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| | #1 |
| Gear addict Joined: Jul 2008
Posts: 453
Thread Starter | Considering LavryBlack DA-10
Hello, I am considering the LavryBlack DA-10 and I was wondering if I should get a better sound card other than my current M-Audio Audiophile. I mean isn't SPDIF all the same quality regardless of card? Don't shoot me for asking, I am just wondering. If the consensus is to dump the M-Audio,please make a suggestion that would be a good match for the Lavry. Thanks, foamboy |
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| | #2 |
| Lives for gear Joined: Mar 2009 Location: London, UK
Posts: 1,574
Verified Member |
Try em together first and see how it sounds!
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| | #3 |
| Gear nut Joined: Jun 2006 Location: Houston, TX
Posts: 79
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Why not get the newer DA-11 and run your audio straight out of it via USB? On the M-Audio, I'm not 100% sure since I don't know the specs that well, but I would imagine the clock would make a difference. Ideally the simpler path the better, especially if it's for monitoring. |
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| | #4 | |
| Mastering Joined: Mar 2006
Posts: 3,099
| Quote:
__________________ Bob Katz DIGITAL DOMAIN http://www.digido.com "There are two kinds of fools. One says-this is old and therefore good. The other says-this is new and therefore better." No trees were killed in the sending of this message. However a large number of electrons were terribly inconvenienced. | |
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| | #5 |
| Gear nut Joined: Jun 2006 Location: Houston, TX
Posts: 79
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Bob, I'm no expert in USB, but I'd be surprised if there was a larger difference between USB and PCIe for clocking. Plus, if he uses the Audiophile, he will be dependent on it's clock. If he uses USB, then the only clock in the path is the Lavry (besides in the Mac or PC). I guess that's what I meant by simpler. Where is Dan Lavry when you need him? |
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| | #6 | ||
| Lives for gear Joined: Jul 2008 Location: San Diego, CA
Posts: 1,554
| Quote:
Dependable? That all depends. CPU overhead is not the problem, it is whether the buffer is reliable. And that depends on the quality of the chipset. Technically, there should be no jitter that would affect audio in USB or firewire, and if there is, it is usually catastrophic and results in major performance problems. Quote:
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| | #7 | |
| 3 + infractions, forum membership suspended. Joined: Oct 2008
Posts: 1,978
| Quote:
Universal Audio 2192 + Acoustic zen silver byte s/pdif cable. do A/B listening tests. RME and Lynx pci/pcie soundcards have better ASIO drivers. | |
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| | #8 | |
| Gear maniac Joined: Jul 2008 Location: Germany
Posts: 276
| Quote:
The biggest reason against FW or USB would be latency, especially with high cpu load. That Lavry DA11 and the Benchmark USB DAC were targeted more at the hifi crowd anyway. I wouldnt use USB for anything else than casual listening. | |
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| | #9 |
| 3 + infractions, forum membership suspended. Joined: Jan 2009
Posts: 780
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hi, with firewire, the issue is whether or not it is isochonous. if its not, i think the computer's clock is involved, which is apparently not good, generally. weiss has a firewire interface that works, i believe. i've used the adc2 both aes and firewire, and i didn't think there was supposed to be any difference in the latencies [but i didn't really check for that]. for what its worth, i actually do have a usb converter device that works. its a novation x-station. it only goes to 48kHz. sounds pretty decent, for what it is. but i thought usb was not the preferred approach for converters, for some reason. probably best to stick with aes. right |
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| | #10 | |
| Lives for gear Joined: Mar 2009
Posts: 1,546
| Quote:
I'd say that with usb or FW there is no clocking involved. At least, not in the way as in AES/EBU where the clock in embeded in the signal and the signal is thus ment to drive the converters. If i were to design a usb or fw interface i would just make a buffer in the interface. The computer would only worry about keeping the buffer filled. This would eliminate any jitter from the transmission to the interface. Then the interface itself would just have its own clock and would output from the buffer at its own leisure. It would also signal back to the computer when the buffer it , say, half full/half empty so the computer can dump some more data into it. The buffer would add some to latency altough i guess you can keep it pretty small. I think that most usb or fw interfaces work this way. It removes the necesity for the computer to output at a steady rate (and belive me, computers have pretty shitty internal clocking most of the time). If those internal clocks would have been anywhere near stable then you could just connect a small amp to your serial port and have your computer output an AES/EBU signal for a super duper el cheapo digital interface. | |
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| | #11 |
| Motown legend Joined: Jun 2002 Location: Songwriter Gulch, Nashville TN
Posts: 10,877
Verified Member |
I understand USB 3 solves all of the known problems. It just isn't in mass production yet. The next generation of computers will probably only support USB 3 and a new, faster generation of Ethernet.
__________________ Bob's room 615 562-4346 Georgetown Masters 615 254-3233 Music Industry 2.0 Interview |
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| | #12 | |
| Lives for gear Joined: Mar 2009
Posts: 1,546
| Quote:
The problem would be the operating system that controls how often data is allowed to be sent out to the controller IC. This can vary from moment to moment depending (indeed) on things like background tasks and (for instance) data transfers to the video card. My guess is that any problems with high latencies/dropouts/etc/etc would come from this fact. | |
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| | #13 |
| Lives for gear Joined: Mar 2009
Posts: 1,546
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| | #14 |
| Lives for gear Joined: Jan 2009 Location: Boise, Idaho
Posts: 2,088
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You know, it shouldn't matter WHAT kind of pipes you use to get the signal to/from the DACs/ADCs as long as the converters themselves are set as the master clock source. So you can easily use S/PDIF or USB equally well as long as the actual converters themselves are the master clock. That said, I have an AP192 and it's NOT a very good card. I'm using it less and less all the time. They call it a +4 device but at that level, it only has 4dB headroom. So I had to actually set it at +4 to feed it a -10 source. It sounds way better than my Echo did at 44.1KHz/48KHz but the noise and distortion increase as the sample rate increases which the opposite of what should happen. This is because the M-Audio cards do not use a fixed crystal clock but rather a variable clock. The faster the clock, the more problematic the jitter is.
