupthumbsup
why people think that multiband is a must in mastering ??
when it's not .... | My guess is that lots of people use multiband like a band aid , kinda softening the huge peaks/nulls and long decay times of monitoring + untreated rooms... (doesn´t works, obviously)
Ciro
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6th June 2010
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#9 | | Lives for gear
Joined: Feb 2008
Posts: 1,148
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I basically already have my dream chain, and as was mentioned only the parts needed get inserted at any one time.
Considering almost 50% of the plugins are my own, some of them well good secrets, Imma just go with: No Comment |
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6th June 2010
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#10 | | Lives for gear
Joined: Aug 2004 Location: Brooklyn, New York
Posts: 3,856
Verified Member |
The plugins getting by far the most use here are:
Sonoris EQ2
Voxengo Elephant 3
Sonoris Dither
I have a list of others that I use occasionally as well up on TSM Mastering Equipment
It should be noted that while eq and limiting and requantizing are chores you'll need to do very often in mastering - multiband compression, "exciting" and adding reverb only happens very rarely.
Best regards,
Steve Berson
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6th June 2010
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#11 | | Lives for gear
Joined: Mar 2004 Location: Chicago (Schaumburg / Hoffman Est.) IL
Posts: 2,890
Verified Member | Quote:
Originally Posted by jaumepardalito Sorry if my ignorance is so annoying to you. I'm professional musician, not a mastering professional. I'm only wondering which plugins do you prefer to use in your work. I'm not saying that exists a chain that you ever use. I don't want to make comercial mixings or masters. When I want this results I go to a professional studio.
Thank's for your time. | It's still dictated by the mix. Learn what you have - Use what you need.
That all said - When I'm working ITB, I don't often stray from the native Samplitude (V11) stuff. Elephant is nice, maybe a particular couple EQ's if they're needed, mid-side (etc., etc., if necessary)...
I don't pick anything until I'm listening to the mix.
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10th June 2010
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#12 | | Gear interested
Joined: Nov 2009
Posts: 10
Thread Starter |
Ok! thank's.
What do you think about the mastering bundles like Sony Oxford, UAD Mastering Pack, Waves, Nomad's, ....
It's better to buy one complete or you may consider buy separate plugins.
In other words, for a non professional mastering, would be better or easier work with a pack than a mixed brands chain?
(SORRY FOR MY ENGLISH!!!!  )
Ah! I forget the Ozone 4... is it the fastest way for illiterate people like me?
Last edited by jaumepardalito; 10th June 2010 at 11:08 AM..
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10th June 2010
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#13 | | Gear addict
Joined: Oct 2006
Posts: 440
| My ideal plugins:
Refined Audiometrics PLPar EQ - a great LP/MP EQ with a handy interface.
Voxengo Elephant - a very flexible, tweakable limiter
Ideal plugins for getting started:
UAD mastering pack, Ozone.
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10th June 2010
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#14 | | Gear addict
Joined: Mar 2007 Location: Columbus, Ohio
Posts: 447
| Quote:
Originally Posted by jaumepardalito Ah! I forget the Ozone 4... is it the fastest way for illiterate people like me? | To destroy a mix, perhaps. The problem I have with Ozone for the neophite is the fact it gives you so much control and so many options to essentially turn every processor in it into a M/S and multiband processor. This leads to folks tweaking everything simply because they can.
John's post is very telling. He uses the BUILT IN Samplitude effects. Aka, deal with meat and potatoes issues first. Likely the parametric EQ in your DAW and a decent flexible compressor will get you a long way towards success. ReaComp (even if you don't use Reaper, their native effects are available here: REAPER | ReaPlugs) is one of my favorites to teach folks how to use compression as every parameter is there to be tweaked from the usual suspects to tuning the listening circuit and RMS. All this mastering suite talk from plugin companies is essentially marketing hype IMO.
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11th June 2010
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#15 | | Lives for gear
Joined: Feb 2006 Location: Sydney, Australia
Posts: 3,054
Verified Member |
Samplitude, in the right hands, would do the job fine.
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11th June 2010
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#16 | | Lives for gear
Joined: Jan 2008 Location: Brazil
Posts: 1,964
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Well, can't really say that I dream about a ITB chain - specially cause I have almost all the plugs I lust for.
EQs = DMG Equality, PSP Neon HR, Flux Epure
Comps = PSP Master Comp, Cytomic The Glue, Elysia mPressor, Softube CL1B
Limiters = PSP Xenon, Voxengo Elephant, Waves L2.
One thing I'd like to have is the UAD Massive Passive as all my EQs are pretty much on the clean side. Besides that, I'm very confortable about working with the above mentioned plugs.
BTW - Can anyone recomend some ITB EQs for color?
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11th June 2010
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#17 | | Lives for gear
Joined: Jun 2009 Location: Berlin
Posts: 2,055
| Quote:
Originally Posted by diogo_c Well, can't really say that I dream about a ITB chain - specially cause I have almost all the plugs I lust for.
EQs = DMG Equality, PSP Neon HR, Flux Epure
Comps = PSP Master Comp, Cytomic The Glue, Elysia mPressor, Softube CL1B
Limiters = PSP Xenon, Voxengo Elephant, Waves L2.
One thing I'd like to have is the UAD Massive Passive as all my EQs are pretty much on the clean side. Besides that, I'm very confortable about working with the above mentioned plugs.
BTW - Can anyone recomend some ITB EQs for color? |
i don't like to be one of " those" guys, but yes, it's true: Nebula is it!
if you're all set with clean EQ's, it's all you'd need (you'll have massive passive, D.W.Fearn, 1073, API + many more programs for really cheap and more "real" than plugin emulations) it's not just a hype!
(Nebula) Acustica-Audio.com
(Massive Passive etc.) analoginthebox.com - Index
(other great programs) AlexB Nebula Programs by Alessandro Boschi
good luck
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11th June 2010
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#18 | | Gear nut
Joined: Oct 2006 Location: Jakarta
Posts: 118
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The chain is depend on the mix material, most of the times the chain below is work for me (ITB):
Brainworx bx_digital v.2
UAD Precision EQ / Chandler TG 12412 / FLUX Epure
UAD Massive Passive
PSP MasterComp
TC Brickwall Limiter
Sincerely....
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11th June 2010
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#19 | | Gear addict
Joined: Jan 2007 Location: Vienna
Posts: 488
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At the moment I'm only using the Oxford Limiter and the Algorithmix PEQ Red. But I've played with a UAD Massive Passive in our Mixing Room and I've been impressed - I'm sure this could be helpful. As far as compressors go I'd try the Waves API 2500, but I have not heard it in my Mastering Room either. A good De Esser is a must as well - maybe the UAD Precission De Esser?
Multiband is useful for maybe 1 out of 100 Tracks and I've probably used Reverb less than 10 times in my entire career as a ME - if you Mix it yourself ITB you will never need it for Mastering, since it should be a lot easier to adress the problem in the Mix...
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11th June 2010
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#20 | | Lives for gear
Joined: Jan 2008 Location: Brazil
Posts: 1,964
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@ miro: I'm about to give Nebula a proper evaluation, thanks for the tip.
I've just noticed that Slate Digital has released a mastering suite that looks like something to be considered as well. Anyone had the chance to try it?
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