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| | #1 |
| Gear interested Joined: Dec 2008
Posts: 7
Thread Starter | Saxophone First Aid needed
Hello Mastering Experts I need some help from some experienced ears... I'm mixing a piece that includes an alto saxophone track that is mildly distorted. I think either the pre was too hot or the mic itself clipped. The saxophonist has a very edgy/reedy sound anyway, which is fine, but some of the louder notes are just too dirty. I've tried notch eq to take some of the offensive freq's down, but I'm not getting what I need. Here are links to a portion of the unaltered track at 24/96, and 24/48 for the less patient. And 16/44.1 for the rest... Anyone have time to listen and comment? Last edited by 4dBrooklyn; 17th January 2009 at 02:53 PM.. Reason: added 16/44 |
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| | #2 |
| Lives for gear |
being a saxophonist and hearing that example not too loud on my monitors i can say you, that i havent heared distortion in your example. :-) i only hear an alto player who sings into the sax during playing which "distorts" the sound. i would play the example to the saxophonist and ask him if this is him. |
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| | #3 |
| Gear interested Joined: Dec 2008
Posts: 7
Thread Starter |
thanks for listening. its not distorted most of the time, but there are a few peak notes that I think definitely are. He's heard it, and doesn't have a problem with it. But its his album and I want the alto sound to be as strong as possible. (Of course...!)
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| | #4 |
| Gear interested Joined: Dec 2008
Posts: 7
Thread Starter |
maybe what I'm hearing could be better described as compression of the mic diaphragm...? its a U67
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| | #5 |
| Lives for gear Joined: Mar 2008 Location: 3rd Stone From The Sun
Posts: 2,933
Verified Member |
If the distortion or unwanted noise is recorded onto the track you can reduce it but not eliminate it completely. Try compressing the peaks or go in and automate the level on the peaks to reduce them. TW |
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| | #6 | |
| Mastering Joined: Mar 2006
Posts: 3,099
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I'm on my laptop so I can't easily listen to your files. I've used several approaches to dealing with these types of distortion. And usually a combination of a few approaches in series, each set to "moderate", is better than trying to get it all with one. ---- Renovator, manually softening the distorted high frequency sections with 1 to 3 dB of gain reduction. This can be the most transparent, because it's only in the chain when you need it, but also the most labor intensive ---- Weiss DS1-Mk2 (or 3! because that has M/S and can be more selective) set for 1 to 3 dB of reduction at the frequency of interst --- A nice sweet tube compressor like the Pendulum OCL-2, can sweeten or take the edge off of your sax And so on. Combinations of these methods can work "miracles." BK Quote:
__________________ Bob Katz DIGITAL DOMAIN http://www.digido.com "There are two kinds of fools. One says-this is old and therefore good. The other says-this is new and therefore better." No trees were killed in the sending of this message. However a large number of electrons were terribly inconvenienced. | |
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| | #7 |
| Lives for gear Joined: Jun 2002 Location: Germany
Posts: 2,006
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have good experience with the c1 sidechain mode to remove the " car horn " sound.
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| | #8 | |
| Mastering Joined: Mar 2006
Posts: 3,099
| Quote:
BK | |
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| | #9 |
| Lives for gear Joined: Jun 2002 Location: Germany
Posts: 2,006
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| | #10 |
| Gear interested Joined: Dec 2008
Posts: 7
Thread Starter |
thanks guys good tips all around - I'll try the C1 / hardware tube compressor combination. Since I have those on hand... I appreciate it! |
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| | #11 |
| Lives for gear Joined: Jun 2002 Location: Germany
Posts: 2,006
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