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| | #15 | |
| Lives for gear Joined: Aug 2003 Location: Hollywood CA
Posts: 2,625
Verified Member | Quote:
There is always buffering. DC | |
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| | #16 |
| Gear Head Joined: Jun 2007 Location: Mid Europe
Posts: 38
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Hi, I've got the Lavry DA-10 in combination with an EMU soundcard. It works fine. DA10 has an so called "Crystal-Mode", where it uses mainly its own (very low jitter) clock and synchronizes it (slowly with a data buffer..., not like a PLL) with the incoming signal. So, if your soundcard has an relativly useable steady clock, it will reduce jitter and improve the sound. (I hope, i've descriped it right.) regards. JayT. |
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| | #17 |
| Lives for gear Joined: Mar 2006
Posts: 1,776
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I have used my DA-10 with several different audio interfaces and its sound is always stellar.
__________________ Composer, Logic Certified Trainer, Level 2 Author of "Going Pro with Logic Pro 9" www.jayasher.com |
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| | #18 | |
| Gear interested Joined: Apr 2009
Posts: 5
| Quote:
I'm new to the world of converters here. Have just acquired a Lavry Black DA10 & AD10 and I'm hooking it up via SPDIF to my Motu Ultralite interface. From my MOTU control panel setup, should I keep my Clock Source as 'Internal' or should I use 'SPDIF'? Thanks. | |
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| | #19 |
| Lives for gear Joined: Jul 2007 Location: Philadelphia, PA
Posts: 1,517
Verified Member |
try both and see what sounds better. i would think the clock on the lavry is better than the motu, so checking spdif should sound better but the proof is in the pudding, toggle the clock back and forth from spdif to internal and see what sounds best to you.
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| | #20 |
| Lives for gear Joined: Aug 2005 Location: Norway
Posts: 1,741
Verified Member | Normally, the AD is the master. Set the motu to slave to the AD10. If the motu is not slaving, you have to use wordclock to slave the AD to the motu clock.
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| | #21 | |
| Lives for gear Joined: Mar 2009 Location: London, UK
Posts: 1,574
Verified Member | Quote:
Any good? Can you hear the difference over just the motu on it's own? I run a lavry gold AD and that is my master clock. Really solid for sure! | |
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| | #22 |
| Lives for gear Joined: Jun 2004 Location: Toronto
Posts: 737
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How do the Lavry black's compare to the blue's in sound? Obviously feature wise there different. But if you were comparing A/D, D/A's with HEdd, Benchmark... would you just include one or the other (black 0r Blue) for the Lavry Representative?
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| | #23 |
| Gear interested Joined: Nov 2007
Posts: 5
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Some guys told me the black DA and AD are better then the blue ones and more close to the Gold series. For the poster of this topic i think it all depends of what you already have, i see no point of getting a Lavry DA if you dont have good acoustics or a good monitoring system. If you already have this, then you can look further, but there are a lot of options wich give you a lot for your cash. Many of those DAs target to audiophile guys are a lot of bang for you buck and put a chame on many high priced units! And on the AD side you can get an BLA Sparrow that will make you save a lot for acoustics and a nice monitoring system that will impart at least 3x more on your work than the converters ! |
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| | #24 |
| Lives for gear Joined: Mar 2009 Location: London, UK
Posts: 1,574
Verified Member |
I just don't like digital! Never have! I work with it because I have to. When I first heard the Lavry AD122, that was the first time that I thought, "Hello" now we're getting somewhere! This actually reminds me of what tape does! There may be hope yet! |
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| | #25 |
| Lives for gear Joined: Jun 2005 Location: All Over
Posts: 1,115
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The Lavry DA10 has been great to me. When I was considering a new DA I shot it out extensively against a Benchmark DAC1 and a highly regarded (and unusual) audiophile DAC. What DAC are you using and why? It won my vote. Build is solid but not pretty. It inspires confidence that the thing is solidly engineered though and, as it doubles as my on location recording DAC + headphone amp, this is a positive attribute. Very clear, detailed sound. Endorsed |
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| | #26 |
| Lives for gear |
The USB feature on the DA-11 is very interesting for me and would save me a bit of bother. I understand the technical reservations about using USB for this task but then also have faith that if anyone can sort it out, it's Lavry. I don't think (from reading his posts) he'd jeapordise quality for any reason whatsoever, but perhaps in this case he was considering the convenience factor a little more. So, has anyone done any *actual* tests of USB vs SPDIF/AES with the DA-11? My jury's out, I need some evidence |
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| | #27 |
| Lives for gear Joined: Mar 2009 Location: London, UK
Posts: 1,574
Verified Member |
I'd like to know if the USB feature works on a mac? It's sometimes good to listen back to stuff through different D to A's |
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| | #28 | |
| Gear addict Joined: Jul 2005 Location: NYC
Posts: 426
| Quote:
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| | #29 |
| Lives for gear | |
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| | #30 |
| Gear addict Joined: Jul 2005 Location: NYC
Posts: 426
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It seems to perform equally well with AES, S/PDIF and USB. No red flags or uneasy feelings.
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