![]() | All Advertisers |
| Member Services Directory | Classifieds | Reviews | Jobs | Deal Zone | Merchandise | Marketplace | Facebook App | Books, DVDs & Gadgets | Video Vault | Tips & Techniques |
| |||||||
New Reply | Thread Tools | Search this Thread |
| | #1 | |
| Lives for gear | What software are you using to master on PC?
I am using a PC and Sony's CD Architect. Unfortunately, It only uses Direct X plugins. That leaves me with only Ozone. I like Ozone, but I want my VST's. I wish Bias was for PC....
__________________ Quote:
| |
| | |
| | #2 |
| Lives for gear Joined: Feb 2003 Location: Western North Carolina
Posts: 3,659
|
I have Wavelab and Sequoia but use Wavelab the most because thats what I'm most used to...
__________________ "I know that most men, including those at ease with problems of the greatest complexity, can seldom accept even the simplest and most obvious truth if it be such as would oblige them to admit the falsity of conclusions which they have delighted in explaining to colleagues, which they have proudly taught to others, and which they have woven, thread by thread, into the fabric of their lives." Tolstoy |
| | |
| | #3 |
| Lives for gear |
I use pro tools and put everything in sequoia to create DDPs and make the cd.
|
| | |
| | #4 |
| Lives for gear |
Cubase Essential 4 + Wavelab Essential 6 here love Cubase, always used it, since I was 12 Wavelab is the ugliest program ever, and it's all back to front, but it's a great tool for album compiling.
__________________ Subsequent Mastering: http://www.subsequentmastering.com |
| | |
| | #5 |
| Lives for gear |
Wavelab 6.0 and Samplitude 9.0 here.
|
| | |
| | #6 |
| Lives for gear Joined: Aug 2004 Location: Brooklyn, New York
Posts: 3,638
Verified Member |
I'm using a fairly unusual choice - SAWStudio - Welcome to RML Labs - The Makers of SAWStudio - with the JMS Audioware Cue Sheet Generator add on (which allows PQ index points and subcodes to be entered and edited directly in SAWStudio, and to create Red Book compliant cue sheet images from the layouts you have entered) - JMS Audioware Some of the advantages of SAW over other DAW apps are: # support for up to 32bit / 400kHz audio (and any standard or custom sample rate below) # ability to combine files with different sample rates and bit rates in a single session # 64 bit fixed point math for all multiples and divides returning full 32bit dword in internal processing (instead of just the 24bit + 8bit mantissa in a 32bit IEEE file) for extremely high accuracy for all digital processing # assembly language coding for its engine core allows for incredible stability and efficiency # gui, signal path and work flow emulate a large format analog mixing console # skinnable look completely changeable with a single mouse click # NO copy protection or Windows registry hooks allows complete ease of installation! # fully automateable SAW native plugin format with excellent sounding processors that are unavailable for any other format # support for VST / VSTi / DX plugins (including DSP based "powered" plugins from UA & TC) I also use Sonoris DDP Creator to convert the cue/wav images generated by SAWStudio into DDP when necessary, and to do quick resequencing editing of subcodes - DDP Creator - Sonoris Audio Engineering Some other PC based apps I've found useful are: Exact Audio Copy - Introduction ยป Exact Audio Copy - excellent CD digital audio extractor with "secure" error correction, and also excellent CD-R burning app from cue sheet images. Awave Audio - http://www.fmjsoft.com/aaframe.html - batch format converter for over 90 different digital audio file types Nero - Nero - Nero AG - Liquid Media to Simply Enjoy - Official Website - full featured data & audio disc burning software, including support for Blue Book spec "CD Extra" authoring. Cirlina HD Audio Solo Ultra - Solo DVD-Audio authoring - Author DVD at the best audio quality - inexpensive DVD-Audio disc authoring with ability to create "hybrid universal" discs compatible in standard DVD-V players. Plextor Plextools Pro XL - PlexTools - Home Page - disc info and error checking software Jthink Jaikoz - Jaikoz Audio Tagger - advanced id3 tag editing (including support for ISRC) for Mp4, M4a, M4p, Mp3, Wma, Flac and OggVorbis Rail Rogut Interleaver - http://www.railjonrogut.com/interleaver.zip - batch converter to combine dual mono files into stereo interleaved wav's Rail Rogut sd2Wav - sdTwoWav - batch converter of sd2 files to wav Fostex BWF Manager - BWF Manager Software - Broadcast, Film and Pro Audio - extracts mono files from poly and stereo bwf wav files (and visa versa) CAS DVD Audio Extractor - DVD Audio Extractor -- Full featured DVD audio ripper for your easy use - extracts audio (including support for 7.1) from DVD-V discs. Best regards, Steve Berson |
| | |
| | #7 |
| Gear addict Joined: Oct 2002 Location: Oakland, CA
Posts: 333
|
Wavelab 6 here. Audition and Rx for restoration.
|
| | |
| | #8 |
| Lives for gear Joined: Nov 2006 Location: Greater San Francisco
Posts: 2,142
|
another vote for Samplitude here. Samplitude & Sequioa are basically the same program. (Sequioa has a few more features, namely authoring to .ddp) You will find that a lot of Mastering folks use Sequoia. Off the top of my head I can think of Brad Blackwood, Bob Ohlson, & Bob Katz. |
| | |
| | #9 |
| Lives for gear Joined: Jun 2006 Location: Not working on music, which is were I SHOULD be.
