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| | #1 |
| Gear Head Join Date: Jul 2006
Posts: 41
Thread Starter | Big Names Mixing & Mastering Cost Hi, I just wonder, how much is the average cost of mastering an album by big names in mastering? (e.g. Bob Katz, Bob Ludwig, Doug Sax, etc) And also for mixing an album by people like Tom Lord Alge, Al Schmidt, etc. I know that the price would vary, but if I could get a prediction, or maybe from anyone who ever had their service. Just to get a picture for people who is willing to try to use their services. ![]() And for those who ever had their services, it would be great if you could share the process, e.g. do we pay for their studio time or on per song basis, do we have to attend the session or the exact opposite (they don't want us there during process), how long does it takes to finish the master, etc.) Thanks in advance. |
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| | #2 |
| Lives for gear | A lotta those guys charge different rates for different projects. If you're on a major label, you'll pay more. If you're an indie, you'll pay less. Unfortunately, the only time I've had those "big boys" master my work is on major label projects, in which case I didn't have access to the bills. And I've not had the pleasure of a big-name mixer working my tracks. But I did have a client recently tell me they paid Gateway $1200-1500 (they couldn't remember exactly) to master a record. That actually seemed low to me, so I don't know that Bob did it (in fact, I sorta doubt it, even though his name was on the reference disc, but I didn't tell the client!), but who knows? I do work personally with some local guys who have some VERY impressive credits, and those rates hover between $600-800 for an EP, and $1000-1500 for a record.
__________________ ****Selling my killer vintage Neumann SM-69 fet stereo mic!! Sad times for me, great deal for you.**** ========================== http://www.bennygrotto.com Mad Oak Studio on Facebook Allmusic.com The best bands in New England, performing Live at Mad Oak Discogs.com |
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| | #3 | |
| Gear Guru Join Date: Jun 2002 Location: New York City
Posts: 14,176
| Quote:
For mastering it would $500 per hour. You can probably figure out the rest. For mixing the engineer would want to hear the material first and decide if he/she would want to work on it. Also it would have to be submitted through their management. So just because you want a specific engineer to mix your song doesn't mean they will do it. For mastering its a different process, the only caveat that the wait for the top ME's is longer, some times months. Also don't expect alot of hand holding in the process. By this i mean if you have either Ted Jensen, Bob Ludwig or Doug Sax mastering your record you better have your mixes together. I mean to spend $500 an hour to get those guys to fix your mixes in mastering is a waste of money IMO. | |
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| | #4 |
| Lives for gear Join Date: May 2008 Location: Karlsruhe, Germany
Posts: 2,736
Verified Member | Wow... really? The top US mixing guys are in a position to get a %point? |
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| | #5 | |
| Lives for gear Join Date: Aug 2006 Location: No longer participating here.
Posts: 6,705
| Quote:
![]() BTW I had a friend who got an unsigned album mastered by Doug recently and it was a pleasant experience for all. | |
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| | #6 |
| Lives for gear Join Date: May 2007 Location: UK
Posts: 9,394
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| | #7 |
| Gear Guru Join Date: Jun 2002 Location: New York City
Posts: 14,176
| Those figures are without the money needed to book the studio and any rental fees the engineer charges for carting & using his own gear. So a $3500 mixed single by the end can end up setting you back $5500-$6000 without the mastering. |
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| | #8 |
| Gear maniac Join Date: Oct 2007 Location: France
Posts: 150
| you can get world class mastering for $150/ song or 1500-2000 an album for mixing have had prices from about $700/tune |
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| | #9 | |
| Gear Guru Join Date: Dec 2002 Location: Columbus, Ohio
Posts: 12,364
Verified Member | Quote:
(congrats on your success, just joking at our weak dollar) ... or less. But he didn't ask about quality, he wants to hire a big name.
__________________ brian lucey magic garden mastering The Shins, Dr. John, The Black Keys, OAR, David Lynch, Sami Yusuf, moe., Hacienda, Jessica Lea Mayfield Spiral Groove Studio One mixing monitors | |
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| | #10 |
| Lives for gear Join Date: Jan 2008 Location: Philly/New York
Posts: 4,775
| Chris Gehringer One of my favorites goes 3000+ an album, which considering his reputation is a really fair price. I imagine the rest of the Sterling crew is around a similar ball park. Peter Humphreys goes for 1000+ , he's not quite as big name but still has a stacked reputation, is really easy to work with, and has a brilliant touch. I, the most famous mastering engineer of them all, charge 200 dollars. I actually do a good job. ![]() |
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| | #11 | |
| Lives for gear Join Date: May 2007 Location: Old World
Posts: 677
| Quote:
![]() ooP. | |
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| | #12 | |
| Gear Guru Join Date: Jun 2002 Location: New York City
Posts: 14,176
| Quote:
With the shrinking budgets and bad economy the days of $10K and $20K mixed singles are over. | |
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| | #13 | |
| Lives for gear Join Date: May 2007 Location: Old World
Posts: 677
| Quote:
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| | #14 |
| Gear Guru Join Date: Jun 2002 Location: New York City
Posts: 14,176
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| | #15 | |
| Lives for gear Join Date: May 2007 Location: Old World
Posts: 677
| Quote:
If your brother paid him directly, it was a favor, because they never deal directly, that is why they have the best management in the world (Nettwerk). Again if Avril calls (SONY/BMG), the fee is $10k or $8k if more than 4 tracks. oOp. | |
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| | #16 | |
| Gear Guru Join Date: Jun 2002 Location: New York City
Posts: 14,176
| Quote:
And yeah you are going to charge a major more because it takes longer to get paid. Who the hell likes sitting around on their thumbs waiting to be paid? Some major labels take way longer than in the older days to pay people and the economy believe it or not has a lot to do with it. Lastly Avril L. wouldn't call. It be either the Matrix or someone like John Shanks who are both producers that bring all these guys lots of label work. | |
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| | #17 | |
| Lives for gear Join Date: May 2007 Location: Old World
Posts: 677
| Quote:
TLA pays a 25% to Nettwerk Management, believe me, he let them deal with labels, if your friend deals with him directly and got a 50% discount... IT'S A FAVOR. If this is true, I'm sure TLA really liked your friend's project. And BTW, John Shanks has never produced an Avril Lavigne album. oOp. | |
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| | #18 | |
| Lives for gear Join Date: May 2007 Location: UK
Posts: 9,394
| Quote:
! Yeah - it's pretty bad coming this way, but fortunately most of my clients are UK so the rate is the rate ! It was GREAT about 18 months - 2 years ago! I had some great holidays over in the States - plus it was a great time to import gear. Little less so now - but still not bad! | |
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