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| | #1 |
| Gear interested Join Date: Dec 2005
Posts: 25
| ? about corners Most of the studio pics that I have seen have the mixing counsel in the center of a wall with the moniters pointed to the mix master. . .most moniters are placed with the back of the moniter facing a corner(with bass traps). . .so here's my question. . .would I be able to, say, put my mixing counsel "kiddy-corner", leaving a large triangle-shaped space behind it? I would be mixing for radio promos. I plan on sound treating the room. . . any ideas? |
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| | #2 |
| Gear addict Join Date: Jun 2002
Posts: 413
| Best to stay symmetrical within the room, but by all means try your idea and see what you think. |
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| | #3 |
| Lives for gear Join Date: Feb 2006
Posts: 3,636
| A lot of people have their near field monitors waaay too far apart. That causes a hole-in-the-middle effect, and a faulty stereo field. You might even think that mono sounds are stereo if they are too far apart. Experiment, but remember that nearfield is a term used in relation to the physical size of a sound emmitting object. Symmetry is good wherever possible. Avoiding parallel surfaces is good. Avoiding equidistances is good - in other words, perfectly central between floor and ceiling is not ideal. Bass is sort of omnidirectional - you need bass trapping, and corners are good places because they are effective on all 3 major nodes. |
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| | #4 |
| Lives for gear Join Date: Jul 2004 Location: Orygun
Posts: 5,685
| Corners have worked well for me. Make sure you have a big enough room and that there is something close to symetry.... -tINY |
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| | #5 | |
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