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| | #31 | |
| Lives for gear | Quote:
I saw the toroidal transformer and that is always a better way to go than an open frame conventional power transformer. Thanks for sharing your ideas and asking for suggestions it is always nice to see a builder worry about the people that are going to use his device. We had a old ADM console with an all passive monitor section that used relays for the audio (they were reed relays filled with some inert gas and worked very well switching the audio without changing it). If memory serves me it had a 40 step attenuator for the main output. Nice board that worked well and sounded good. Thanks for sharing.
__________________ -TOM- Thomas W. Bethel Managing Director Acoustik Musik, Ltd. Room with a View Productions Oberlin, OH 44074 www.acoustikmusik.com Doing what you love is freedom. Loving what you do is happiness. | |
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| | #32 |
| Lives for gear | |
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| | #33 | |
| Gear interested Join Date: Jun 2008
Posts: 4
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OndesX | |
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| | #34 | |
| Lives for gear Join Date: Sep 2004 Location: Copenhagen, Denmark
Posts: 4,709
Verified Member | Quote:
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| | #35 | |
| Lives for gear Join Date: Aug 2003 Location: Hollywood CA
Posts: 2,492
Verified Member | Quote:
In mastering the signal path is (or should be) short enough that transformers should not be vital for isolation. DC | |
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| | #36 | |
| Lives for gear Join Date: May 2005 Location: Netherlands
Posts: 1,783
Verified Member | Quote:
nice looking piece off equip. da goose p.s. when using letters/fonts ... don't use so many ... really like you're logo but the fonts on the left are IMHO pretty ugly ... is has to look cool to sell.
__________________ Wim @ www.inlinemastering.com | |
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| | #37 |
| Gear addict Join Date: Nov 2006 Location: HI Ambacht, the Netherlands
Posts: 374
Thread Starter Verified Member | Just a quick reply to let you all know is still follow my own topic and read all realy usefull comments. Right now i'm in the middle of preparing for moving houses and studio so it's kind of hectic for the next 6/7 weeks, after that i will be putting up some more info for a new prototype and stuff. Thanks so far! thumbsup BTW, Wim, your'e right on the fonts on the left side... i was a bit experimenting wich didn't work out the way i wanted it.. |
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| | #38 | |
| Lives for gear Join Date: Apr 2006 Location: Toronto
Posts: 778
Verified Member | Quote:
There was never a single problem with the 2-BUS. With the ST, our first model had a tendency to "Christmas Tree", in other words when it received an electrical spike (which we were having trouble with), all the lights went on and it had to be restarted. Dangerous was very, very good with support and sent us a new controller overnight and no problems since then. Dangerous is an excellent company and I would highly recommend their products. | |
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| | #39 | |
| Gear interested Join Date: Jun 2008
Posts: 4
| Quote:
Anyway, try yourself ! It's indeed very easy to design, moreover if you just want an input and an output (that is no need for input selection...). A pair of trannies are in the range of 200$ (for autoformers) to less than 500 $ for the more expensive. I build 2 versions with Chinese and English trannies : any resistive gear I also designed using very high quality resistors are just useless after comparison ! It's also true for mastering.Don't take my word, go listen to a good TVC by yourself. Just some very interesting specs with trannies : - first, you may deal with both single-ended and balanced gear for ins and outs (this is not the case with resistive dividers...), - secondly, you have de facto a galvanic isolation between ins and outs (obviously not the case with resistors...), - the previous specs have a very interesting consequence : absolute silence for the output signal ! This is really and definitely... audible ! - also, you can very easily match the impedances for the sources and the loads without any loss (you always may have a loss in resistors...), - a tranny doesn't have any noise and nowadays distorsion is low even for high level inputs (some can accept 7 to 14 volts without major distorsion) - last but not least, as far as mastering is concerned, I find the TVC much more easy to work with, causing less auditory tiredness, than any resistive gear, because the sound seems much more "natural" and "transparent" or "neutral", even after several hours with sometimes high output levels... The sound of TVCs is less aggressive than with resistors, it's just... louder ! The only point that must be carefully checked when you deal with TVC is the input sensitivity of the amps or amplified monitors (in my monitors it can be adjusted from -6 to +6 dB to get 100 dB SPL). For the input level, most of the modern gear (DACs) will output 2 Volts or more (in balanced mode) that is much than enough to drive most amps and active monitors ! Hope this helps ! OndesX | |
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| | #40 |
| Lives for gear Join Date: May 2010 Location: London
Posts: 3,008
| This is an age old thread but stubbled across it whilst looking for exactly that. How did it all go?
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| | #41 |
| Lives for gear Join Date: Jul 2009 Location: Greece
Posts: 1,063
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| | #42 |
| Gear nut | +1, for monitoring purpose, it must be as transparent as possible |
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| | #43 |
| Lives for gear Join Date: Aug 2003 Location: Hollywood CA
Posts: 2,492
Verified Member | |
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| | #44 |
| Gear addict Join Date: Nov 2006 Location: HI Ambacht, the Netherlands
Posts: 374
Thread Starter Verified Member | Wow! this thread came alive again. ![]() Actually.. i haven't really been working on it since i just have been way to busy. But about a week ago i was seriously thinking of starting it all up again because i get quite a lot of requests for it. I did make another version as well which is beeing used in pratice in a studio in belgium and the owner loves it! sidamosaemastering The basics are the same, just a couple of differences. It has a mute all button instead of L R mute and it also has a phaseflip on the right channel. I also made a switch on the back so that range of the attenuator can be set from 1db per step to something like 2 db per step. Be patient.. ![]() |
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| | #45 | |
| Lives for gear Join Date: Dec 2006 Location: Dresden, Deutschland
Posts: 585
Verified Member | Quote:
There is some interesting white papers from one of the guys at Jenson Transformers I read a while back. Somehow I can't find them at the moment. Anyways it talks about noise floors and impedance mismatches and how not using a transformer can often lead to very low signal to noise. I have tried some very high end volume transformers with mixed results. On the plus they indeed sound really clean and clear. However the gear driving them must have enough juice to handle driving this. An analogy I was told it is sort of like a little Honda pulling a large boat and trailer (meaning a bit difficult), which sort of translates to reduced dynamics and control. Again gear dependent. The better equipment that I tried it on like Esoteric's SACD player drove the amps to amazing levels and maybe better than any preamp I had at the time, being either tube or solid state. However with a few phono stages it just did not work as well, and with some cheaper sound cards. Short answer it all comes down to design and not all transformers are equal in quality (to say the least). | |
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| | #46 |
| Lives for gear Join Date: May 2010 Location: London
Posts: 3,008
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| | #47 | |
| Lives for gear Join Date: Aug 2003 Location: Hollywood CA
Posts: 2,492
Verified Member | Quote:
Jensen makes excellent transformers, but they aren't volume controls. DC | |
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| | #48 | |
| Lives for gear Join Date: Dec 2006 Location: Dresden, Deutschland
Posts: 585
Verified Member | Quote:
Sorry if I was not clear, but I do understand that. It was early and I mixed a few thoughts at once. :-) I still think that transformers for volume controls can sound quite amazing, but it requires a very good source to drive them. At least that was sort of my point. My other point was not so relevant to this topic but was more to the point that transformers can be good for isolation when implemented correctly in a circuit. They should be transparent if done well. Short answer: It comes down to the circuit design in the end. | |
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