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| | #1 |
| Lives for gear Joined: Jul 2006
Posts: 2,254
Thread Starter | Better than Waves S1?
I'm not a fan of Waves plugins but I've used the S1 imager and, though it wasn't clean enough for mastering I thought it was OK for other uses. Are there any good VST shuffling imager plugins that are better or equal to Waves S1? I wish Aleksey at Voxengo made one because most of his stuff is sonically great and the prices are good too. |
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| | #2 |
| Gear Head Joined: Feb 2010 Location: Lebanon
Posts: 54
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The shuffler includes assymetry and rotation, which I personally haven't seen anywhere else. But for stereo width, and for elliptical style EQing, I would recommend try out some of the brainworx stuff, Mono maker does elliptical EQ, and stereo width does exactly what it says. Those features can be found in bx_control, and bx_digital which also contains a full blown M/S Mastering grade EQ that sounds mind-blowing!
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| | #3 | |
| Lives for gear Joined: Jul 2006
Posts: 2,254
Thread Starter | Quote:
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| | #4 |
| Gear addict Joined: Aug 2009 Location: London/Paris
Posts: 483
| Sonalksis - Quality Digital Audio Software I like this one. |
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| | #5 |
| Gear Head Joined: Feb 2010 Location: Lebanon
Posts: 54
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I use the imaging features on alot of my master buss operations. And their bx_digital on masters! Wouldn't want to part with them ever!
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| | #6 | |
| Lives for gear Joined: Sep 2004 Location: Copenhagen, Denmark
Posts: 4,770
Verified Member | Quote:
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| | #7 |
| Lives for gear Joined: Jul 2006
Posts: 2,254
Thread Starter |
The Sonalksis plug looks good but nothing I see on the website mentions Blumlein shuffling. When Blumlein invented the algorithm he had a specific issue in mind related to coincident and near-coincident minimal mic arrays used for ensemble recording. He, of course, also invented the Blumlein figure-8 pattern that's popular in stereo ribbon mics. His shuffler works only on frequencies below 700Hz. Does anyone know if Sonalksis stereo tool has a Blumlein shuffler? |
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| | #8 |
| Moderator Joined: Sep 2003 Location: Belgium
Posts: 4,347
Verified Member |
DrMS? |
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| | #9 |
| Lives for gear Joined: Jul 2006
Posts: 2,254
Thread Starter | I find it interesting that products which could compete head-to-head with the Waves S1 don't make any attempt to do so. Blumlein is an algorithm that's worth implementing and no one but Waves, to my knowledge, says they support "Blumlein shuffling." It guess Blumlein shuffling could also be nothing more than MS or Elliptical technique, by a different name, and I haven't learned it yet. I often have outbreaks of ignorance. Bottom line is I'm working with recording techniques that might benefit from Blumlein shuffling and I know it only because I used the Waves S1 some years ago in the dreaded DirectX format. I won't go there again, but I would use a Waves S1 in VST if it was truly mastering grade for high resolution acoustic recordings. The old DX plug had the right effect but the implementation was not worthy, IMO, of being in a quality mastering chain. |
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| | #10 | |
| Moderator Joined: Sep 2003 Location: Belgium
Posts: 4,347
Verified Member | Quote:
A Blumlein shuffler is not the same as an elliptic EQ (which is a Side HPF). A full description can be found here: Technical Crew Dictionary - blumlein shuffler Such functionality was never taken in mind with DrMS, as Blumlein shuffling directly relates to a very specific microphone placement technique, while DrMS is mainly meant as a mixing and mastering tool for any stereo-source, regardless of how it was recorded.
__________________ Mathijs Indesteege aka Mathew Lane mixing - mastering - audio restoration - plugins http://www.mathewlane.com DrMS. Focus on your stereo field. - NEW v3.2 OUT NOW! DrMS spatial processor - native RTAS/AU/VST plugin » Digital Audio Product Support Joystick Audio - Benelux High End Distributor http://www.joystick.be | |
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| | #11 |
| Lives for gear Joined: Jul 2006
Posts: 2,254
Thread Starter |
Matthew, your comments are refreshingly honest and clear. I wish one of you stereo field guys, though, would put a Blumlein algorithm in your product. I anticipate a renaissance and don't want one vendor to have a monopoly on it. It is, after all, in the public domain.
