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| | #1 |
| Gear nut Joined: Jun 2010
Posts: 83
Thread Starter | Robert Johnson-sound
I know this isn't your typical sort of question, but... Are there any easy ways of getting that 30s delta-blues sort of sound that doesn't include hunting down recording-equipment from the 30s? I'm thinking along the lines of AUs for my DAW, EQing etc. Any tips?
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| | #2 |
| Lives for gear Joined: Oct 2006 Location: london
Posts: 6,742
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If you use a ribbon (say something with a filthy but authentic vibe like an RCA 74jr) and a Copperphone (will take care of the skinny bandpassed AM sound of old) as mics, getting the right balance between them you should get to that sort of area. Hell, for Robert Johnson maybe even straight up Copperphone, no meat. Check Placid Audio's site for sound samples. And record to cassette. Or dictaphone and back through a mic into computer after. lol.
__________________ what is a small difference? genetically there's only a small difference between a human and a banana. - golden beers |
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| | #3 |
| Lives for gear |
Most of his recorded material was captured facing into a corner of a hotel room with a single strategically placed mic.
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| | #4 |
| Lives for gear |
and probably to a wire recorder? The distortion and limited bandwidth are massive. Spooky stuff.
__________________ _______________________________________________ Ed Billeaud - Snowflake Studio ___________________________________________ The human species, with few exceptions, is a crime against nature. Be an exception. |
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| | #5 | |
| Lives for gear Joined: Jan 2007 Location: Terra Firma
Posts: 6,365
| Quote:
Start at the beginning of the chain for that authentic sound. ![]()
__________________ "The main thing is to have a gutsy approach....but use your head." Julia Child "Stop talking about it, get your hands dirty" guitarboy94 "Sometimes invisible are these glistening threads........" Janni Littlepage "Special thanks to STEVE GLEASON......for making me who I am today" Leonard Scaper Leonard Scaper | |
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| | #6 |
| Gear nut |
I would say that you may want to record to tape, or use tape emulation. You will need to knock off the highs and lows to make it more lo-fi and use only natural ambiance, I don't think digital reverbs were around in RJs time. Main thing is getting a guitar and player who can capture that mood. Use little compression and eq or anything else that makes it too polished. Maybe use a dynamic mic for extra noise and smaller frequency response. And you might want to add some artificial noise to make it more realistic.
__________________ Audio Production Tips and other music goodies http://carillonaudio.wordpress.com/ |
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| | #7 |
| Gear addict |
I've heard that the RPM of the live tracks are quite a bit slower than what was cut to record, which may also affect the EQ.
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| | #8 |
| Lives for gear |
This can be fun: iZotope Vinyl | Authentic Lo-Fi Vinyl Simulation for Pro Tools, VST, MAS, Audio Unit, and DirectX audio applications Note that there is a 1930 setting.
__________________ Budget MC Productions: Where the Tubes are Hot and the Beer is Cold. Mastering for the People! http://theaudiomc.com |
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| | #9 | |
| Lives for gear | Quote:
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| | #10 |
| Lives for gear Joined: Sep 2010 Location: Newport News, Virginia
Posts: 1,424
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older carbon and Crystal Mics into a wire recorder r...if you could lower your bit rate to 8 (older Software and daw's alloed this) had a great OLDER sound....
__________________ Yellow Sound Barn Productions |
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