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| | #1 |
| Lives for gear Joined: Aug 2011
Posts: 557
Thread Starter | You CAN create a proffesional sounding track with 1.5 K worth of Gear! Attachment 279012EDIT: As promised, I have finished and posted a track. I also re-edited my title and post, hoping it would create less confusion regarding my intentions. Please be kind. This tune is my baby. It took all the courage I had to post it here after all the ruckus I created. This post was formulated merely to inspire other recording musicians to work hard with the gear they have. Yes, there are a few rough edges. All in all, I'm pretty happy with it. Heck, I recorded my whole record in a spare bedroom with 1.5K worth of gear. I'm kind of going for an old-school Tom Petty/Wallflowers vibe. Track was mixed and mastered by Cave Studios in France for 85 bucks. They're pretty darned terrific to work with. Here is their link: WELCOME TO MIXING AND MASTERING ONLINE Here is my setup used strictly for tracking (not mixing or mastering): PrimaAcoustic Vocal Guard $100 DBX 163X Compressor $30 used off ebay Blankets for room treatment $25 LiveWire Power Conditioner $60 Focusrite ISA ONE preamp: $380 Cad M9 condenser Mic: $220 new Telefunken Tube upgrade for CAD: $40 Oktava MK012 pencil microphone: $150 used on Ebay Oktava MK012 Mike Joly upgrade $100 EMU1212 soundcard: $150 new on Ebay Monster XLR cable: $25 Mixcraft software: $60 new Headphones: $60 Monitors: Used off ebay 100 bucks.
__________________ My website: www.patrickskelton.weebly.com MySpace: www.myspace.com/patrickskelton |
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| | #2 |
| Lives for gear Joined: Feb 2008 Location: Slightly northwest under of the big dipper in august
Posts: 1,899
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Agreed but what about: Instruments Computer Monitors Peanut butter sandwiches. |
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| | #3 | |
| Gear addict | Quote:
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| | #4 |
| Gear addict |
Some of your better studios also have a pair of headphones.
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| | #5 |
| Lives for gear |
It has never been about price tags on the gear. Where are these recordings by the way? |
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| | #6 |
| Lives for gear Joined: Aug 2011
Posts: 557
Thread Starter |
Forgot about my Sampson monitors....100 dollars used off of Ebay. Cheap, but they get the job done. Keep in mind that I don't mix and master my own stuff. That's an added cost I choose to have, mostly because I'm terrible at mixing my own stuff. Just trying to motivate some newbies who feel they need to have to drop 5 grand on equipment to make good recordings. I'm not posting my stuff, it isn't up for criticism, sorry. |
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| | #7 |
| Lives for gear Joined: Aug 2011
Posts: 557
Thread Starter |
Headphones...60 bucks. So, my total comes to 1200 bucks. |
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| | #8 | |
| Lives for gear | Quote:
Strange way to motivate: "Trust me it'll work." "How do you know?" "Because I've done this before." "How do I know that?" "Because I say so. Sorry no criticism." | |
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| | #9 |
| Lives for gear Joined: Aug 2011
Posts: 557
Thread Starter |
Because I don't want to. I've seen the way great sounding tracks get completely trashed on this site. I don't want any part of that, sorry. That's not the point of this thread. I'm strictly coming from a quality equipment angle. My point is that the above gear is pro-quality at a terrific price. Potential buyers can do some more digging if they want to hear recorded tracks with this equipment. The internet is loaded with it. |
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| | #10 |
| Lives for gear |
Here I'll go first: The following is a RAW recording, completely not mixed, no input signal processing, no leveling, all of the faders are sitting at unity and only panning has been done. This was tracked on a Presonus Firestudio 2626 interface, with a Presonus Digimax FS channel expansion unit. http://soundcloud.com/audio-wisdom/raw-band-recording-no-vocals/s-UtB7g Mics: -SM57 (snare, toms, guitar cabs) -D112 (kick, bass cab) -MXL 991 (overheads) -Digital Reference DRHX-1 (high hat, ride) Preamps: -Presonus xmax (the ones included on the interfaces) No other input gear was used (and there was no signal processing done whatsoever) but there was extensive use of: -over a dozen mic cables -multiple mic stands -a mic snake -multiple headphones -a cue mix system -a $2500 computer (original purchase price) -Cubase -my house -monitoring KRK vxt4 + sub10 (about $1000) All told it's a pretty modest, spartan recording set up. But it kills for home recording on a budget. And it's about reasonable for the kinds of recording people envision themselves doing. My point is that it's not about the price of the gear. It's how you use it. But in my case you can hear what I've done to support my argument, no haggling about mixing or mastering, because there isn't any. No worries about people "trashing" anything, because I'm confident that I'm telling the truth. They can trash it if they want, some people are clueless like that. So I say, put your work up. Put it up raw if you want us to really know what you can do. I double dare you. At the very least it'll make what you say have some substance. Anybody can say what they want. But show us... |
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| | #11 |
| Lives for gear Joined: Aug 2011
Posts: 557
Thread Starter |
Awesome...I'll have a listen later tonight on my good speakers.
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| | #12 |
| Lives for gear Joined: May 2008
Posts: 732
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I believe there are some Genres of music that cost more than others to record. I'm sure we can all agree that Pop and Techno is cheaper and less demanding to record than Jazz, Opera or Classical. Techno is loud all the way through, Pop is loud, all the way through. If there was a noise floor issue, I doubt any of the Genre's listeners would know or would even care. Most electronic music is done...electronically! So, very few of the tracks are even audio tracks. So the quality of a given system is not challenged. Now, Let's go to Jazz. Less noise, detailed notes, extremely dynamic, quiet spots, etc. Not only this, but you need more mics because just about every instrument is live. Now, take that same 1000.00 recording system to this? Listening, Yeahhh, I heard that sh**. All sorts of "Ss" (hiss) and when that Sax player goes from quiet to LOUD...Oh man...you hear that slight buzz? One of the reasons why Jazz, Old School RnB and soul is to said to be "Dying" is because it's EXPENSIVE to record it properly. Some of the nuances you hear in a 1000.00 mic won't even register in a 100.00 mic. Same thing goes with the other gear. Oh Man, Don't get me started with classical. Even more pauses, nuances and stuff. However, I do believe dreams can be made on systems around 1000.00-1500.00 for certain genre's of music. |
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| | #13 |
| Gear addict Joined: Jan 2010
Posts: 345
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To the original poster, I see the intent in what you are trying to say. |
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| | #14 |
| Lives for gear Joined: Aug 2011
Posts: 557
Thread Starter |
Enlightened, Wow! Amazing guitar-work! Love the melody as well. Is that you playing the axe? |
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| | #15 |
| Lives for gear |
You can make great recordings on a budget, but $1000 is not that budget in my opinion. I consider my studio fairly modest (no outboard gear) and its cost me well over $10,000. Heck, my VDrums, guitar, bass, and keyboard got me up to around $3000 before I ever thought about buying stuff to record them with.
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| | #16 |
| Lives for gear |
Or you can work on your song and pay someone in a real studio the money and get a professional sound. : )
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| | #17 |
| Gear maniac Joined: Mar 2010 Location: olde cape cod
Posts: 268
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yeah, but jazz sucks.
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| | #18 |
| Lives for gear |
How does this make you pro?
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| | #19 |
| Lives for gear Joined: May 2010 Location: South Florida
Posts: 1,830
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You can get a pro sounding song from a $100 4 track. Its not the equipment you have. its how you use it.
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| | #20 |
| Gear addict |
If that's what you consider pro. I would say you couldn't even adress the acoustics in a pro studio for a g. The sm7b and isa one are pro pieces but that isn't the same thing as a pro facility. beside the fact your budget for cables is the cost for one cheap xlr. You can get a great setup for pennies nowadays but let's not get too carried away.
