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| | #1 |
| Gear interested Joined: Mar 2008 Location: Chicago, IL
Posts: 23
Thread Starter | WaveLab mastering problem - levels
I have 10 songs album in WAV 48k 24bit files. When mastering in WaveLab using montage (converted to 32 bit floating) I encounter a strange annoyance: My brickwall limiter is set to -0.03 dB (last in FX chain). When I apply all necessary plugins and dither with UV22HR, and render the files (montage) to 44.1k 16bit, overall level and all peaks rise up to 0 dB. I have tried to set the brickwall limiter to -0.06 dB, but the final 44.1k 16 bit montage level still climbs up to 0 dB. I do not have this problem when I convert all the files to 44.1k 32bit float prior to mastering. Am I missing something here? What's the catch?Any hints, or I have to convert the files to 44.1k from the start? Thank you. |
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| | #2 |
| Gear addict Joined: Mar 2008
Posts: 358
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Hi, Master in 32 bits like you did except for limiting, then convert, then limit and at the end dither. You can also convert before, because 44.1 or 48 will not give a big difference in sound. Good luck David |
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| | #3 |
| Gear addict Joined: Mar 2008
Posts: 321
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Resampling slightly changes the peak level. Search for "intersample peaks", there are interesting threads on this forum.
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| | #4 | |
| Lives for gear Joined: Mar 2009 Location: London, UK
Posts: 1,574
Verified Member | Quote:
Go through your system and check that the sample rate is not getting converted somewhere along the line. If you are knowingly using an SRC to convert your audio down to 44.1k, that is the reason for you loss of level control! | |
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| | #5 |
| Gear addict Joined: Mar 2008
Posts: 358
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I WROTE: Hi, Master in 32 bits like you did except for limiting, then convert, then limit and at the end dither. You can also convert before, because 44.1 or 48 will not give a big difference in sound. Good luck David No! Table of Tone when you read his post carefully you can see that he makes a simple mistake. And when he takes the above steps the way I wrote the problem is solved. David |
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| | #6 |
| Gear interested Joined: Mar 2008 Location: Chicago, IL
Posts: 23
Thread Starter |
Thanks guys. I did some research as suggested, and indeed it's all about SRC and intersample peaks. It seems like a logical solution is to do the EQ, Compression .... in 48k and then render the montage to 44.1*, and THEN apply limiting and dither. *So, no dither in conversion from 48k 32bit to 44.1k 32 bit? Thx again |
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| | #7 |
| Gear addict Joined: Mar 2008
Posts: 358
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*So, no dither in conversion from 48k 32bit to 44.1k 32 bit? No, because your still on the same bit depth. David |
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| | #8 |
| Gear interested Joined: Mar 2008 Location: Chicago, IL
Posts: 23
Thread Starter |
Great!!! Problem solved. Thank you very much. |
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| | #9 | |
| Lives for gear Joined: Mar 2009 Location: London, UK
Posts: 1,574
Verified Member | Quote:
The mistake adds up to exactly what I said before! He was doing SRC after he set his ceiling with the limiter he was using. Hence, the loss of level control. | |
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| | #10 | |
| Gear addict Joined: Mar 2008
Posts: 358
| Quote:
The way I explained it makes you understand exactly where or where not to convert! Your advice with all respect is a bit vague. The problem was not that the sample rate was converted but at what point! Greetings David | |
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| | #11 |
| Lives for gear Joined: Mar 2009 Location: London, UK
Posts: 1,574
Verified Member |
My point was that it was ultimately SRC that causing the overs. I've seen this many times and never known a particular SRC that doesn't cause this problem. That's why I run two systems and no longer use any SRC. I just wanted to quickly help the guy, not argue with anyone! Cheers |
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| | #12 |
| Gear addict Joined: Mar 2008
Posts: 358
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Me to! D vid
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