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| Lives for gear | Does this exist? Mastering at $50/song or less?
I'm looking for a lot of bang-for-the buck in mastering, and I don't even know if it's even possible ... I'm looking to master individual songs (not albums), and the max amount the clients can pay is about $50/song. Do you know of any MEs doing this? Of course, I'm looking for a ME with something more than a L2 and a C4 ... I know there's a LOT of guys doing mastering as low as $15/song with cracked plugz tutt . Are there any MEs with only ONE great monitor system, ONE set of stereo D/A converters, ONE good analog or digital EQ and ONE good analog compressor?
__________________ Gearslutz.com: 'cuz it sucks to know that the gear isn't the problem ... "Do everything else right, and the equipment will disappear in insignificance." - Steve Albini "Photographers — idiots, of which there are so many — say, “Oh, if only I had a Nikon or a Leica, I could make great photographs.” That’s the dumbest thing I ever heard in my life. - Andreas Feininger |
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| | #2 |
| Gear addict Joined: Feb 2006 Location: St. Louis, MO
Posts: 401
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50/song seems waaay to cheap, I mean, just getting the session up in pro tool labeled and stuff, you're looking at probably an hour just for that...you get what you pay for most the times, and for 50 bucks for a mixdown, I wouldn't expect much
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| | #3 |
| Lives for gear Joined: Aug 2005 Location: Indianapolis, IN
Posts: 2,825
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joemeekfreak, it doesnt sound to me like a multitrack job though. just stereo mastering. "polishing" a track, and making sure that the dynamics of that particular track fits into A) other already mastered tracks by that Artist, and B) tracks in the same genre/vein of that artist. i'd personally be able to offer this once i got my SSL 4000 hardware comp back (using Lynx Aurora conversion, and Tannoy System and Precision series monitors). However i have no idea when the SSL will be in my hands... could be 3 weeks, or 3 months. I suppose i could my TFPRO P10, but i'd honestly rather not. |
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| | #4 |
| More cowbell! | |
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| | #5 |
| Lives for gear |
i've used Rodney mills masterhouse before and actually have another session setup with them in 2 weeks to do 4 song for one of my artist. the quality and experiance they have over there vs the price makes you really think but its legit and they do a good job . now if your mix sucks you mix sucks.. your just polishing a turd..lol |
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| | #6 | |
| Gear maniac Joined: Mar 2005
Posts: 282
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What'd you get charged, $15/ minute seems cheap...per the web site. ...Looks like Rodney's done some top of the line acts over the years. | |
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| | #7 |
| Lives for gear Joined: Jun 2002 Location: upstate, sc
Posts: 1,739
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There are TONS and I do mean TONS of folks doing 'mastering' in that price range. Seems to be where a lot of people turn after the $25 an hour 'recording studio' doesn't prove so profitable. But there are guys doing respectable work in that price range.BTW- Looks like Rodney raised his rates (used to be $10 per minute of material). No slight against him as he does fine work, but AFAIK his BIG credits are engineering, not mastering. But he's a great guy with great ears, and you could do a-heck-uv-a-lot worse... Good Luck.
__________________ Sincerely, Casey SC Digital Services ![]() Bob Olhsson wrote on 17th September 2002, 12:56 PM: "Music is being used to sort consumers rather than to entertain people." |
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| | #8 |
| Lives for gear |
That's what I was looking for, something like Rodney's Masterhouse ... Thank you ... any other suggestions? BTW, if you look in the credits of Pearl Jam's "Yield" it says it was mastered by Rodney. Excellent sounding record. |
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| | #9 |
| Lives for gear |
Check out the basic package here... http://www.drtmastering.com |
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| | #10 |
| Gear nut Joined: Jan 2005 Location: Nashville
Posts: 137
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You could maybe get in the ballpark with Jim DeMain at Yes Master in Nashville. He is truly great, easy to work with and has some real gear.
