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| | #1 |
| Lives for gear Join Date: Mar 2008 Location: London UK
Posts: 512
| PMC IB1S, not exactly flat are they? Stereophile: PMC IB-1S loudspeaker I know it's all in the listening but just doing a bit of research before hand. Roll off earlier than I thought as well (at least by this graph) It does beckon whether price rather than performance has more to do with what is deemed a mastering speaker. I will remain completely open minded till I have heard them, they are definitely in the running.
__________________ SADiE V5, SADiE 24/96, Nuendo4, PMC IB1, BM6P, analog and digital processing, 15 years audio experience, 1,000's of hours pro studio experience. SafeandSoundMastering Flash site : SafeandSoundMastering Low cost mastering. |
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| | #2 |
| Lives for gear | This what I got when I measured them in a studio..Very solid to 30Hz.. A kick will truly hit you in the gut... |
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| | #3 |
| Lives for gear Join Date: Oct 2007 Location: Berlin
Posts: 509
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| | #4 | |
| Lives for gear Join Date: Jan 2007 Location: Minneapolis
Posts: 530
| Quote:
GR | |
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| | #5 | |
| Lives for gear Join Date: Jan 2007 Location: Minneapolis
Posts: 530
| Quote:
GR | |
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| | #6 |
| Lives for gear Join Date: Oct 2007 Location: Berlin
Posts: 509
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| | #7 |
| Lives for gear | Right... Have not seen many speakers that are TRULY flat...can not think of any... Just for comparison here's a graph of Genelec S30 close and at normal position in a nice studio... And yes the Normal position is NOT good..but proves a point.. |
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| | #8 | |
| Lives for gear Join Date: May 2005 Location: Saratoga Springs, NY
Posts: 1,418
| Quote:
Loved the size, the concept, the build quality but could not get past the low end... even when I played my Music Man bass through them it altered the low end of that beast... not an easy feat by any means! | |
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| | #9 |
| Gear addict Join Date: Aug 2009 Location: UK
Posts: 370
| Surely there is more trustworthy information out there than an 11 year old publication you found on some hifi website? For one thing, im pretty certain PMC have tweaked the design since then (more specifically, tweaked bass drivers, if I remember correctly. Call/email them to confirm, they are quite helpful folk). Secondly hifi publications are not exactly renowned for knowing how best to use audio testing gear. And even if they do now, they surely didn't 11 years ago. They are a pretentious lot at the best of times.. Still, if other PMC's are anything to go by, I expect you'll need a pretty big room to get the best out of them. |
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| | #10 |
| Lives for gear | It's the screw deficiency innit ![]() |
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| | #11 |
| Lives for gear Join Date: Oct 2007 Location: Berlin
Posts: 509
| insane! That nice studio is much worse than my treated livingroom. :) |
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| | #12 |
| Gear addict Join Date: Aug 2009 Location: UK
Posts: 370
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| | #13 |
| Lives for gear Join Date: Mar 2008 Location: London UK
Posts: 512
| Well you may continually jest but the very same review suggested a vibration from the crossover PCB. So Macc, you have hit the nail (or screw, snigger) on the head. I plan to listen. Actually I have a response plot for the Wilmslow K100 and it is virtually ruler flat with a not dissimilar roll off and zero evidence of any reflex port hump or drop outs at 100Hz-140Hz. Thanks for the alternate graph, it gives scientific hope, still a hole in the bottom. All in the listening but you know, interesting nonetheless.
__________________ SADiE V5, SADiE 24/96, Nuendo4, PMC IB1, BM6P, analog and digital processing, 15 years audio experience, 1,000's of hours pro studio experience. SafeandSoundMastering Flash site : SafeandSoundMastering Low cost mastering. |
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| | #14 | |
| Lives for gear | Quote:
"Nice studio" indicated it was NOT some 8 by 8 bedroom studio..if you know what I mean...But a well designed room NOT completely acoustically finished...not in my book anyway... | |
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| | #15 |
| Lives for gear | Was just having a giggle man. That said, I don't see how a vibration of the sort I am imagining would cause such a wide dip in the freq response, one would assume it would be fairly narrow band/resonant, no? Either way, the proof of the pudding is in the listening. I'm off to eat my speakers. |
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| | #16 | |
| Gear addict | Quote:
those peaks and dips are within 5-6 dB, which means that studio has almost perfect, flat response
__________________ ![]() hybrid setup, high quality low cost mastering and mixing services myspace link ______________________________________________ De Gustibus non disputandum est | |
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| | #17 |
| Lives for gear Join Date: Mar 2008 Location: London UK
Posts: 512
| I don't think the 100Hz-150Hz dip is anything to do with the crossover board vibration this is a separate issue the mag took to task. If the first graph is in an anechoic chamber, there are flatter speakers for sure. The in room response graph was very good. (which is the one that matters most) Though it still displays a plot in keeping with the speaker itself.
