![]() | All Advertisers |
| Member Services Directory | Classifieds | Reviews | Jobs | Deal Zone | Merchandise | Marketplace | Facebook App | Books, DVDs & Gadgets | Video Vault | Tips & Techniques |
| |||||||
New Reply | Thread Tools | Search this Thread |
| | #1 |
| Gear interested Joined: Jun 2010
Posts: 3
Thread Starter | Using transient designer - controlling peaks
Hi guys.... I am a fan of using transient designers to make my drums hit a bit harder ( when its needed). I like to use them on snares etc and that makes the track peak a lot higher then when the plugin is bypassed ( sonnox transmod for instance ). This is a problem of course when I need to limit my 2bus for more volume. The snare gets squashed and all the punch is gone. The limiter picks up on the snares and barely touches the rest of the signal So.... Is there any tricks I should be aware of to keep the snares attack and punch, while still controlling the peaks? ![]() Thanks Aksel |
| | |
| | #2 |
| Lives for gear Joined: Mar 2006
Posts: 1,407
|
Saturation is how i do it. i actually use a transient shaper to exaggerate transients of a signal (usually drums) which is then fed into a solid state type saturation plugin (Variety of Sound's free TesslaSE is my favorite by far). What happens in this instance is that you get a thickening of the frequency content of the transients due to the harmonics generated by the saturation plug. when you drive the saturation with a transient shaper set to expand the transients, you concentrate the majority of that harmonic content in the transients themselves, leaving the rest of the quieter signal undistorted, if that makes sense. So because of the added thickening due to harmonics on the peaks, you end up with a very punchy signal, even once it's compressed. Also keep in mind that the saturation will inherently compress the peaks back down, so you may not have to limit as hard as you're accustomed to, and it should be easier to attain both punch and overall loudness. hope that helps! |
| | |
| | #3 |
| Lives for gear Joined: Nov 2006
Posts: 2,853
|
Put a limiter on your 2 bus while mixing. Or at least when your mix is close to being finished.
|
| | |
| | #4 |
| Moderator Joined: Dec 2003 Location: London
Posts: 4,597
|
Try 2 compressors in series on the snare channel - both low ratios 1st one with soft knee - low threshold so it starts compressing sooner (mess around with the threshold, obviously) 2nd one with hard knee high threshold for the peaks
__________________ :: New Album "Rooms" out now http://www.andymitchellmusic.com :: twitter > http://twitter.com/mitchellmusic - http://www.twitter.com/theyardbirds |
| | |
| | #5 |
| Gear interested Joined: Jun 2010
Posts: 3
Thread Starter |
Chrisc o: Im already doing that as I stated. The snare gets squashed because it is peaking alot higher than the rest of the signal. Saturation; interesting idea. Might try that. Definitely try the compressor advice too, blast9. Thank you, guys! |
| | |
| | #6 | |
| Lives for gear Joined: Nov 2006
Posts: 2,853
| Quote:
| |
| | |
New Reply
Facebook
Twitter
LinkedIn
| Thread Tools | Search this Thread |
| Similar Threads | ||||
| Thread | Thread starter | Forum | Replies | Last Post |
| UAD SPL Transient designer vs VST SPL Transient designer vs Hardware SPL TD | exwel | Electronic Music Instruments & Electronic Music Production | 24 | 12th November 2011 09:19 PM |
| SPL Transient Designer vs Sonnox Oxford Transient Modulator? | James Lugo | So much gear, so little time! | 33 | 15th May 2011 06:07 PM |
| Transient Modulator VS SPL Transient Designer VS Logic Enveloper | gusegruv | Electronic Music Instruments & Electronic Music Production | 4 | 25th November 2009 06:52 PM |
| Lowering Transient Peaks | AdrianW | Mastering forum | 2 | 5th August 2008 09:52 PM |
| |