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| | #1 |
| Gear addict Joined: Aug 2007 Location: New York
Posts: 390
Thread Starter | Can I Eq on master bus b4 mastering?
Mastering engineers, is it ok that I put a lil Eq on the master bus before going to mastering? I know most mastering engnrs says no, but will really affect if i put a lil eq that give the mix the color i expect before mastering? Nothing heavy! This has been bugging me for a while. I appreciate your responses. |
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| | #2 |
| Craneslut |
Of course, no problem at all.
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| | #3 |
| Lives for gear Joined: Nov 2006 Location: Seattle
Posts: 1,799
Verified Member |
Of course! Get it the way YOU want it to sound... It will be less the ME has to tweak! Regards, Bruce |
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| | #4 |
| Gear addict Joined: Aug 2007 Location: New York
Posts: 390
Thread Starter |
Ok, sounds good. Thanks, appreciated. Some, MEs told before to never add Eqs there. Now, I know to leave compression and limiting for him, but I didn't think EQ will be bad. While it leaves the ME with less to do, doesn't he still have to make the "EQ Color" of the album matches/stay parallel? Excuse me for buggin you guys with all the questions. |
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| | #5 | |
| Craneslut | Quote:
__________________ euphonic masters | |
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| | #6 |
| Gear maniac Joined: Jul 2007
Posts: 284
Verified Member |
Watch out, the mastering police will jump out from behind the console and arrest you! Seriously, I suggest going ahead and doing it. Listen carefully for any sort of phaseyness, distortion, or balance changes as a result of program EQ. Reasonable amounts of EQ can be reversed in mastering if you miss the mark. Use your best EQ since it will have an influence on the overall sound of the record.
__________________ Respectfully submitted, Dana Dana J. White specializedmastering.com |
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| | #7 |
| Gear interested Joined: Aug 2007
Posts: 17
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Is there any reason not to send a few different takes to the mix engineer? For instance: 1. Mix with Compression and EQ on the mix bus 2. Just EQ on the mix bus 3. Nothing on the mix bus It seems to me that this would give the mastering engineer a good view of what the mix engineer was thinking without tieing the mastering engineer's hands. -Mark |
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| | #8 |
| Gear maniac Joined: Jul 2007
Posts: 284
Verified Member |
Having extra versions, vocal up, compressed, EQed, yada... I generally would not want to listen to all those versions, since it gets into mixing decision territory. The time it takes sometimes zaps my initial impressions of the music. If you're into insurance, bring all of that along, but present your mastering engineer with mixes that have your best foot forward. If there are raised eyebrows, then it's time to suggest breaking out the alternate mixes IMHO. |
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| | #9 | |
| Gear Guru Joined: Dec 2002 Location: Columbus, Ohio
Posts: 12,407
Verified Member | Quote:
Limiters and compression for volume sake? Most would say no to that.
__________________ Brian Lucey Magic Garden Mastering Dr. John, The Shins, The Black Keys, OAR, David Lynch, Sami Yusuf, moe., Sigur Ros Spiral Groove Studio One - mixing monitors | |
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| | #10 |
| Gear addict Joined: Aug 2007 Location: New York
Posts: 390
Thread Starter |
Thank you guys for the confirmation. Some ME told long ago and stuck i stuck to it, but i figured it was a feasible application without affecting mastering. Really bought this one final mix i just did, adding eq. Thanks! |
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| | #11 |
| Motown legend Joined: Jun 2002 Location: Songwriter Gulch, Nashville TN
Posts: 10,878
Verified Member |
It's a truly great way to mix! You can then use the channel eq for creating contrast between elements rather than overall "sound."
__________________ Bob's room 615 562-4346 Georgetown Masters 615 254-3233 Music Industry 2.0 Interview |
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