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| | #1 |
| Gear interested Joined: Oct 2005 Location: Portland
Posts: 29
Thread Starter | I need a pair (of overheads, that is)
There's a similar thread in the high end forum but my daddy didn't leave me with no money. I've a got a room that's 23x12x9 in which I record loud rock and roll and occasionally loud country. I'm looking for a good pair of drum overhead mic's as my next improvement. Right now, I use what ever's left over, Oktava's 012's or CS1000 (I hate these mic's) with results that range from barely acceptable to decent, depending on placement and luck. Any suggestions for moving on to something dedicated to this purpose? Thanks.
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| | #2 |
| Gear Guru Joined: Jul 2004 Location: Orygun
Posts: 10,233
| SM81, SP-C4, Kel HM-1, AT 2020.... With that low ceiling, you could get some PZMs and tape them there, too -tINY |
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| | #3 |
| Lives for gear Joined: Sep 2004 Location: kansas city
Posts: 1,618
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I second the PZMs try some MXl 990's at $100 a pair thumbsup
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| | #4 |
| Lives for gear Joined: Mar 2005 Location: Toronto, Canada
Posts: 1,129
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Audio Technica 2020's might be a good starting point. (I own some MXL990's and I personally enjoy the AT2020 better for bottom budget overheads.) A good Move Might be to save $$$ and grab 2 Sennheiser MD421's. Or the 521's for a few $$$ less, You could at least use them in a many other applications as well as a good overhead image. Kind Regards, Scott |
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| | #5 |
| Gear nut Joined: Jul 2005
Posts: 132
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what don't you like about the Oktavas? They're usually the first suggestion for low cost overheads and in my experience they've sounded great on rock overheads.
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| | #6 | |
| Gear interested Joined: Oct 2005 Location: Portland
Posts: 29
Thread Starter | Quote:
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| | #7 |
| Lives for gear Joined: Jan 2003
Posts: 1,124
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Get a pair of CAD M179 mics if you can afford it. Otherwise, just get another MK012.
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| | #8 | |
| Jai guru deva om Joined: Feb 2003 Location: South Carolina
Posts: 12,253
| Quote:
(Tiny's SP C4 recommendation is good too) War | |
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| | #9 | |
| Lives for gear Joined: Sep 2004 Location: kansas city
Posts: 1,618
| Quote:
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| | #10 |
| Lives for gear |
dont cheap out on overheads, get some good mics, so much of the tone of the kit is in the overheads. Earthworks are nice, KM84's/184's. Some people use LDC's. For now use the best of what you have there.
__________________ Lou Gimenez www.musiclabnyc.com |
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| | #11 |
| Lives for gear Joined: Sep 2004 Location: kansas city
Posts: 1,618
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Lou is right, surround the kit with 14 U67s, then crank up the LOW END
__________________ Dave |
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| | #12 |
| Gear addict Joined: Oct 2005
Posts: 330
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I would look into the Studio Projects C4. for the price they can't be beaten abd they have a clear, tight, natural sound. Mickey |
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| | #13 |
| Gear addict Joined: Oct 2005
Posts: 330
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I would even roccomen the C4's with two VTB-1 Preamps because of their low noise and options in sound with the adjustable tube setting. Get a couple of or stereov optical compressor or limiter (either ART TCS or ART PRO VLA, or two Samson C-com Opti's). I have used these on vocals with good sounding success. You probably get a bit more with the Pro VLA... Mcikey |
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| | #14 |
| Lives for gear Joined: Jan 2004
Posts: 550
| hi
Rode Nt1-a are the bomb on OH, vocal, and room mic duty. Clean as an SSL signal path, built to exacting specs, and LOOK expensive. Very usable proximity effect (VOX/room) and super low noise. At $400 a pair u can't beat them IMO. other ideas- MXL 603s (kinda omni, kinda trashy around 9k; perfect in some situations) Groove tubes gt-33 (reduced HF response, but very impressive and realistic) SP B3 (silky high-end, good S/N, multiple patterns) BTW: there is no such thing as luck... What is your average placement? What are your main problems w/ the MC012s? What is your goal as far as what u r using the OH's for? Cymbal choice? My point is that mics may not be yo problem..... Hit me back
__________________ It's not the tools, it's the talent... Clients include- GIN BLOSSOMS, SOCIAL DISTORTION, HOT HOT HEAT, CIRCA SURVIVE, SILVER SUN PICKUPS, PHOENIX, DIRTY HEADS, ROGER CLYNE AND THE PACEMAKERS, BUSTICLES, ABOVE THE LOVE... |
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| | #15 | |
| Lives for gear Joined: Apr 2003 Location: Belgium
Posts: 1,285
| Quote:
Herwig | |
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| | #16 |
| Gear nut |
I 3rd or 4th (or whatever number) the additional 012. If you are going cheap then just stay with what you got. If you just want an extra pair of mics for cheap then get the CADs, 2020s, or the countless other cheap mics out. What about the slew of chinese ribbons? Those are pretty loud rock n rollish. By the way, what kind of loud rock?