__________________ SADiE V5, SADiE 24/96, Nuendo4, PMC IB1, BM6P, analog and digital processing, 15 years audio experience, 1,000's of hours pro studio experience. SafeandSoundMastering Flash site : SafeandSoundMastering Low cost mastering. |
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| | #18 |
| Lives for gear Join Date: Mar 2008 Location: London UK
Posts: 512
| JMK I see you have BM6 there too, are they completely different tonally to the IB1S?
__________________ SADiE V5, SADiE 24/96, Nuendo4, PMC IB1, BM6P, analog and digital processing, 15 years audio experience, 1,000's of hours pro studio experience. SafeandSoundMastering Flash site : SafeandSoundMastering Low cost mastering. |
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| | #19 |
| Lives for gear | |
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| | #20 | |
| Lives for gear Join Date: Oct 2007 Location: Berlin
Posts: 509
| Quote:
I guess that is a free field response. Then it depends, wether you measure with third octave smoothing or not. And I have the strong feeling that the frequency response straight out of the speaker has more influence on tonality to human ear than room acoustics (since reflections appear from different directions which might be better "resolved" or learned by the ear). Just a hypothesis though. | |
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| | #21 |
| Gear addict Join Date: Apr 2006 Location: Sweden
Posts: 301
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| | #22 | |
| Lives for gear Join Date: Mar 2008 Location: London UK
Posts: 512
| It appears your response is to appear sarcastic and smart, forgive me if I misinterpreted it. Designing a monitor with a skewed response based on an unknown room is not only foolish but incredibly unlikely. I doubt it was meant to be funny as I know Swedish humour. Ok your biog explains : Quote:
__________________ SADiE V5, SADiE 24/96, Nuendo4, PMC IB1, BM6P, analog and digital processing, 15 years audio experience, 1,000's of hours pro studio experience. SafeandSoundMastering Flash site : SafeandSoundMastering Low cost mastering. | |
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| | #23 |
| Mastering Moderator Join Date: Apr 2003 Location: Always on the Run
Posts: 1,950
| Just chiming in to confirm that there is no vibration originating from the crossover boards. Once you mange to open the rear panel and disconnect the mentioned board you will realise how firmly they are mounted. Mind you it takes a while. Unmounting the drivers is also a daunting task as in addition to the much criticised bolts the drivers are sealed (as in glued to the MDF).
__________________ Velvet Room Mastering "Can you imagine how great the Beatles or Pink Floyd could have sounded if they had used better cables? I expect a Nobel prize to someday be awarded to an audiophile cable designer, as they clearly are way ahead of the rest of us. " - DC - |
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| | #24 |
| Moderator Join Date: Dec 2002
Posts: 2,757
| Honestly, those measurements really aren't that bad. Considering all the elements, and the measurement methods, they compare favorably to many other studio speakers. You'd be surprised what many popular speaker response graphs look like, and also, how some manufacturers make theirs look better with fudging the octave resolution (smoothing) or scale. |
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| | #25 |
| Lives for gear Join Date: Mar 2008 Location: London UK
Posts: 512
| All fair points and I am thankful of them. In all likelyhood they are probably going to be the right speakers for me. I have seen 2 high end speakers recently quoting useable reponses to 25Hz and when you see the graphs they look like they roll of rather quick, I found this a little surprising.
__________________ SADiE V5, SADiE 24/96, Nuendo4, PMC IB1, BM6P, analog and digital processing, 15 years audio experience, 1,000's of hours pro studio experience. SafeandSoundMastering Flash site : SafeandSoundMastering Low cost mastering. |
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| | #26 |
| Gear addict Join Date: Apr 2006 Location: Sweden
Posts: 301
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| | #27 |
| Lives for gear Join Date: Aug 2003 Location: Hollywood CA
Posts: 1,115
| "I'm so sorry, he's from Barcelona." DC |
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| | #28 |
| Lives for gear Join Date: Mar 2008 Location: London UK
Posts: 512
| Hey it's all good Patrik I was being a bit of a d*ck really, no need for it. My girlfriend is Swedish so I have met a lot of Swedes and I think they may not understand English humour sometimes (and I am not sure I get Swedish either) My friend lives in Norway now and he says they really don't get it and literally stare at him with a serious face.
__________________ SADiE V5, SADiE 24/96, Nuendo4, PMC IB1, BM6P, analog and digital processing, 15 years audio experience, 1,000's of hours pro studio experience. SafeandSoundMastering Flash site : SafeandSoundMastering Low cost mastering. |
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| | #29 |
| Lives for gear Join Date: Feb 2008
Posts: 582
| With a bit of speaker/room compensation even with a little simple EQ work, it becomes a lot less about frequency response, but how transparent a speaker really is. And "some hifi website" had some surprisingly decent clues about how that might lay out with this speaker, if you compare it to other knowns with the same data.
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