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| | #1 |
| Lives for gear Joined: Dec 2004 Location: Hamburg
Posts: 1,222
Thread Starter | LTD2 vs. Daking Fet II
hey guys, my first post in the mastering forum.... Has anybody tried both of these comps? Which one would be the more versatile one for a wide variety of mastering applications? greetings alex |
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| | #2 |
| Gear Guru Joined: Dec 2002 Location: Columbus, Ohio
Posts: 12,407
Verified Member |
The Daking is cleaner ... the LTD2 is always a strong color form the transformers and path. So which is more versatile? the Daking is far more versatile. It wasn't designed as a mastering compressor, not really geared for that, although it can be done. Try them out and you'll hear the LTD2 right away.
__________________ Brian Lucey Magic Garden Mastering Dr. John, The Shins, The Black Keys, OAR, David Lynch, Sami Yusuf, moe., Sigur Ros Spiral Groove Studio One - mixing monitors |
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| | #3 |
| Lives for gear Joined: Aug 2004 Location: Essex UK
Posts: 739
Verified Member |
I first got on to the LTD-2s as the result of reviewing a pair of the standard version, which were definitely thick, rich, creamy and coloured as lucey has said. I then bought a pair of the mastering version and found them very much less coloured than my memory of the others - so much so that the subtle enhancement works on much of what I do, often helping the lower mid area and adding a minor sheen which I like and my customers seem to enjoy too. When compression is bypassed the Class A path is still in circuit, so sometimes I'm not using the LTD-2s as compressors, just as a 'niceness' box. I don't know why I'm getting this difference. There are a number of possibilities: perhaps it's a function of the mastering version, or a happy accident, or maybe I'm just plain wrong about there being a difference at all ! I'm happy to say I don't especially care, and what I have works for me.Don't know the Daking, I'm afraid. |
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| | #4 |
| Lives for gear |
I searched some opinions about LTD2 (mastering pair) - and wondering what will better suit as a mastering/stereo mix compressor - a pair of these of stereo Variable-Mu type compressor?
__________________ "This is Gearslutz, it's all about paying for sh*t you can hardly hear, don't really need and few other people actually care about." |
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| | #5 | |
| Gear addict | Quote:
The Chandlers are great augmentation boxes and represent a great option if you have other options in your rack.....the tone they impart really work for thinnish rock mixes.....
__________________ Cheers, Tony "Jack the Bear" Mantz Jack the Bear's Deluxe Mastering facebook | myspace | twitter Glorified Tape Copy Boy & Audio Janitor Ground 'n' Pound Specialist All round goofball Dither authority K-System disciple Double blind AB BA BX tester | |
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| | #6 |
| Lives for gear Joined: Aug 2004 Location: Essex UK
Posts: 739
Verified Member |
Another thread from the grave, but I'm glad to report the LTDs are still doing it for me and remain my only analogue compression source. They're so general-purpose I'm intrigued and would like one day to see them measured against other versions to see if there really is a difference with my particular units. I often think about getting another compressor (and we all know there are some fine contenders out there) but the longer I do this the less compression I use, so the jury's still out. As has been said before 'sometimes the best compressor is an EQ', and I'm certainly seeing the truth of that nowadays. |
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| | #7 |
| Lives for gear |
Thank guys - didn't want to start new thread, so ended up posting in this oldie ![]() by the way, can I hear somewhere samples of mastering or stereo mix compresson using LTD2? (e.g. dry and processed signals) |
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