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| | #1 |
| Gear nut Join Date: Dec 2006
Posts: 141
| Hi guys, I have a small one room home studio setup, (11 by 16 feet), good sound isolation and professionally treated by an acoustician for voice over recording - good preamp (john hardy) good converters (lavry blue) In my area studio rates can be anything from $35 to over $100 per hour (that also includes the studio technician / engineer, microphones etc) - depending on the studio reputation, size and location etc.. How much should I charge if I wanted to rent out my space for someone who'd like to use it for vocal rehearsal or voiceover recording. This would include only the room, my preamp, converters and computer. They would bring their own mic and there would be NO sound technician provided(the person would be recording him or herself). What would be a fair price? thanks |
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| | #2 |
| Gear nut Join Date: Feb 2009 Location: Antwerp
Posts: 75
| I'm not really sure if there is a demand for a home studio with only a computer, one preamp and a convertor. I'd say invest in a couple of microphones and some monitors, so your clients wouldn't necessarily have to bring their own equipment if they want to do some basic recording.. |
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| | #3 |
| Gear nut Join Date: Dec 2006
Posts: 141
| There are obviously monitors as well, and headphones and 2 guys kind of inquired about it (and both have their own mics they usually use) but I have no idea what kind of price range to ask They would also have access to Cubase and could record and do some editing and mixing as well in this room. |
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| | #4 |
| Gear nut Join Date: Feb 2009 Location: Antwerp
Posts: 75
| I wouldn't have a clue either.. Ask them what they are willing to pay :) |
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| | #5 |
| Lives for gear Join Date: Nov 2002 Location: Los Angeles
Posts: 1,857
| Charge as much as you can, ie, what the market will bear. |
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| | #6 |
| Lives for gear Join Date: Jun 2009 Location: Phoenix, AZ
Posts: 910
| Find a price point where you don't feel like you are being shortchanged and you still enjoy working for that amount , but at the same time where you are not robbing the clients. Simple as that |
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| | #7 |
| Lives for gear Join Date: Aug 2006 Location: Phila, PA/Upstate MA
Posts: 3,081
| This advice works for everyone. |
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| | #8 |
| Gear interested Join Date: Dec 2009 Location: Toronto, On
Posts: 21
| WHat mic pre and converters we talking about? Sounds like you have a pretty budget home studio. And I dont mean that as an attack - I'm just saying, everybody and their mom has a little m-audio fast track and an ART Tube MP these days so.. |
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| | #9 |
| Gear nut Join Date: Feb 2009 Location: Antwerp
Posts: 75
| John Hardy pre and Lavry blue converter isn't in the budget category I would think.. |
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| | #10 |
| Gear interested Join Date: Dec 2009 Location: Toronto, On
Posts: 21
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| | #11 |
| Gear Head Join Date: Dec 2009 Location: St. Louis, Mo
Posts: 33
| If I walked into a studio that was trying to charge me and that was the set up I would walk out. |
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| | #12 |
| Gear interested Join Date: Dec 2009 Location: Laramie, Wyoming
Posts: 10
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| | #13 |
| Lives for gear Join Date: Jul 2002 Location: Bucktown. Chicago, IL
Posts: 868
| Totally depends on the space. We talking' about 20-foot+ ceilings, hardwood floors and non-paralel surfaces? Or we talking' about the typical basement, low ceilings, auralex padding, carpet, complaining neighbors, etc. |
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| | #14 |
| Gear nut Join Date: Dec 2006
Posts: 141
| thanks yes it's a low ceiling space, but it's rather good acoustically (not auralex stuff - but rather custom build panels covered with gilford&maine fabric) as the person who designed and treated it is a guy who has over 30-40 experience designing concert halls. like I already specified before, it's for voiceover purposes - i don't think they need 20 foot ceilings for that. It was never meant to be a "studio" - but a high room speficially designed for voice recording purposes. As a "vocal" booth, i think it's much better than a 4x4 whisper room as some people use. And, the room is extremely quiet. Computer is not in the same room and no outside noise gets in as walls and windows are double (box inside a box construction). And no, gear is not cheap - john hardy preamp and lavry converters are not low budget. As for the mic, I have a $4,000 one - no way I'm leaving this lying around. Thanks for input - i'll follow your advice and "test" the market first - as a matter of fact, I just found a site of a local place that actually does rents out rehearsal rooms (without a engineer and with gear of much lower quality) and for a 10x16 room they charge between $10-$15/hour. So I guess $10/hour is a very reasonable price in my case - it's not a big revenue but in my case the studio is just sitting not being used for a good part of the day, if it could bring me in even $100-$200 a month - why not, at the end of the year that's a new piece of gear. |
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| | #15 |
| Lives for gear Join Date: Jun 2006 Location: London
Posts: 6,708
| If it's actually IN your house (ie you have to walk through your front door to get to it) I wouldn't rent it out without an engineer. In fact, I wouldn't rent it out at all (apart from to friends or friends of friends who come recommended). It's just not worth the risk. |
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| | #16 | |
| Lives for gear Join Date: Feb 2007
Posts: 814
| Quote:
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| | #17 | |
| Lives for gear | Quote:
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| | #18 |
| Lives for gear Join Date: Feb 2009 Location: San Diego
Posts: 644
| Start out around $20hr. Don't buy into the "don't bring people in" stuff. I ran my studio out of my house for ten years. It was my full time gig and most clients loved it. It was comfortable and down to earth. Clients pay for results, nothing more, nothing less. You will need to start out a little on the low side for payment and once you start to build some client base then raise them a little. I do not recommend you letting clients run your gear unless (a) you test their knowledge of what's going on and (b) you have them sign a "you break it you buy it" clause. Good luck! |
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| | #19 |
| Gear nut | If there are excellent monitors, the room is treated (not just deadened), and there is an iso booth, I'd pay $100/day if I really needed to do some overdubs and there was no other feasible option. A 2-ch Lavry and one good pre-amp isn't going to bring people in. If you want to make the money you need to make the investment, OR rent yourself along with it and build your career from there. What you're asking is sort of ridiculous. |
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