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| | #31 | |
| Gear addict Joined: Jun 2006
Posts: 302
| Quote:
in that charles dye was engineer not mixer... you right ROlo. | |
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| | #32 |
| Gear addict Joined: May 2004
Posts: 386
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Hi, For what it's worth, to offer a bit of financial sanity here (relatively speaking): I grew up with tape. I am 46 now. Started getting obsessed with sound in my teens, and fooled around with a variety of dreadful tape machines in pursuit of Audio Heaven....fast forward to now, and to the topic at hand: I am a home musician/recordist with ambitions to do more. And although I have a 24-track 'in-the-box' digital job, the old analog bug never died. But, as people are pointing out: how to do it in the year of 2006 without taking a second mortgage and hiring a maintenance engineer? Get a 1/4-inch two-track. With sync possibilities (center timecode) if you can. Then do 2 tracks at a time, fly them to your DAW, and repeat as needed. You will get all the learning and ear training you could want as far as what tape will or will not do to your sound and you will do it at a halfway reasonable cost. I purchased a Studer 807 Mk. 2, high-speed model with center timecode track. That means: two tracks at either 15 or 30Ips, and, as soon as I get my JL Cooper sync unit, it will be the master machine for my Tascam 2488. In addition to being a great tracking/mastering machine which is built like the proverbial tank, it is a superb, fun unit for location direct-to-tape jams (has phantom and mics in and can mix line input live as well.) With new tape stock being made, I find this to be a good way if you are 'sitting on the fence' in terms of trying tape without breaking the bank. Best,
__________________ CC |
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| | #33 |
| Gear Head Joined: Feb 2006 Location: Canada, Alberta
Posts: 43
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You can’t beat the sound of recording to tape ! I mean if I had the big $$$ bucks, I would go analog the whole way. This is the “Low End Theory” and the reason I’m here is because I don’t have the $$$. To get the best sound I can out of low cost equipment I have to a lot of crazy things to achieve the sound I want. I do my drums and bass guitar on a Tascam 244, and then I bounce them into my Presonus firebox. Then after laying down all the other tracks, I mix down to a Tascam DA-30 dat machine, --mixing though analog and digital outboard gear. The process is kind of a blend of analog and digital. I’ve tried doing everything in digital, and I just end up hating the final outcome. The thing that really ‘bugs’ me is that I don’t hate the mix until I listen to it a year later. At first it sound all so pretty and clear, but a year later it sounds like........I don’t want to listen to it until a another year. It is the “Time Test” that has proved to me analog still rules. Is there any lower cost SMTPE interface on the market that I could use with my FireBox? I would like to be able to link the Tascam with the FireBox when doing the final mix. That way I would be keeping the drums and bass pure analog mixed to the DA-30. . |
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| | #34 |
| Lives for gear Joined: May 2006 Location: Chicago
Posts: 974
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I always get a chuckle when I hear someone bashing analog tape, but they just spent a couple grand on a Fatso or some other "tape emulation" gear. The way I look at it is that a tape machine is another piece of gear, just like a microphone, a compressor or a console. And, like digital too, it has its own sound. Every single one of us here has gear that we bought for one reason - THE SOUND!!! So, while one person may love the idea of spending several grand on a Fatso or some other tape emulation, I choose tape. And you are right, if someone had the right compressors, the right eq's, and enough experience and time, they just might be able to get a sound out of digital that matches analog. But, think of that concept as it is... trying to MATCH analog. I'm sorry man, but if I gotta go through that much work to match what I can get by simply hitting tape... its a no brainer for me. And can John Q public hear the difference? Hell no.. look at the crap that is on the radio right now, thats proof enough. The bottom line is that for many of us this is a job, and we choose the tools for that job and we need to enjoy it.. and our ears are better than 90% of the people out there. This site wouldn't exist if there weren't people completely crazy about getting "that sound". So, In the end, I have pro-tools because I HAVE to, but I have tape because I WANT to.
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| | #35 |
| MonsterIsland.com Joined: Sep 2005 Location: New York City
Posts: 4,233
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Why do people think recording to analog tape is so expensive? A 24 track machine is cheaper than an HD system.
