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Old 16th August 2008   #1
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Fade out - before or after mastering?

Just wondering what the general way is... I remember hearing some songs where - at the end when fading out - the tone/sound changes, which makes me guess that the fade was there before mastering and that caused the material to react differently to the processing at this point. But then again, there's probably plenty stuff where the fade happened afterwards.

Is there any preference? Any advances one way or the other?
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Old 16th August 2008   #2
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If you fade before (or into) compression you'll get another sound, and you're kind of working against the machine. It can work though, but be aware of hiss if you're not fading the actual end file.
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Old 17th August 2008   #3
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Quote:
Originally Posted by MrVelvet View Post
Just wondering what the general way is... I remember hearing some songs where - at the end when fading out - the tone/sound changes, which makes me guess that the fade was there before mastering and that caused the material to react differently to the processing at this point. But then again, there's probably plenty stuff where the fade happened afterwards.

Is there any preference? Any advances one way or the other?

I guess the sound changing during a fade out is somewhat "classic" in its own right. A lot of great tracks on great albums do that... and it always makes me smiles when hearing it. But of course, I very much prefer to do the fades at the mastering stage for exactly that reason.
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Old 17th August 2008   #4
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...during mastering, but after compression as Lagerfeldt hinted.
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Old 18th August 2008   #5
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I agree generally - But at the same time, it can be a pretty cool effect when it's exaggerated... As mentioned, the sound changes - actually becoming more dynamic during the fade (if the fade was applied during the mix or pre-compression during the mastering phase).

If the compressor is hitting pretty hard and the release is reasonably slow, it can be very nifty...

Not a rule of thumb or anything - Just a look at the other side of the coin...
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Old 18th August 2008   #6
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I agree generally - But at the same time, it can be a pretty cool effect when it's exaggerated... As mentioned, the sound changes - actually becoming more dynamic during the fade (if the fade was applied during the mix or pre-compression during the mastering phase).

If the compressor is hitting pretty hard and the release is reasonably slow, it can be very nifty...

Not a rule of thumb or anything - Just a look at the other side of the coin...
And you're right Massive! For effects, almost anything is possible. The important thing is to know exactly what to expect whenever we make a decision such as this.
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Old 19th August 2008   #7
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One more thing to add is that if the fade is made before mastering, it's quite often made with no thought of pause time or the following song on the CD.
Sometimes this can lead to a less than optimum fade out.
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Old 12th February 2009   #8
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One more thing to add is that if the fade is made before mastering, it's quite often made with no thought of pause time or the following song on the CD.
Sometimes this can lead to a less than optimum fade out.
I simply MUST go off topic and applaud your avatar.
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Old 12th February 2009   #9
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One more thing to add is that if the fade is made before mastering, it's quite often made with no thought of pause time or the following song on the CD.
Sometimes this can lead to a less than optimum fade out.
Very true. Context is the name of the game.
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Old 12th February 2009   #10
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I'd imagine fading out after EQ/comp, but before dithering, would be a safe option.
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