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| | #61 | |||
| Lives for gear Joined: Feb 2008
Posts: 1,114
| Quote:
So either you didn't "get it" (I think you did, or you didn't read PMs that I spent hours on which would be even more insulting), or you're just trolling me at this point. I've been careful not to say anything about the effectiveness of Blumlein's shuffler, in solving the problem it was made to solve, which is discussed way more than well enough in his original patent. I even just mentioned this in my last post, and now you're trying to use the idea that I have against me? That smells funny. Read his patent, understand the problem the Blumlein shuffler was made to fix, build one and test it yourself... or just let it go man. Cos you're not saying that I am wrong or that I'm making crazy claims. You're saying that Alan Blumlein is wrong and making crazy claims, clearly without even understanding the device. Quote:
If that really was Gerzon's comment (I didn't notice any references/footnotes), then there's the possibilities that his understanding of this extremely simple circuit is wrong (not likely), or that he was trying to appease people that wanted it to sound complicated and just fed them a line about it that sounded intelligent so they would go away.... OR.... I think it's a good time to add that Gerzon was selling his own products. It's not completely unheard of for someone's marketing to not necessarily reflect what's actually going on under the hood. Quote:
Anyways, I'm not trying to convince anyone of anything. I haven't put forth any of my own ideas. Only Alan Blumlein's. Your lack of understanding is giving me credit for nothing. Secondly... Waves... wow. I don't even recommend their products to people because of how just plain wrong their policies are. I personally know someone that was forced to buy the Diamond bundle twice because Waves own authentication process screwed up, and they wouldn't help him out. I wouldn't do business with them in a million years. If I ever release any plugins, it's going to be free, x-platform, and more likely than not... OSS. -- Lastly... I'll again recommend that you start a new topic and describe the problem that you are thinking of, and the ideas you have to possibly fix it. Preferably with audio samples. It's merely my best guess that a Blumlein shuffler has nothing to do with your problem, because you still haven't described what you're referencing (the problem).
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| | #62 |
| Lives for gear Joined: Jul 2006
Posts: 2,254
Thread Starter |
Jesse, thanks for a stimulating debate. It's been fun and instructive.
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| | #63 |
| Gear maniac Joined: Jun 2008 Location: LA / Chicago / Europe
Posts: 226
| Waves
These have some great things to offer, pick and choose what you like. |
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| | #64 |
| Lives for gear | |
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| | #65 | |
| Lives for gear Joined: Feb 2008
Posts: 1,114
| Quote:
Also just finally checked out NuGen Stereoizer page and I'm thinking I gotta try the demo, and push some special test tones through it. | |
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| | #66 |
| Lives for gear | |
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| | #67 | |
| Gear Head Joined: Dec 2009 Location: Southern California
Posts: 45
| Quote:
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| | #68 | |
| Gear nut Joined: Aug 2006 Location: NB, Canada
Posts: 144
| Re: Better than Waves S1? Quote:
Plus 1 for the brainworks......I use the free one and it works great for a bit if width | |
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| | #69 |
| Gear nut Joined: Jan 2009
Posts: 94
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I really like the S1. I was playing with this plugin and also the Flux Stereo Tools one the other day.... Probably most of you know this but I thought I would share what I learned the other day just in case someone didn't know how to do the following... If you put in your plugin chain (S1-Q10, S1) you have an instant M/S EQ for your mix (The EQ can be any from Q2-Q10). It is very powerful and easy. You can independently adjust the volume of the M and S channels (L is M I believe and R would be S) and also separately EQ the M and S channels doing this. With Flux, if you make an identical copy of your mix and put it on another track (making sure that they both start at the exact same sample time), you can insert the Flux Stereo Tools on both channels, having one act as the M and one as the S so that you can increase the volume of either independently. Blessings! KJ |
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