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| | #36 | |
| Lives for gear Joined: Apr 2005 Location: nyc / london
Posts: 3,510
| Quote:
absolutely......... | |
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| | #37 | |
| Lives for gear Joined: Jul 2002 Location: Bucktown. Chicago, IL
Posts: 926
| Quote:
Uh ... dude, I hate to be the one to break this to you, but VHS recorders work very differently from real analog recording methods we're discussing here. . It's just a completely different technology, and I'm really embarrassed for you ... But you sort of did prove my point. The VCR tape did nothing at all beneficial to your recorded sound. It sounded better to you because you wanted it to, and because you believed it would. Placebo effect in action. . | |
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| | #38 | |
| Gear nut Joined: Sep 2004 Location: Huntsville, Alabama
Posts: 86
| Quote:
And, for your dumb ass placebo effect theory. There was a difference just as I stated before. I did not believe it would. Personally I thought it would sound like garbage, but it did not. So dfegad on you for assuming you know what I can and can not hear when you have not listened to the difference your self. fuuck
__________________ Pleazure House Productionz pleazurehouse@knology.net www.myspace.com/pleazurehouse | |
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| | #39 |
| Motown legend Joined: Jun 2002 Location: Songwriter Gulch, Nashville TN
Posts: 10,877
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VHS recorders can have two kinds of audio. The "hi fi" audio is an FM recording that's part of the rotary head picture recording. The non-hi fi audio is a linear track along the edge of the tape that is exactly like an analog cassette recorder. The latter usually has a pretty heavy duty compressor built in.
__________________ Bob's room 615 562-4346 Georgetown Masters 615 254-3233 Music Industry 2.0 Interview |
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| | #40 |
| Lives for gear Joined: Jun 2006 Location: around the corner
Posts: 1,990
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Its not possible to argue the fact, that both can be good if you are skilled in the ear. |
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| | #41 |
| Gear nut Joined: Sep 2004 Location: Huntsville, Alabama
Posts: 86
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My VCR must have good compression going on. I think it cost about $1200 new. That was a long time ago though. It was one of the first to have Super VHS capabilities. Anyway, it sounded better to me than the ITB 2 track. Several others I let hear it told me they hear the same things I do. In a blind AB test. Maybe not the best way but it did not cost me a dime. I got the VCR off my dad. |
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| | #42 | |
| Gear nut Joined: Apr 2006
Posts: 98
| Quote:
![]() Of course, you probably think 4 times faster than I do | |
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| | #43 | |
| Lives for gear | Quote:
__________________ I think it is wrong to make everything equidistant from the listener with too many mics. The pasting-on effects end up like bad Photoshop work on graphics & photos - too unbelievable.-Tony Faulkner http://www.last.fm/user/TeddyBullard/ | |
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| | #44 | |
| Lives for gear Joined: Apr 2006 Location: Inside the Outside
Posts: 1,193
| Quote:
Seems a lot of folks are looking for a medium (and hoping it will be tape) that will add MOJO that isn't otherwise there in the material they are trying to capture... | |
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| | #45 | ||
| Lives for gear Joined: Apr 2006 Location: Inside the Outside
Posts: 1,193
| Quote:
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| | #46 | |
| Gear addict Joined: Jul 2005
Posts: 326
| Quote:
..and BTW consumer videotape was analog on the audio side. Ever heard a stereo betamax tape through a good system? Didn't think so...
__________________ "The triumphs of modern science went to man's head in something of the way rum does, causing him to grow loose in his logic. He came to think that what science discovers somehow casts doubt on things it does not discover; that the success it realizes in its own domain throws into question the reality of domains its devices cannot touch." - Huston Smith, Forgotten Truth | |
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| | #47 | |
| Lives for gear Joined: Apr 2005 Location: nyc / london
Posts: 3,510
| Quote:
your field keeps new vinyl alive.......speakerscorner.de produce some of the best recorded music i have ever heard on vinyl from analog masters right now i'm rocking jean-marie leclair - musique de chambre - as performed by one of my favorite groups musica antiqua koln - reinhard goebel.........they are amazing.........i prefer their sound on tape and vinyl as do many others in the classical listening environment.......mint copies of their vinyl move quickly for high costs.........their ddd replacements are sort of vacum-sealed, choked and brittle...... if the digital makes you happy...... rock on baby........ life is short......... be well - jack | |
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| | #48 | |
| Gear nut Joined: Sep 2004 Location: Huntsville, Alabama
Posts: 86
| Quote:
Damn, I wish my dad would have kept that Beta deck. You just reminded me we used to have one of those. Much better than VHS. IMHO He does however still own two Sony 1/4 inch reel to reels. Might be another shits and giggles test, but I'm not sure if I should go there. You know because of the magical placebo effect. | |
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| | #49 |
| Lives for gear Joined: May 2006 Location: Chicago
Posts: 974
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There used to be a band called Placebo. I liked them a lot, but I could never figure out why. |
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