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| | #91 |
| Lives for gear Joined: Mar 2009 Location: London, UK
Posts: 1,574
Verified Member |
Most of my work comes in via producers and mix engineers. They advise their clients to get me to finish their record off N put it together! I guess they know and understand that another pair of ears on a project is a good thing? I guess they think that mastering is indeed needed! |
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| | #92 |
| Lives for gear Joined: Feb 2007
Posts: 1,394
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Here's an Idea, how about everybody put their money where their mouth is. Converge in a single city (Collective of Artists/Producers/ME's/Labels) Lay down the rules Release hit records start a new sound that will last for decades If not, then I suggest all to quit whining.
__________________ Talk about dongles; I think the MAC PRO is the most expensive dongle ever! |
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| | #93 | |
| Lives for gear Joined: Jun 2005
Posts: 5,952
Verified Member | Quote:
-------------------------------------------------------------- I had to post this correction to satisfy my obsessive desire for detail and truth.
__________________ bcgood ![]() | |
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| | #94 | |
| Lives for gear Joined: Oct 2005 Location: NYC USA
Posts: 1,294
Verified Member | Quote:
I noticed on your website that you offer mastering. ... and I quote: "Mastering and Forensic Audio Enhancement Clarity and optimum sound enrichment is the hallmark of our 1 and 2 track audio services. With a vast array of audio sweetening and defining technology, Mike Tarsia Recording has the means and experience to put the finishing touches on your music or forensic mastering projects. We have mastered for a variety of artists and done audio forensic work for law enforcement and legal clients. Mastering is the final touch to any audio presentation. At MTR, we are committed to providing you the highest quality in service." I'm sure your mastering clients would find your "opinion" about "folding" mastering into the mixing process to be delightfully amusing. 'Specially right after they pay. It's so nice out today I had to double check to see if it was April Fools day! You sir, are a very complex man indeed.
__________________ Chris Athens "I am who is paying here!" - JakehUK See...what you aren;t getting is that this isn;t a competition...it's music- StewartFang | |
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| | #95 | |
| Lives for gear Joined: May 2006 Location: phallicdelphia
Posts: 4,618
| Quote:
you keep pulling things out of context..i said "stand alone" mastering facilities aren't necessary and i'm a mixer who masters..my website reflects that
__________________ "The notes I handle no better than many pianists. But the pauses between the notes, ah, that is where the art resides." Artur Schnabel http://miketarsia.com http://www.myspace.com/miketarsia https://members.grammy365.com/users/mike-tarsia | |
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| | #96 |
| Lives for gear Joined: Oct 2005 Location: NYC USA
Posts: 1,294
Verified Member | "Mastering and Forensic Audio Enhancement Clarity and optimum sound enrichment is the hallmark of our 1 and 2 track audio services. With a vast array of audio sweetening and defining technology, Mike Tarsia Recording has the means and experience to put the finishing touches on your music or forensic mastering projects. We have mastered for a variety of artists and done audio forensic work for law enforcement and legal clients. Mastering is the final touch to any audio presentation. At MTR, we are committed to providing you the highest quality in service." That's why I quoted the entire "mastering" paragraph if full. Those are your words, and your context. In my opinion the context is crystal clear. ... and my opinion is my opinion. We all have them. |
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| | #97 | |
| Lives for gear | Quote:
what's your point again? are pizzerias not necessary because you can get a great pizza from the italian restaurant? what if Im someone who enjoys mastering more than I enjoy mixing? if we all build tracking and mixing facilities next to our rooms will we be allowed to start mastering again? NB: Did ever the quote in my signature ring more true than in this thread? | |
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| | #98 |
| Lives for gear |
Sigma, Here you go from my email today GET MIXED BY A GRAMMY WINNER - FOR FREE! This week's winner of the Friday Freebie will get a song mixed by one of the award-winning mix specialists at IndieProMix. Retail value: $500 to $2,500. IndieProMix (Indie Pro Mix - Connecting Pro Mixers & Indie Artists) was founded by six world-class mixers & producers with amazing credits (Christina Aguilera, Imogen Heap, Ice Cube, Michael Jackson, L7, Madonna, Matisyahu, Paul McCartney, Bruce Springsteen and many others), who love working with indie artists. So enter Music Connection's "Friday Freebie" giveaway now by going to the MC website and looking up in the top right corner for the words "FRIDAY FREEBIE." Winners are announced every Friday after 1 p.m. on the Friday Freebie page. Music Connection Maybe next week they will offer a whole album mixed for free and it is really hard to compete with free. You have been trying to say in this thread that mastering engineers are not needed but maybe the same can be said for mixing engineers. The average musician today is more than content to do everything themselves. You and your studio are needed to do mixing for a certain selection of people who need your services but how long will that need exist? Maybe music is headed to where it was in the 17th and 18th century where it was performed and enjoyed in people's homes. Maybe it is headed for downloads off the internet where the musician will do everything and then get feedback from their "fans". It is very hard to tell where it is headed and my crystal ball is out for service. I will say that today there are WAY TOO MANY!!! mastering "engineers" for the number of people that seem to need mastering today. I know for a fact there are also too many recording studios for the number of people that need them. You may be doing well today offering the services that you do but who knows what tomorrow will bring? I have had to diversify our offerings just like many other studios. If you go to our website you can see what we offer. I would be much more content doing mastering all day with clients but that does not seem to be in the cards so we do what we can to stay working. Best of luck on what you are doing currently and I hope it keeps happening for you.
