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Originally Posted by Mental 1.) I'm on Windows. I'm finally starting to get the hang of REAPER. That is my DAW. |
Windows is a great platform for ton of free and low budget commercial stuff that won't be available on Mac. Mentioned already was KVRaudio - a great starting point for all your plugin needs.
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Originally Posted by Mental 2.) I'd like to spend around 250-300 on a few quality pieces that encompass most of the mixing environment (i.e. Compressor, EQ, Reverb, Limiter.) |
If you want to spend money, then go for ToneBoosters, Klanghelm, Voxengo, Valhalla, LiquidSonics and MeldaProduction. ToneBoosters and MeldaProduction might offer you the best for your money in terms of tools compared to used up finances.
Else, I can recommend the freeware realm:
Variety of Sound (the full pack)
MeldaProduction (the Free Pack, upgrade to Pro is 30EUR, with more tools added once in a while)
some Voxengo stuff (if needed)
Togu Audio Line (even if legacy by now, but great delays)
And this is only for essential mixing plugins. There's even more for special FX and guitar stuff.
I'm not too fond of Antress however.
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Originally Posted by Mental 3.) I'm not willing to get any additional hardware. |
There is no need.
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Originally Posted by Mental 4.) I'm almost always just recording vocals except for the occasional accompaniment. That being said. I don't want a "Do-it-all" vocal chain |
Also, no need.
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Originally Posted by Mental 5.) I'm also trying to learn and master the nuances of every tool so if the plugins controls are pretty universal or if it just a good learning platform that is a plus. |
If you know these basics of a compressor/EQ/Gate/Limiter/delay in and out, you can use everything what's available on the market. Reaper offers a great starting point. Porting that knowledge over to other tools is simple.
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Originally Posted by Mental 7.) I'd prefer to avoid bundles since I'm only looking for "The Big 4" kinds of plugs |
Start to forget that real quick, there are no "the big 4" as ultimate solution. But if you want to limit yourself, the usual suspects (Variety of Sound, TAL, MeldaProduction) were already mentioned and get you far right from the start.
Else, an Gate/EQ/Compressor/Limiter all in one solution might be a suitable channel strip. And for a small budget, I can recommend teamDNR MixControl Pro - v2 is in the pipe. Or grab one from Waves/SolidState Logic (example: SSL4000 channel strip) and/or Nomad Factory.
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Originally Posted by Mental 8.) I'd prefer a graphical Compressor, EQ, and Limiter if possible. But if there's better plugins I will try to learn how to use them |
Just learn how to use the input/output/gain reduction meter, use your ears, dig out the thread on GS regarding mixing ITB (and gain staging). Visually supported tools do help in terms of dialing in something quick, but you'll miss out on the learning factor unless you go for DMGAudo and FabFilter (which is out of your pricerange if you want to go for the big bundles).
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Originally Posted by Mental Sorry for the long post but I'm trying to preemptively answer questions.
If you have any advice on some plugins that meet my needs please bring them up!! Thanks  |
Again, a good starting point is what was mentioned already. You have to test that stuff for yourself in whether or not it is working for you. Just keep in mind, if you want to go Cross-Platform at some point, SynthMaker shell (Variety of Sound) or SynthEdit shell (Antress) related stuff won't get you far currently.
Don't listen to people that say "host internal stuff is crap". Learn what's possible with your host first, then apply it to 3rd party tools. Reaper offers a ton of good and usable tools (I still use the ReaPlugs in Cubase from time to time), like it's the case with every other host as well. Everything else is just bonus and either offer a simpler editing, or a different intuitive solution.
For example:
I use the Nomad British EQ for one main purpose: simplicity. Not necessarily for it's emulation qualities. This particular EQ is frequency locked, not full parametric or with an enhanced FFT to see what's going on. I prefer that EQ if I want to dial in some quick tones and not listen to every nouance of a signal with an unlimited band freeform EQ, or remember which EQ range is ideal for a specific signal. I mean, no wonder - the NEVE 1081 (on which this is based on) was a thought through design with was used for countless records. But is it limiting to modern EQ creations? No.
It just get's the job done either way. And I feel comfortable using it.
Save the money, you'll have enough to do with the free content. And group buys/deals are available every quarter of the year.