__________________ www.myspace.com/joemcmahan |
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| | #11 | |
| Gear addict Joined: Oct 2002 Location: ITHACA, NY
Posts: 394
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| | #12 | |
| Lives for gear | Quote:
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| | #13 | |
| Gear addict Joined: Sep 2003 Location: Newburgh, IN
Posts: 441
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__________________ Bob Green Area 51 Recording Studio | |
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| | #14 |
| Jai guru deva om Joined: Feb 2003 Location: South Carolina
Posts: 12,253
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I've heard work from Rodney Mills that a friend brought to him to have done in Atlanta, he certainly deserves props. My buddy saw his mastering chain, and there was a Behringer box in there! A lot of other stuff too though. War |
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| | #15 | |
| Lives for gear | Quote:
mitgong, rodney and his ppl are cool and they know what they're doing. the best thing is they like for the artist and engineer to sit in on the mastering session. | |
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| | #16 |
| Lives for gear Joined: Aug 2004 Location: Houston, TX
Posts: 3,714
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A buddy of mine is the ME @ Digital Services in H-town, $200 an hour and he can do 4 songs in an hour, which meets your budget. They use Sequioa on a PC, and a bunch of outboard, Crane Song, Focusrite Blue EQ, M3000, and more..... And, he does great work... rock sdf |
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| | #17 | |
| Lives for gear | Quote:
I'll take another look ... | |
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| | #18 |
| Lives for gear Joined: Oct 2005
Posts: 843
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He seems to have lots of interesting stuff to say without actually saying anything, about his "custom gear" that is. However, when I got to this line at his site: "The secondary stereo monitor I use the most is the Mackie HR824. It's verifiably more accurate than most speakers at ten times it's price, THX certified, with excellent bass for a small system. It is widely used in studios, so its a common point of reference." .. I kind of stopped taking the guy seriously and began worrying that he might not really have what it takes to be a top mastering enginer (EDIT: then again, he might use the mackies as a "crap reference", like NS-10's which would explain it better). Just my 2 cents not worth a damn! bManic |
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| | #19 | |
| Lives for gear Joined: Sep 2004 Location: Copenhagen, Denmark
Posts: 4,770
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I use main monitors ADAM S2.5A, soon switching to Klein + Hummel, and for "crap" reference (actually hi-fi reference) I use Blueroom Minipods. I also have some small PC speakers that is the one the most sold brands in the world (sold under different names), and therefore very useful for referencing.
__________________ Professional geek Online Mastering - At the moment: Mastering Christopher (EMI) · Mastering Marijana (Universal) · Mixing Michalis (Universal) | |
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| | #20 |
| Gear interested Joined: Jun 2005
Posts: 26
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Dave St.Onge at DMS Audio in Upstate New York does a great job, and at great prices too. Check out www.dmsproductions.net.
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| | #21 |
| Lives for gear |
All the b.s. about DRT ... if you haven't heard his work or used him, or seen his studio then why comment? He does great work... twice I've sent test masters to him and also to other well known mastering engineers for a comparison, and both times I went with DRT. just my $.02 ...
__________________ http://www.logcabinmusic.com - studio "... fuuck" - Yours Truly"a GOOD mic pre is good with any mic on any instrument or voice for any genre of music and into any recording device." - W. Wittman (ProSoundWeb) "Ahhh the hell with it... get 1073's and you'll be guaranteed platinum!!" - Fletcher |
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| | #22 |
| Gear addict Joined: Sep 2003 Location: Newburgh, IN
Posts: 441
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For myself i could give a sh*t less what he uses (DRT).... I cound'nt care less what his signal chain is, or what his 2nd or 22nd set of monitors is... or what kind of esspresso he drinks or wether he's a dog or a cat guy... all I know is I've sent him several projects to master, with stuff that's all over the map, jam band, heavy, blues band, jazz, and the guy always sends me back something that sounds great and puts a big smile on the client's face. To me that's the final arbiter. Yeah I know this is Gearslutz and all, but really I don't care if the guy uses a boombox and Rat Shack speakers if what he sends me back works! It's in the ears Mon..... |
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| | #23 | |
| Gear Guru Joined: Jul 2005 Location: Atlanta, GA
Posts: 11,995
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Now with that said there are a lot of people that are outstanding also.. Massive Mastering comes to mind.. Glenn
__________________ Glenn Kuras GIK Acoustics USA GIK Acoustics Europe 770 986 2789 (USA) +44 (0) 20 7558 8976 (UK) See the NEW Scopus Tuned Trap | |
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| | #24 | |
| Lives for gear Joined: Sep 2004
Posts: 3,327
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| | #25 | |
| Gear Guru Joined: Dec 2002 Location: Columbus, Ohio
Posts: 12,407
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If you want really, really cheap it's out there ... got an email from a place for $25/song just today ... Black Dog in Fla. ... no idea what they can do, however.
__________________ Brian Lucey Magic Garden Mastering Dr. John, The Shins, The Black Keys, OAR, David Lynch, Sami Yusuf, moe., Sigur Ros Spiral Groove Studio One - mixing monitors | |
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| | #26 |
| Lives for gear |
got 2 songs done by rodney mills 2 days ago and they sound awesome. i'm rahter impressed. he with out a doubt knows his craft he just doesn't feel he has to charge a bunch. his mixing price is like $100-120hr though |
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| | #27 |
| Gear addict Joined: Jul 2004
Posts: 318
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Send them my way I will do it for a mcdonalds chesseburger. I will do a whole album. I will do a whole ablum for mastered to vynil, which is coming back for a 20 piece mcnugget and a triple quarter pounder.
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| | #28 |
| Gear addict Joined: Aug 2005 Location: Gothenburg Sweden
Posts: 370
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This months Sound On Sound magazine has an article on online mastering featuring a few reputable places with good gear and prices starting at around £40 a track.
__________________ The above "words" are the ramblings of a depraved megalomaniac.Any similarity to normal communication is a hallucination on the part of the reader.Replying to this post will result in your Wife, family and posessions including any audio equipment you may own becoming the property of funkynuts. |
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| | #29 |
| Lives for gear |
Yes, lucey does nice work too...
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