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| | #1 |
| Gear addict Joined: Jul 2005
Posts: 322
Thread Starter | Flipped phase cancel doesn't always mean equality?
Just read over 'adding a master fader makes it sound less open...' thread. I've always heard in passing and specifically from a few people whose opinion I highly regard that using a phase cancel is not an accurate way to judge a difference between two files. I'm not sonically schooled enough to understand why, or if this is even true. I can't logically on my own come up with a reason why they wouldn't cancel. Anyone disagree or care to attempt an explanation? Thanks, Mike |
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| | #2 | |
| Lives for gear Joined: Sep 2004 Location: Copenhagen, Denmark
Posts: 4,770
Verified Member | Quote:
If you take two identical files and line them up in a DAW and flip the phase, there will be no (none/zip/zero/nill) sound. If the files are not identical there will be some sound. This is referred to as a "null test". It's basic physics really.
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| | #3 |
| Lives for gear Joined: May 2007 Location: UK
Posts: 9,574
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| | #4 |
| Lives for gear Joined: Feb 2006
Posts: 4,075
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I don't think any sane person would argue about the validity of a phase inversion null test. If two files null, they are identical. If they don't, they aren't. There can be times where it's impossible to use a null test for technical reasons. One example might be where an effect using random or non-synced modulation might be involved. For example, you can process the exact same sample with the exact same reverb and create two files, and they won't null because of random variations between them. The conclusion that the two files are different would be correct, but the conclusion that the sample or reverb were different would be wrong. I believe what the people were saying in the case you mentioned was that the null test of bounced files wasn't necessarily proving anything, because the A and B files created were going to be the same anyway. If you believe you hear a difference with the master fader engaged (visible) or disengaged (not displayed) then it's probably an audible difference. IF you recorded the streaming output I would expect you to end up with two files that don't null. I suspect in this case that the resources required to render the master fader, and calculate the meter display etc, were affecting the audio output. People have commented on this effect before: drawing the graphics on screen takes up resources, and if your system is struggling, perhaps swapping virtual memory pages to disk, then it probably will screw up the rendering of your audio. But - if you bounce the mix to disk non-realtime, that memory bottleneck will be a non-issue. So with or without the master fader shouldn't make a difference. I'm speculating wildly here, but that's a possible reason.
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| | #5 |
| Gear addict Joined: Jul 2005 Location: NYC
Posts: 426
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If a DAW system produces an audible difference in playing the same data but in two different modes, then the system is likely in need of better clocking, either by means of a DAC that removes incoming timing errors - Lavry, Mytek, Benchmark, Weiss, or by means of an external clock. I don't think there is any substitute for jitter-immune DACs in a DAW system.
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| | #6 | |
| Gear maniac Joined: Dec 2006 Location: France
Posts: 158
| Quote:
An ABX test is the best option to judge audibility of differences (>0). Could that be the reservation that was made about the "phase cancel" test ? | |
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| | #7 |
| Gear maniac Joined: Apr 2004 Location: Sweden
Posts: 151
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I really love people who argue against null tests... I don't know how many times I've heard and read "I don't need to do null-tests, I trust my ears" when faced with hard to take-in facts...... just want to take a stick and freakin' ram it up their *******
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