Posts: 1,190
Verified Member |
PTLE for processing, CD Architect for the premasters, Audition for batch processing (making MP3s, etc.)
|
| | |
| | #10 |
| Gear interested | Thanks for the recommendation...
Thanks to Cellotron for pointing out Jaikoz Audio Tagger. Since we provide versions optimized for online playback with all our studio masters, this could come in handy.
|
| | |
| | #11 |
| Gear maniac Joined: Feb 2009 Location: Portland, Oregon USA
Posts: 190
|
Samplitude with the DDP xport (no longer available for Samplitude). Samplitude is everything I will ever need in an editor. And it sounds great too! Timothy Stollenwerk ____________________________________________ S t e r e o p h o n i C . . . . . . . . | Stereophonic Mastering | | Custom Audio Mastering | m a s t e r i n g . . . . . . . . . . . . . . . . . 503. 407. 2521 Stereophonic Mastering on MySpace Music - Free Streaming MP3s, Pictures & Music Videos |
| | |
| | #12 |
| Gear maniac Joined: Aug 2006 Location: manchester uk
Posts: 256
| |
| | |
| | #13 |
| Lives for gear Joined: Mar 2009 Location: U.S.A.
Posts: 4,382
|
I use PT..then burn with nero..what is so hard about this? Am I missing something?
|
| | |
| | #14 | |
| Lives for gear Joined: Aug 2004 Location: Brooklyn, New York
Posts: 3,638
Verified Member | Quote:
In the single app paradigm say if you wanted to stretch a fadeout at a track end longer and move the following tracks back you just edit the session and you're done. With the dual app paradigm you have to go back to the processing app, re-edit files, reinsert into the second assembly app, and repeat again if any further tweaks are needed. Having worked both ways there's no way in heck I'd ever want to go back to the two app paradigm. Best regards, Steve Berson | |
| | |
| | #15 |
| Gear maniac |
Wavelab and you dont need the full version to take advantage of how awesome it is!
__________________ -"mr. junior mastering engineer!" |
| | |
| | #16 |
| Lives for gear Joined: Apr 2004 Location: Virginia
Posts: 1,376
|
Pyramix or Sequoia.
|
| | |
| | #17 |
| Lives for gear |
I used to use Wavelab, but now Samplitude which I like better. Samplitude 10 includes an amazing plug in called Ammunition that is one of the most powerful software compressors I have ever experienced.
|
| | |
| | #18 |
| Lives for gear |
Sequoia for mastering. A mac with Protools LE, Logic Pro and Ableton Live for other sorts of trickery.
__________________ Studios 301 |
| | |
| | #19 |
| Lives for gear Joined: Feb 2009 Location: San Diego
Posts: 1,425
Verified Member |
Samplitude for tracking, mixing, mastering.
|
| | |
| | #20 |
| Gear addict Joined: Feb 2008 Location: Kuala Lumpur
Posts: 378
|
Sonar in 64 bit precision mode for mastering. It renders a 16/44 file which then goes into CD Architect for ISRC codes, CDText and track input.
__________________ Calamity Studio and 20 amusing minutes about building it Most Recent Album, Monjour Some of it in full HD |
| | |
| | #21 |
| Gear maniac Joined: Jul 2002 Location: The Big Apple
Posts: 259
Verified Member |
Wavelab for playback and Sequoia for capture and editing. Occasionally ProTools for playback but that's on a Mac. Dave
__________________ www.sterlingsound.com |
| | |
| | #22 |
| Lives for gear |
Samplitude (and hardware).
|
| | |
| | #23 |
| Lives for gear Joined: Nov 2006 Location: Greater San Francisco
Posts: 2,142
|
There seems to be a lot of Sequiatude users here |
| | |
| | #24 |
| Lives for gear Joined: Feb 2009 Location: San Diego
Posts: 1,425
Verified Member |
I'll bet there's a good well kept reason for that! Shhhh don't tell!
