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| | #151 |
| Lives for gear Join Date: Mar 2008 Location: 3rd Stone From The Sun
Posts: 2,862
Verified Member | I will only buy if it's gold. Last post from mwa on this thread. I promise. It's been fun---ny |
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| | #152 |
| Lives for gear Join Date: Jun 2005
Posts: 5,904
Verified Member | Funny, my "Mojo's Risin'!" No one gets out of this thread alive! |
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| | #153 | |
| Gear addict Join Date: Dec 2009 Location: netherlands
Posts: 319
Verified Member | Quote:
1.5) underestimating pro mastering/overestimating ability to DIY | |
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| | #154 |
| Gear maniac Join Date: May 2006 Location: Austin, Texas
Posts: 207
| In response to the subject of this thread and the first post-- I don't think it's fair to call out an individual ME on this board unless he refused to re-do his work and refused to try to meet your expectations. Calbi mastered my record and went out of his was to make sure I was happy even though I'm a nobody. |
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| | #155 |
| Lives for gear Join Date: Feb 2006 Location: Southern California
Posts: 643
| Last year they gave away free mastering with that. Maybe this year free mastering and a Vertigo! Seriously, it's hard to watch the reckless denigration of a highly respected profession, especially when it involves music. If someone doesn't want to send their mixes to a mastering engineer, then don't do it. But to publicly put down the value of mastering, especially on an internet forum, doesn't help anything, and runs directly counter to what many of us know to be a valuable part of the recording process. Mychal |
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| | #156 | |
| Lives for gear Join Date: Mar 2006 Location: Austin, Texas
Posts: 1,864
Verified Member | Quote:
JT | |
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| | #157 |
| Craneslut | My name has 13 letters, is that big or small? I hope that's small, I'd sure hate to be a hypocrite!
__________________ euphonic masters |
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| | #158 |
| Lives for gear Join Date: Mar 2003 Location: Kuhmoinen, Finland
Posts: 639
Verified Member | |
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| | #159 |
| Lives for gear | |
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| | #160 |
| Lives for gear Join Date: Aug 2005 Location: seattle, WA
Posts: 2,524
Verified Member | |
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| | #161 |
| Gear interested Join Date: Dec 2007
Posts: 10
| My idea abour mastering... In MHO there is really no strict need for mastering for the CD format BUT, A really good mastering engineer will be a fresh pair of good ears and will help to make your work shine. Of course you can master yourself but then if you plan to do it, just do it during the mixdown... Anyway if I have adequate budget for mastering I tend to use a ME that I trust. And almost every time I get something I like AND a more reassuring feeling that I did my job well since I get usually a lot of compliments from ME. Almost all the times they say that did "nothing" and the balance was "perfect" but still I hear some subtle changes in definition, level and 3rd dimesion that I've been not able to fully recreate in my studio... And I love to have a great ME tweak with my work. But I've been doing gret "damage" with MS processing especially with BX-DIGITAL eq.... But I hope two things: 1. The level war (and every war) to stop! 2. The DVD music format get in use so we can move to a more refined standard for music (but I'm sad seing that the market goes the other way 'round: the de facto standard for music delivery at the moment is Mp3 ;-( ) |
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| | #162 | |
| Motown legend Join Date: Jun 2002 Location: Songwriter Gulch, Nashville TN
Posts: 10,638
Verified Member | Quote:
Attending mastering sessions with Grundman, Sax, and Ludwig improved my recording, mixing and mastering immensely after I left Motown where I had been taught by folks from Atlantic, Media Sound, United-Western and Gold Star. I really can't say enough positive about the value of attended mastering sessions no matter how much experience you have.
__________________ Bob's room 615 562-4346 Georgetown Masters 615 254-3233 Music Industry 2.0 Interview | |
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| | #163 |
| Lives for gear | miroxp, I would much rather do attended mastering sessions than spend a couple of days on the phone trying to figure out why what the client sent does not sound the same way on their system as it does on mine only to find out the client has his speakers wired out of phase. I really don't know where you are getting this anti attend policy but most mastering engineers I know have a pretty "open door" policy. FWIW
__________________ -TOM- Thomas W. Bethel Managing Director Acoustik Musik, Ltd. Room with a View Productions Oberlin, OH 44074 www.acoustikmusik.com Doing what you love is freedom. Loving what you do is happiness. |
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| | #164 |
| Gear nut Join Date: Jan 2010 Location: wal-mart
Posts: 135
| I really would like to A/B some of my favorite records with and without mastering...just to hear what it sounded like beforehand... |
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| | #165 |
| Lives for gear Join Date: May 2009
Posts: 779
Verified Member | Originally Posted by miroxp "why is it that most Mastering Houses have a "no attendance" policy?... You're 'avin a laugh mate ![]()
__________________ Splglnie swa rnvee my stnogrpotin Sean Magee Abbey Road Studios |
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| | #166 |
| Gear addict Join Date: Sep 2008 Location: Hellas
Posts: 458
Verified Member | I think he means Mastering Bedrooms |
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| | #167 | |
| Lives for gear Join Date: Mar 2006 Location: the Netherlands
Posts: 3,558
Verified Member | Quote:
Most good mastering engineers I know have attention to detail in everything they do. You clearly don't. Not least in your dishonest self appraisal and hypocrisy. Alistair
__________________ Alistair Johnston - TV & Film Post, Mastering, Sound Design -- "The first principle is that you must not fool yourself -- and you are the easiest person to fool" -- Richard P. Feynman "There's a sucker born every minute" -- P.T. Barnum | |
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| | #168 | |
| Lives for gear Join Date: Mar 2006 Location: the Netherlands
Posts: 3,558
Verified Member | Quote:
Alistair | |
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| | #169 |
| Lives for gear Join Date: Jun 2009 Location: Adelaide, OZ
Posts: 1,247
| How can a car travel 3x faster than a road will allow? Enlighten me. (I assume we're not talking about speed limits here)
__________________ 9800GT -> LG W2452V -> Dell 3008WFP | Cubase 6 | RME HDSPe RayDAT |TCE (SK48 & DKx32) | PowerCore 6000 & Express | UAD2 Nevana128 | UAD1 Mackie | Duende Native | Liquid Mix | 49SL MKII | AW4416/Waves Y56K | Akai S6000 | Mackie HR824 | Yamaha NS-10M Studio | POD XTLive | Variax 600 | POD XT Pro | Digitech GSP1101 | Axon AX100MKII - Godin Freeway LB | Gibson VOS 57 Gold Top Les Paul| |
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| | #170 |
| Lives for gear Join Date: Mar 2009 Location: London, UK
Posts: 1,562
Verified Member | You gotta get the chaps in for gaps N Xfades. Doh! I already ran away from this thread! ![]() |
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