Gearslutz.com

All Advertisers
Go Back   Gearslutz.com > The Forums > Low End Theory


New Reply New Reply Thread Tools Search this Thread
Old 31st December 2005   #1
Gear Head
 
roon's Avatar
 
Join Date: Dec 2005
Location: Denmark
Posts: 54

Thread Starter
Recording vocal....techniques

I´ve been experimenting with using 2 different mics in different positions simultaneously when recording vocals, blending the two tracks afterwards. It has given me something that I have been looking for, and above all given me much better results with cheap-gear recording. Also, it opens up a whole new world of possibilities and combinations.

The first combination that gave me the wow-effect was a fat Ribbon-mic closeup (GR-8, similar to nady, tsm-84 and others), combined with a bright condenser a few feet behind (CM-H8C, resembling rodeNT series). Both through the same SPL Goldmike pre. Then mixing them with a 4/3 blend......sounded very nice and expensive to me......but above all it has it´s own unique sound, fat and warm but still present without being too bright.

::::::::::::::

Anybody heard of this before or tried it ?

Anybody else care to share experiments they´ve tried ?

:::::::::::::

Anyway, thanks to Gearslutz for being here.....getting internet at home is the best thing that happened to me in years
roon is offline   Reply With Quote
Old 31st December 2005   #2
Lives for gear
 
joelpatterson's Avatar
 
Join Date: May 2005
Location: Albany, New York
Posts: 9,073

My favorite tack is a typical stage dynamic, like my Sennheiser 835, paired with some kind of LDC like a CAD E-350. Especially with whisper-to-scream singers. If it's the first day of a project, I'll put up all kinds of things--Oktava 319, Nady ribbon, whatevers--and it seems like there's always a coupling that works best.

You are on the right track. But it's freakin' weird how every voice is so uniquely suited to a different thing. Almost like God planned it that way.
__________________
Mountaintop Studios
~the peak of perfection~
Petersburgh NY 12138

mountaintop@taconic.net

www.joelpatterson.us
joelpatterson is offline   Reply With Quote
Old 1st January 2006   #3
Gear Head
 
roon's Avatar
 
Join Date: Dec 2005
Location: Denmark
Posts: 54

Thread Starter
Creative old school acoustic recording

Quote:
Originally Posted by joelpatterson
You are on the right track. But it's freakin' weird how every voice is so uniquely suited to a different thing. Almost like God planned it that way.
Thanks Joel, nice to hear about your aproach.

And you´re so right about every voice being uniquely suited....I´ll even take it further and say, not just every voice, but also every song, your present mood, the location, every instrument....the whole situation at a given time.....

Thats why the game of experimenting and keeping my creative ears open is of much importance to me. I hate the standard pro-studio-wannabe phrase "just get a good neumann and your off and running".... Anyway I´m not an engineering pro myself and am not aspiring to be one either. I´m a soloartist looking for the right sonic ideas to suit my songs. And ofcourse most of my songs probably will end up being retracked with a pro-engineer and Royer, Neumann, Great River, SSL etc.....or whatever might make my sonic idea sparkle even more.

Guess my point is :

I´d rather take all the time I need to experiment untill I get the right sound on tape from the beginning. That means searching for right locations and the sweetspots of a setup.......almost like old classical 2-mic recordings.....no plugins or effects and ideally only mastering afterwards.

But the most important issue for me is to seach for the golden live take, musically and every other way (=that needs no editing or dynamic tweaking !!!)....might be take 255...or take 912......I know a lot of you might see this as some crazy almost zen-like sh*t.....but please let me live my dream for now

Any thougths on this aproach ? (All songs will consist mainly of a piano/vocal take....in some cases one or two strings and some extra vocals will be added....but all is acoustic)

roon
roon is offline   Reply With Quote
Old 2nd January 2006   #4
Gear addict
 
Junkie's Avatar
 
Join Date: Jan 2005
Location: UK
Posts: 410

Try combining a decent condensor (ribbon) with, wait for it, an AKG D112. When applied with the relevant EQ I really can work well
__________________
K.R.S.
Junkie is offline   Reply With Quote
Old 2nd January 2006   #5
Gearslutz.com admin
 
Jules's Avatar
 
Join Date: Apr 2002
Location: A Yank in London, UK
Posts: 17,356

Re20 up close + distant PZM stuck on the live area side CR window - gave me an odd 'tiled room' / Smashing Pumpkins "Adore" vocal sound..(I think I blended each mic to a separate channel)

Never had much joy with dual mic's on vox appart from that.. but that's probbably due to fear of expirementation..
__________________
Jules

Add your reviews to the new reviews area!
Gearslutz on Facebook
Follow my GS picks on Twitter
Jules is offline   Reply With Quote
Old 2nd January 2006   #6
Gear Head
 
roon's Avatar
 
Join Date: Dec 2005
Location: Denmark
Posts: 54

Thread Starter


Got a point Jules.....I ought to get my soloartistic fingers out of my ass before I expire ....ever heard of the prefectionist syndrome ?

Anyway what would be the best ribbonmics for vocal ?

How would you record the same person on vocal and piano live ?
(not concert, but live-recording)

I don´t necesarily wan´t it to sound 100% natural....more like vintage from venus
roon is offline   Reply With Quote
New Reply New Reply Submit Thread to Facebook Facebook  Submit Thread to Twitter Twitter  Submit Thread to LinkedIn LinkedIn 



Thread Tools Search this Thread
Search this Thread:

Advanced Search

Similar Threads
Thread Thread starter Forum Replies Last Post
VOCAL LAYERING TECHNIQUES chymer So much gear, so little time! 30 11th June 2011 05:42 AM
Vocal Recording techniques and tricks and whatever else is cool Jason Poulin So much gear, so little time! 12 27th April 2005 03:25 PM
Vox Recording Techniques frist44 So much gear, so little time! 5 31st March 2005 03:02 AM
Recording techniques mwagener High end 19 6th December 2002 11:14 PM
recording techniques mwagener High end 39 3rd August 2002 01:08 PM


All times are GMT +1. The time now is 07:56 PM.

 
 
Powered by vBulletin®
Gearslutz.com Limited - UK Company Number 7597610.
Registered Office: 35 Ballards Lane, London, N3 1XW.

SEO by vBSEO ©2010, Crawlability, Inc.