|
| | |
| | #25 | |
| Gear maniac Joined: Nov 2006
Posts: 212
| Quote:
So I don't know how anyone can consider inferior sample rate conversion sound quality as an advantage. IIRC, there were many DAW with WAY better sample rate conversion specs than SAW, including Pro Tools and Samplitude and Logic and Sonar and Seqoia. And how is non standard sample rates an advantage to mastering if you have to convert? ~deadears | |
| | |
| | #26 | |
| Lives for gear Joined: Aug 2004 Location: Brooklyn, New York
Posts: 3,638
Verified Member | Quote:
First off - the thread on the forum you are referring to was removed because it devolved into disruptive off topic in-fighting between some of the posters - not because of the content that was on topic. The discussion was a good one though as it actually revealed a bug in the lower quality src conversion algorithm which was in fact fixed in a recent free update. The reason the test results on the SRC Comparisons site were removed was because the SAW user who had submitted them had used settings which used one of the lower quality (for real time monitoring) algorithms. Because SAW's author was making both bug fixes to the src routine and also wished SAW to be represented on an equal footing as the other apps tested (which for the vast majority of apps tested are at their highest quality settings) he wanted to send in new results with settings properly done. Infinitewave made the decision on their own to oblige SAW's author request for the test results to be removed in the meantime. I'll see what I can do to expedite new tests being posted. Next - despite the issues posted above SAW actually tested out to be around the same quality level of PT's and Sequoia's - and superior to the src native in many DAW's also used in mastering, such as SADIE. Regardless NONE of the apps you listed have the best src available by any means - most of them are in fact test out with results inferior to the freeware SoX algorithm. Next - and possibly most importantly - src plays very limited role in my mastering work flow - and in the work flow of the vast majority of mastering engineers I know. For the vast majority of jobs received I play all digital files at the same sample rate out received to my analog process chain - and then capture back at the sample rate desired for delivery. So - in the vast majority of mastering jobs I do - no src is used, regardless of the source or delivery rates. When I do in fact need to do sample rate conversions I generally use a batch converter (SoX these days) that is separate from my primary DAW app that offers an src algorithm that tests out superior to nearly any other out there. The ability to process and play out non-standard rates is useful for things like dealing with pull up or pull down rates for audio files used for video post-production, or for non-standard sample rates for games or other low memory devices with embedded audio. It also allows for high quality and flexible vari-pitching to be done real time in-the-box as well. It should be note that DXD (the sample rate used for processing DSD as PCM) is also at a "non-standard" rate. The ability to combine multiple sample rates in a single session is a definite work flow saver to me as I can have a single session file for all the source files regardless at the received rate - and then can play each of these out at the received rate for each one to my analog process chain by reclocking to this rate with the click of a mouse. This is definitely a time saver from having to open and keep track of separate session files for each of the received rates to me. Best regards, Steve Berson | |
| | |
| | #27 | |
| Gear maniac Joined: Nov 2006
Posts: 212
| Quote:
I also clearly remember the SAW test results being inferior to several other DAW, and the frequency of the sample rate conversion was incorrect (not 44.1k), so some of the tests did not work. If sample rate conversion does not play a role in your work, then that is quite different than saying the sample rate conversion of your app is an ADVANTAGE to your work. That is what caught my attention. Based on the link to the SRC website, I disagree that there is a perceptible (and barely measurable) difference between the Sox and PT, Sequoia, Logic, etc. There are others that are obviously inferior, like REaper and Vegas. ~deadears | |
| | |
| | #28 | |||||
| Lives for gear Joined: Aug 2004 Location: Brooklyn, New York
Posts: 3,638
Verified Member | Quote:
Quote:
If you want to pick nits I've been critical myself of SAW's built in dither algorithms. Easy solution is I just use an excellent 3rd party one (Sonoris) as a plugin and the issue is over. Next - There are MANY more processes that occur in DAW's over and over when mixing/editing/mastering that never use an src routine. I'd say SAW performs exemplary in these. Quote:
Quote:
Quote:
Best regards, Steve Berson | |||||
| | |
| | #29 |
| Lives for gear Joined: Mar 2009 Location: London, UK
Posts: 1,574
Verified Member | |
| | |
| | #30 |
| Lives for gear Joined: Aug 2004 Location: Brooklyn, New York
Posts: 3,638
Verified Member | |
| | |
New Reply
Facebook
Twitter
LinkedIn
| Thread Tools | Search this Thread |
| Similar Threads | ||||
| Thread | Thread starter | Forum | Replies | Last Post |
| Best software master bus comp: Waves SSL or API? | switch1 | Music computers | 41 | 14th September 2011 01:52 PM |
| Which software is better to record and master you tracks? | Jay-J Music | Rap + Hip Hop engineering & production | 16 | 4th February 2009 02:50 PM |
| Master CD Software | slaphappygarry | Mastering forum | 10 | 23rd December 2008 06:16 AM |
| Free/demo software for arranging final CD master? | noah440 | Mastering forum | 4 | 1st July 2007 09:54 AM |
| Ampex 499 Grand Master Gold Studio Master 2" Tape Ebay | matthewscott614 | So much gear, so little time! | 0 | 6th February 2007 11:23 PM |
| |