__________________ -TOM- Thomas W. Bethel Managing Director Acoustik Musik, Ltd. Room with a View Productions Oberlin, OH 44074 www.acoustikmusik.com Doing what you love is freedom. Loving what you do is happiness. |
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| | #99 | |
| Lives for gear Joined: Jun 2006 Location: Philadelphia Metropolitan Area
Posts: 1,044
Verified Member | Quote:
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| | #100 | |
| Lives for gear Joined: May 2006 Location: phallicdelphia
Posts: 4,618
| Quote:
your cable runs are messy Acoustik Musik Ltd: Audio and Digital Audio Mastering, Audio Restoration, Media Transfers, Radio-Show Production, Audio Technical Support, and Forensic work: Located in Oberlin, OH just outside Cleveland! LOL i don't give away mixes... | |
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| | #101 | |
| Lives for gear | Quote:
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| | #102 |
| Lives for gear Joined: Jun 2009 Location: Adelaide, OZ
Posts: 1,247
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The idea that the client can tell the engineer what to do is rediculous. They should give some idea as to what they want, but to tell the ME what to do is presumptuous and just stupid. It'd be like me telling a car manufacturer that I want my new car made a certain way and to go 3x faster than the roads allow.. not to mention my brakes would only still be working at the normal 1x ratio. I doubt the car maker would listen to me. You may as well just point the client to the mastering studio and let em at it themselves. Would a patron tell a famous artist that they only want red, and nothing else, used in their paintings?
__________________ 9800GT -> LG W2452V -> Dell 3008WFP | Cubase 6 | RME HDSPe RayDAT |TCE (SK48 & DKx32) | PowerCore 6000 & Express | UAD2 Nevana128 | UAD1 Mackie | Duende Native | Liquid Mix | 49SL MKII | AW4416/Waves Y56K | Akai S6000 | Mackie HR824 | Yamaha NS-10M Studio | POD XTLive | Variax 600 | POD XT Pro | Digitech GSP1101 | Axon AX100MKII - Godin Freeway LB | Gibson VOS 57 Gold Top Les Paul| |
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| | #103 | |
| Lives for gear Joined: May 2006 Location: phallicdelphia
Posts: 4,618
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| | #104 | |
| Lives for gear | Quote:
As you your question about the artist and patron...think back to the Sistine Chapel and all the problems between Pope Julius II and Michelangelo. Sistine Chapel ceiling - Wikipedia, the free encyclopedia and I think you will understand what really takes place between an artist and patron. Lots of clients think they know more about mastering than they really do and some come in with some really wild ideas that they have garnered off the WWW or of the pages of one of the popular audio magazines. Some try to be somewhat knowledgeable when they come in for a session. Some think they ARE the mastering engineer and you are just a part of the equipment and after they tell you everything they want you to do you start to wonder why they just don't do it themselves. What ever floats your boat. YMMV | |
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| | #105 | |
| Lives for gear Joined: Jun 2009 Location: Adelaide, OZ
Posts: 1,247
| Quote:
I have a degree in Fine Arts and have been a professional painter in my time, exhibiting all over Australia and I am aware of what what can happen in commercial and National Gallery environments. The comparison with MA and the pope is off the mark really as that was the beginning of the era where artists were to become seen as individuals with a particularly valuable style and insight. In those days, you had to develop artistically within the context of whatever the institutions of the day would allow within the works they commissioned. It was a time where the church and state were not separate (as they are today) and artists had to serve the religious values of the time and make gradual change in ways that may not have been all that apparent to the patrons at that time. To categorize a mastering engineer as an artist, let alone a great one, is a joke to say the least. That's like saying the guy who polishes your car is on a par with the people who designed and made it. Practically any commercial artist could be equated with a modern commercial recording production environment but I doubt a 'fine' artist like De Kooning would've liked being told what to do. Most modern 'artists' would tell you to piss off if you tried telling them anything at all. | |
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| | #106 | |
| Gear maniac Joined: Mar 2008 Location: London
Posts: 167
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| | #107 | |
| Lives for gear Joined: Jun 2005
Posts: 5,952
Verified Member | Quote:
Just think of it this way. Suppose you are playing Monopoly. You have to follow the rules of that game even if they don't make sense to you or seem unrealistic to you. Hopefully this explanation clears up this issue for you and allows you to fully comprehend my awesomeness. ![]() Just having some fun. Don't get mad, get glad! YEA!!! | |
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| | #108 | |
| Lives for gear Joined: May 2009
Posts: 815
Verified Member | Quote:
Exactly that | |
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| | #109 | |
| Gear maniac Joined: Mar 2008 Location: London
Posts: 167
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. I just thought that if that theory is still being quoted then it should be made clear that it is incorrect. Although yes, my comment should have been directed at the original user that you were referring to. I was just flicking through the thread and spotted your post!
