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| | #1 |
| Gear maniac Join Date: Jan 2006
Posts: 224
| Mixing/mastering heavy, shouty rock... I am mixing a few tracks, heavy rock. I got the drums sounding ok then added the bass, the double tracked guitars vox and BV's and I found it wasn't quite "right". I am doubtful the tracks will go to a mastering engineer and I have found myself putting a limiter and a little multiband compression on to make it sound "like it's a record, a CD, loud etc etc, it has also pulled the tracks together somehow wheas they didn't quite works before hand" (on the stereo bus) Am I using an innapropriate mixing technique? Sounds better but should I be mixing without such hardcore dynamic processes? I have a bunch of Liquid mix compressors on most tracks as well. The tracks are not quite gelling together properly. It started with the "wow the drums are sounding fantastic on their own" and then you add stuff and then end up seeming drowned out, I think I have burnt my ears out for now (I am mixing on my secondary monitors (Alesis Monitor 1 passive) which seem to suffer seering high frequencies(too bright by far) and a bloated deep port low end. I need my Dynaudios ! but they at my fathers place. Not sure whether I barking up the worng tree with the stereo bus processing. |
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| | #2 |
| Gear Head Join Date: Aug 2007
Posts: 47
| Just want to give you some of my "heavy" references. Guns N' Roses "appetite for destruction" (not great sounding but a CD with good sense for scale (vocals are actually softer than blaring heavy guitars! :-O) Extreme "three sides of every coin" (very compressed but not clipped and it just sounds great - it's been my reference for many years now) Regards H |
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| | #3 | |
| Lives for gear Join Date: Apr 2004
Posts: 5,590
| Quote:
Huh..... could have fooled me. LOL ![]()
__________________ "As democracy is perfected, the office of president represents, more and more closely, the inner soul of the people. On some great and glorious day the plain folks of the land will reach their heart's desire at last and the White House will be adorned by a downright moron." H.L. Mencken 1880 - 1956 ____________________________________________ Michael | |
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| | #4 | ||
| PC Moderator | Quote:
![]() ![]() ![]() the use of samples makes your life easier, more punch, less uncontrolled transients.. try to find your masteringengineer, and work with him.. cheers
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Jim Williams Audio Upgrades --------------------------------------------- | ||
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| | #5 |
| Gear Head Join Date: Aug 2007
Posts: 47
| OK OK!! e I did name it as a reference didn't I?! It's not an audiophile grade recording but it does sound great and it's a great mix (appart from the fact that there is hardly any bass).The Extreme CD is much more "audiophile grade" in all aspects - full frequency, good use of dynamics, realism in soundstage and so on... Regards H |
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| | #6 | ||
| PC Moderator | Quote:
no, I dont think Extreme is a good band what about alice in chains or kings-x "dogman"? kings x has an extremly dry sound with lots of nice "delay, gated verb and faderriding attacks". oh, and the CD has some dynamic left ![]() this is a matter of taste.
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Jim Williams Audio Upgrades --------------------------------------------- | ||
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| | #7 |
| Gear nut | king's x Dogman songs great, isn't the extreme record called three sides to every story? It is a great sounding record! |
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| | #8 | |
| Gear Head Join Date: Aug 2007
Posts: 47
| Quote:
Regards H | |
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| | #9 | |
| Gear addict Join Date: Jun 2007 Location: Alabama
Posts: 372
| Quote:
It goes without say (but I am saying it), if the band is not tight, there is not much you can do short of editing the tracks to make it sound right.
__________________ -Fishmed --------------------- Nothing says MIDI like Metallica leads on Xylophone! | |
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