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| | #17 | |
| Lives for gear Joined: Apr 2004 Location: H.B. Ca.
Posts: 1,341
| Quote:
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| | #18 |
| Gear addict Joined: Jun 2003 Location: Dorchester, Mass., USA
Posts: 393
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If you can find a pair of used AT 4040's, these are good for drum overheads too...new they're $300 each, but you can find them for half that, or a little more, used. Nice bright but clean highs. I like the MXL 603's OK for acoustic guitar and a few other things but I find they don't work for me on overheads or anything involving cymbals--that "kinda trashy around 9K" thing is right on the money; doesn't seem to affect acoustic guitar as much, but it makes cymbals washed-out and sandpapery. Thumbs-up on the ceiling-mounted PZM idea, BTW; I had a single Crown PZM around for a while and used it that way for a mono overhead and it sounded great--very smooth, almost fluffy top end, a little like a poor man's Earthworks QTC-1.
__________________ If you think music should be free, make your own. |
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| | #19 | |
| Gear interested Joined: Oct 2005 Location: Portland
Posts: 29
Thread Starter | Quote:
I have NO problem with the MC012, just bad sentence structure. What I was trying to say was that I can't stand the CS1000, not both the 012 and the CS... All in all, I'm thinking of getting another 012 for a pair of them on overs. I actually do like these mic's quite a bit. As far as my "goal" for overs, I want a natural cohesive drum sound that fits well inside my mixes, not each drum piece occupying a different corner of the globe and stripped and isolated. Ick! I want to use the kick and snare mic's for slight accent and balance, not primary sources. Again, I like loud, garage-y, overdriven rock and country played in a similar vein. I like the instruments to be a parts of a sum, not parts in their own equations. | |
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| | #20 | |
| Gear interested Joined: Oct 2005 Location: Portland
Posts: 29
Thread Starter | Quote:
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| | #21 | |
| Jai guru deva om Joined: Feb 2003 Location: South Carolina
Posts: 12,253
| Quote:
War | |
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| | #22 |
| Lives for gear Joined: Mar 2005 Location: Annapolis, MD/Los Angeles, CA
Posts: 3,631
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I'll second the MXLs, the 990s and the 603s, (I'll use the 603s for overheads and the 990s for room mics). For the price, they are hard to beat. Brian, your "trashy" comment about the 603s is right on, they do add some grit to around 9K, I like it for rock cymbals. I haven't tried them for acoustic guitar, as I have SM81s, and they work just fine.
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| | #23 |
| Lives for gear Joined: Oct 2005
Posts: 3,305
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I'm borrowing them peluso small diaphragm mics and they are amazing for overheads... going through the seventh circle J99 preamps
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| | #24 |
| Gear addict |
I have recently recorded drums with a pair of Oktava MK-012s and a pair of Elations (slightly more expensive), and in both cases I only added a bit of close-mic'ed kick and snare for extra impact. The overall sound of these cheap Russian mics was really amazing. Balance them well, and they're almost high-end. In fact, I liked the Oktavas so much that I had the preamp circuitry upgraded with a custom preamp made by Swedish company Line Audio. It just gives better headroom, less self-noise and does the brilliant Oktava capsule justice. If you consider getting a second Oktava, beware of the Chinese-made ones! There are two flavours of MK-012s now, due to legal issues between the Russian manufacturer and the British distributor. Only the Russian made ones have that sound! Recky |
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| | #25 |
| Gear nut Joined: Nov 2005 Location: Nashville
Posts: 142
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Coles are great and they are mid priced.
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| | #26 |
| Lives for gear |
I just cut drums using the AT2020's for overs and rooms. I am very impressed they sounded great. For 100 bucks each I wanted them to suck but they work great.
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| | #27 | |
| Gear addict Joined: Jun 2003 Location: Dorchester, Mass., USA
Posts: 393
| Quote:
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