__________________ WWW.dzinstudios.com |
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| | #21 |
| Lives for gear | |
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| | #22 |
| Lives for gear Joined: Aug 2011
Posts: 557
Thread Starter |
Sorry, I don't think a singer/songwriter needs 10,000 bucks invested in recording equipment to make acceptable sounding music. Maybe if he or she needed to record a whole band, a jazz ensemble, an orchestra, etc. But just a voice and an acoustic guitar? I think not. Listen, I have a 1997 Jeep Cherokee with 250 thousand miles on it. It's worth maybe 1500 bucks, but damn, it runs like a top. It gets me from point A to point B just as reliably as my friends 50 thousand dollar Lexus. That's my point. I think a bare minimum of 1K CAN get a singer-songwriter recording pro sounding tracks in a bedroom studio. With hard work and talent, it's very, very possible. My budget does not include instruments. That's a given that a musician on a budget already owns some instruments and a computer to record into. I'm not trying to belittle studio owners who have lots of money invested in their setup. I understand that if you are running an actual business with clients, you need to have an appealing selection of mics, preamps, etc. I'm strictly talking about an individual looking to make quality tracks on a budget. |
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| | #23 |
| Lives for gear Joined: Aug 2011
Posts: 557
Thread Starter |
This IS the Low End Theory forum, right? Sheesh...I feel like I set foot into that "other" forum! LOL |
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| | #24 |
| Lives for gear Joined: Aug 2011
Posts: 557
Thread Starter |
Looks like I have all the fancy, smanshy Studio owners after me now! Time to run! LOL
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| | #25 |
| Lives for gear Joined: Aug 2011
Posts: 557
Thread Starter |
Nice job, Enlightened! Sounds fantastic!
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| | #26 | |
| Lives for gear | Quote:
That and the fact that what you say requires some pretty important qualifications before people accept it. I for one would never tell somebody they can do it for less than a grand. Because the component parts are just too expensive for that when you really get down to it. I WOULD say it can be comfortably done for less than 5k depending on what and how you're recording. | |
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| | #27 |
| Lives for gear Joined: Aug 2010
Posts: 2,398
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i just bought adobe photoshop! now i'm a pro graphic designer!
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| | #28 | |
| Gear maniac Joined: Sep 2011 Location: Malaysia
Posts: 174
| Quote:
Me too on my lowest spenditure when it comes to recording. Sometimes I even come to a cheaper alternative where in real studio, they will laugh at your settings. But hey, it works. That's the point rather than saving for expensive shiny equipment and the wait is forever. But of course if we can afford the more expensive gear the better. The whole point it TO GET STARTED. Right? | |
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| | #29 |
| Lives for gear Joined: Aug 2011
Posts: 557
Thread Starter |
Not to bust anyone's bubbles, but "PRO" and "Expert" are such buzzwords these days, as if "pros" and "experts" are an elite class of people with gifted knowledge from the gods. Truth is, most things, including laying down tracks, can be learned competently with several years of hard work and know-how. Like carpentry, laying flooring, repairing a vehicle, etc.
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| | #30 |
| Gear addict |
What impresses me is that, gear-wise, the bang-for-the-buck factor that is available today is leagues ahead of what was available 20 years ago when i was interning. Nowadays, I think remarkably good sounding results can be achieved for under $2000 (but it depends on the scale of the production). Below is a link to a clip I posted a ways back. http://www.gearslutz.com/board/5414739-post719.html It was tracked with (roughly) $1000 worth of gear (not counting the guitars). As for the OP's intent in creating this thread, I'm behind it 100%. Encouraging and empowering people to work on their music is a good thing! And no, you don't have to break the bank in order to get good sound (although more expensive gear can yield even better results and make it easier to boot!). |
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