![]() | All Advertisers |
| Member Services Directory | Classifieds | Reviews | Jobs | Deal Zone | Merchandise | Marketplace | Facebook App | Books, DVDs & Gadgets | Video Vault | Tips & Techniques |
| |||||||
New Reply | Thread Tools | Search this Thread |
| | #1 |
| Gear maniac Joined: May 2007
Posts: 210
Thread Starter | Mastering Signal Flow
I'm trying to get my head around the details of a typical mastering set-up and I have a few questions. I'd really appreciate any help. First, how do you deal with the multing of signals and not worry about compromising the master? Specifically, how do you hit the analog processing chain, an A/B switcher for monitoring, and an analog meter with the source mix? Do you just multi it? Second, do you need 3 converters for the system? (assuming analog processing). One DA to play the mix, one AD to record the master and one DA to monitor the master? (I guess that could be one AD/DA like a UA2192?) If someone could explain their signal flow, including the clocking and interfacing?? I'm also figuring you'd need two computers? One to play the mix and one to record the master? I don't see how you can play pro tools out and record into a different program at the same time. (not mastering back into pro tools) Thanks a lot! Adam |
| | |
| | #2 |
| Lives for gear Joined: May 2008 Location: Amsterdam, NL
Posts: 937
|
on google try: site:gearslutz.com/board/mastering-forum processing order site:gearslutz.com/board/mastering-forum signal chain site:gearslutz.com/board/mastering-forum analog loop etc. you'll find answers to all your questions. yes, that would be 2 DA's and 1 AD. some people use two soundcards on one machine, some use two machines. or one could use one soundcard with at least 4 outs and 2 ins, but then the samplerate has to be the same. some engineers like to have the recording machine running at the destination samplerate and the source at whatever SR the source might be, or upsample the source. for example: source @ 48/88/96 > DA > analog loop > AD > master @ 44.1. chain could be something like this: source machine > corrective EQ plug x > DA > comp > EQ > device y > AD > recording machine > limiter > DA > ipod earbuds cheers! |
| | |
| | #3 |
| Lives for gear | |
| | |
| | #4 |
| Lives for gear Joined: May 2008 Location: Amsterdam, NL
Posts: 937
| |
| | |
| | #5 |
| Gear maniac Joined: May 2007
Posts: 210
Thread Starter |
Thanks. Any hints about multing to hit A/B monitoring and processing gear?
|
| | |
| | #6 |
| Gear nut |
One way is to have one more D/A converter that is just used for your source track. Have the source file come out of 2 outputs from whatever system you use. One goes through your processing chain and the other goes straight to a D/A for a reference. This will ensure the integrity of the audio by not requiring a mult. D- |
| | |
| | #7 |
| Gear maniac Joined: May 2007
Posts: 210
Thread Starter |
Thanks
|
| | |
| | #8 |
| Lives for gear Joined: Nov 2006 Location: Seattle
Posts: 1,799
Verified Member |
That's why we use 8-channel converters (EMM Labs and DAD AX24) A great mastering converter to get started on would be the Lynx Aurora Regards, |
| | |
New Reply
Facebook
Twitter
LinkedIn
| Thread Tools | Search this Thread |
| Similar Threads | ||||
| Thread | Thread starter | Forum | Replies | Last Post |
| Signal Flow | tokyopop | Electronic Music Instruments & Electronic Music Production | 2 | 7th October 2008 05:10 PM |
| Signal Flow | AudioFields | Low End Theory | 2 | 14th March 2008 07:41 PM |
| Sampling Signal Flow | unkleando | Rap + Hip Hop engineering & production | 4 | 16th February 2008 11:47 PM |
| Tell me about signal flow in mastering | gainreduction | Mastering forum | 2 | 8th December 2007 07:47 PM |
| Mastering signal Flow.. what comes first? | bartrose | Mastering forum | 4 | 23rd January 2007 06:07 PM |
| |