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| | #110 | |
| Lives for gear Joined: Jun 2006 Location: Philadelphia Metropolitan Area
Posts: 1,044
Verified Member | Quote:
Atoms and planets are not plastic balls on sticks orbiting around another but just a model for discussion. Let's not let the specifics of the analogy dilute the focus of the points being made. Best, Tom | |
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| | #111 | |
| Lives for gear Joined: Mar 2003 Location: Kuhmoinen, Finland
Posts: 666
Verified Member |
Let me quote myself from a while back: Quote:
__________________ Jaakko Viitalähde Virtalähde Mastering, Kuhmoinen/Finland http://www.virtalahde.com http://www.facebook.com/pages/Virtal...g/278311633180 Virtalähde Mastering, the studio construction thread: http://www.gearslutz.com/board/photo...ing-house.html | |
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| | #112 |
| Lives for gear Joined: Feb 2006 Location: Southern California
Posts: 660
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| | #113 |
| Lives for gear Joined: May 2006 Location: phallicdelphia
Posts: 4,618
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| | #114 |
| Lives for gear Joined: Mar 2009 Location: London, UK
Posts: 1,574
Verified Member |
Oh dear! This has really turned into one of those "KA KA" threads! |
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| | #115 |
| Lives for gear Joined: Oct 2005 Location: NYC USA
Posts: 1,294
Verified Member | |
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| | #116 | |
| Lives for gear | Quote:
I think there were some really horrendous fights between the Pope and Michelangelo but I think that Michelangelo was a true professional so he was able to do what he needed to do and still please the Pope. Today in America we use the term "artist" rather loosely when talking about musicians. It can mean anything from Yo Yo Ma to the guy down the street who plays a guitar in the local restaurant on Friday and Saturday nights. Comparing a mastering engineer to an artist is probably not correct but what some mastering engineers can do for a song is more art than science so are they an artist or engineer? Bob Katz's favorite phrase is "mastering is both an art and a science" which is very true for most good mastering engineers. Think whatever you want to and do what ever you want to. Best of luck! and let us know how the house painting is coming along <GRIN> | |
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| | #117 | |
| Lives for gear | Quote:
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| | #118 |
| Lives for gear |
None of these services are really needed are they?... mixing, mastering, knowing how to track in the first place... but then again quality would surely be "hit and miss" and in the end the consumer might get confused and may stop buying the product at all... oops, oh wait, did this already happen??? Sh*t... late to the party again! Welcome to the world we live in. Do your best work and people who "really care" will seek YOU out! At least I go to bed happy every night knowing I did the best work possible I could on any given project... certainly makes for a betters night sleep. Good luck everyone!
__________________ Larry DeVivo Silvertone Mastering, Inc. 518-581-8141 www.silvertonemastering.com To see some of our work please click on any of the visual trailer montages located at... http://robertetoll.com/ (all music and sound effects were mastered by Silvertone Mastering). To see what makes Silvertone a bit unique compared to other mastering facilities please take a tour at... http://www.youtube.com/user/silvertonemastering |
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| | #119 |
| Lives for gear Joined: Mar 2009 Location: London, UK
Posts: 1,574
Verified Member | |
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| | #120 |
| Lives for gear Joined: Mar 2006 Location: Austin, Texas
Posts: 1,960
Verified Member | |
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