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| | #12 |
| Lives for gear Joined: Jul 2006
Posts: 2,254
Thread Starter |
Let me add that many people use spaced omnis for main acoustic pickup. The Blumlein technique works with various AB spacings, not just 20cm which was a specification for Jecklin disks. It also works for ORTF and other near-coincident arrays. There is an opportunity here and someone besides Waves should make a product! |
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| | #13 | |
| Lives for gear Joined: Feb 2008
Posts: 1,114
| Quote:
There ya go. Figure 5 of British patent 34,657, showing "the two outputs from the sum and difference arrangement are modified in order to obtain subsequently the desired sound effects and one convenient circuit arrangement for effecting this".Full patent here: 482,740
__________________ ©1976 | |
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| | #14 |
| Moderator Joined: Sep 2003 Location: Belgium
Posts: 4,347
Verified Member |
Some sites define Blumlein shuffling simply as: custom EQ employed to augment the low-frequency content of the difference information in a stereo signal (Halfway page Mixguides Microphones Decca Tree Microphone techniques with Decca Tree Microphone Configuration ) If it's just that, it's quite easy to implement. |
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| | #15 | ||
| Lives for gear Joined: Feb 2008
Posts: 1,114
| Quote:
One good thing (of many) to learn from the patent... Quote:
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| | #16 |
| Lives for gear Joined: Jul 2008 Location: San Diego, CA
Posts: 1,554
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Algorithmix K-Stereo?
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| | #17 |
| Lives for gear Joined: Jul 2006
Posts: 2,254
Thread Starter | |
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| | #18 | |
| Lives for gear Joined: Feb 2008
Posts: 1,114
| Quote:
They do have an email... pro-support@algorithmix.com | |
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| | #19 | |
| Lives for gear Joined: Jul 2006
Posts: 2,254
Thread Starter | Quote:
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| | #20 |
| Moderator Joined: Sep 2003 Location: Belgium
Posts: 4,347
Verified Member | |
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| | #21 | ||
| Gear addict Joined: Jan 2010 Location: Austria
Posts: 398
| Quote:
What do you mean with "not clean enough"It just in- or decreases the S-Signal, how can such a process not be clean?? just askin
__________________ evosilica (house) evosquare (dnb) Quote:
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| | #22 |
| Gear Head Joined: Feb 2010 Location: Lebanon
Posts: 54
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I wanted DrMS but paypal doesn't take my CC from Lebanon. I always try to mix wide to give space for everything,and I read the interview with Dylan Dresdow using Dr.MS and I though I'd give it a try, but no cigar :( I'll have to figure out some way to get it. I don't like S-1 personally, it can get things out of phase pretty easily, resulting in a horrible non-mono-compatible mix
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| | #23 |
| Lives for gear | |
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| | #24 | |
| Moderator Joined: Sep 2003 Location: Belgium
Posts: 4,347
Verified Member | Quote:
Alto Music is the first to offer this (it's not even on their website yet, but they did sell DrMS already), ask for Thomas there. They probably can take your CC without issues. | |
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| | #25 |
| Lives for gear Joined: Aug 2004 Location: Essex UK
Posts: 739
Verified Member | Blumlein was an extraordinary talent - I had no idea he died so young or the circumstances until I saw this just now: Alan Blumlein - Wikipedia, the free encyclopedia Here's another (more recent) pioneer who built on some of Blumlein's work: Michael Gerzon - Wikipedia, the free encyclopedia |
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| | #26 |
| Lives for gear Joined: Jul 2006
Posts: 2,254
Thread Starter |
I'm still learning and don't write plugins; I just record acoustic music using some techniques that Blumlein understood very well. What I believe is that Blumlein's shuffler converts time difference information (from near-coincident mic techniques) into intensity information so that the phase and localization are better for frequencies below ~700. The importance of this algorithm, for me, is that it uses a natural psycho-acoustic phenomenon to "correct" or re-balance recordings made with mic techniques that have a well-known shortcoming relative to those frequencies. Rather than being an "effect," I see it as a corrective, like EQ can re-balance a mic that has known spectral imperfections. |
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| | #27 | |
| Lives for gear Joined: Feb 2008
Posts: 1,114
| Quote:
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| | #28 | |
| Lives for gear Joined: Jul 2008 Location: San Diego, CA
Posts: 1,554
| Quote:
"Applications of Blumlein Shuffling to Stereo Microphone Techniques" | |
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| | #29 |
| Lives for gear Joined: Jun 2006 Location: Not working on music, which is were I SHOULD be.
Posts: 1,190
Verified Member |
"Better than Waves S1?" My own M/S Matrix and the ability to insert all sorts of things on the mid / side channel independently; sometimes even a UAD Dimension D on the Side channel for example can get me some pretty cool "width". |
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| | #30 |
| Lives for gear Joined: Mar 2009 Location: London, UK
Posts: 1,574
Verified Member |
Anything else is better than S1! S1 = Ka Ka! |
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