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| | #1 |
| Gear maniac Join Date: May 2009 Location: Aotearoa
Posts: 151
Thread Starter | Is bigger better? Hi, I have a room approx 9x10x8 (WxLxH) and am trying to decide on Hs50 / Hs80. The 50's seem really small, but in this size room would the 80's be too big? I don't want to be cranking the volume the whole time to get the 80's working properly. I have decided not to get a sub initially as I'd like to 'learn' the nearfields first. Opinions? Thanks Dave
__________________ "No. But, I'm a pretentious bastard." - Gravity |
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| | #2 |
| Lives for gear Join Date: May 2008
Posts: 534
| I would get the 80's they are not to big and you can use them without a sub but not perfectly accurate in the low end. I have the 80's with a sub and am very happy with it. |
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| | #3 |
| Gear maniac Join Date: May 2009 Location: Aotearoa
Posts: 151
Thread Starter | Thanks Steve, my local store only had the 50's in stock so I wasn't sure about the size though I know they are a slightly smaller than the krk vxt8's. Dave |
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| | #4 |
| Gear maniac Join Date: May 2009 Location: Aotearoa
Posts: 151
Thread Starter | Btw steve, what sub are you using? Dave |
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| | #5 |
| Gear Head Join Date: Jun 2009 Location: Canton, OH
Posts: 69
| Definitely stay away from the HS50's. My friend has a pair and wow no good. The poor bass response is to be expected from a 5" woofer (so you cant trust anything it tells you below 100hz) but the highs are just down right harsh. The lack of the bass response lead to his mixes being incredibly bass heavy until he figured it out. My old pair of Behringer Truth 8" monitors are much much more accurate then those 5" yamahas. Little spike around 2-4khz where the tweeter is crossed over but nothing you can't get used to. I can't comment on the 8" Yamaha's though, if in doubt definitely go bigger, atleast you will have a better low end response.
__________________ If you're interested in an isolation cabinet check out the Dead Room Mark II! Shoot me an e-mail if you have any questions and if you want info on the product check out the site. ![]() I also assemble and sell speaker cables, microphone cables, and instrument cables. |
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| | #6 |
| Dream Catcher | Hs50s without a doubt. I use NS10s and Hs50s on my projects all the time. Very dull, mid rangy sound that translates perfectly on many different systems. |
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| | #7 | |
| Gear Head Join Date: Jun 2009 Location: Canton, OH
Posts: 69
| Quote:
Yikes, reallllllllly??? Maybe if they were mine and I had spent the time getting used to them......... I still can't mix on a speaker that drops off like a cliff at 80hz. tutt | |
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| | #8 |
| Gear maniac Join Date: May 2009 Location: Aotearoa
Posts: 151
Thread Starter | I had wondered what monitors you use chris, it doesn't say on your site. (Big fan lol!) But I have to say killersoundz, chris does have good mixes.....hmm. Still, it is 2 against 1 so far, anyone else? Dave |
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| | #9 |
| Lives for gear Join Date: Jan 2008 Location: Houston, Texas
Posts: 2,434
| Good luck judging the lows on 5" speakers. If you are doing beats and such, it shouldn't be too bad. If you plan to record drums and bass... instruments with real dynamics and issues, I suggest you get all the help you can. I use the 80's and I CAN hear the bass with no sub. It is articulate and tight and gives plenty to judge with. If you can listen to both, I highly suggest it. Rob PS. If you do choose the small ones, get some flat headphones to judge the bottom end and learn them well. |
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| | #10 |
| Dream Catcher | I go back and forth between NS10s and HS50, depending on the studio I work at. I'm actually going to be featured on a song by The Game, and I'll be using HS50 to mix. |
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| | #11 |
| Gear Head Join Date: Jun 2009 Location: Canton, OH
Posts: 69
| Hehe well for a pretty good comparison here is a recording of a local band I did mixed on Behringer Truth (whatever the 8" versions are). Please note this was a long time ago and this mix, compared to what I do now, is pretty awful. Lacks a lot of body. http://www.grendelsound.com/natural disaster 128.mp3 And now here is that same song recorded by the bands guitarist (this was months after my recording for their EP), mixed on HS50m's. http://www.grendelsound.com/natural disaster reese.mp3 Now I mean truthfully he could have mixed it on some Genelec's and it would have still been a turd so this doesn't really proove anything.... ![]() |
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| | #12 |
| Lives for gear Join Date: Aug 2006 Location: Bay Area
Posts: 995
| 9x10x8 is a tiny room, 8's seem like quite an overkill. |
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| | #13 | |
| Gear Head Join Date: Jun 2009 Location: Canton, OH
Posts: 69
| Quote:
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| | #14 |
| Gear addict Join Date: Mar 2009
Posts: 463
| Is bigger better? Must be, that's what I overheard my wife saying to the mail man, don't know why she was saying that to him. |
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| | #15 | |||
| Gear maniac Join Date: May 2009 Location: Aotearoa
Posts: 151
Thread Starter | Quote:
This was one of my concerns Quote:
Quote:
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| | #16 |
| Dream Catcher | You'd be surprised how low I mix. Sometimes the artist asks me what I'm doing, and I tell them I am mixing! |
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| | #17 |
| Gear maniac | I don't know about the 80s vs the 50s, but one thing that seems certain - in a tiny, almost-cubic room, you won't need a sub. Correct me if I'm wrong?
__________________ Kawika Heftel Utah Recording Studio "Life without music is a journey through the desert." |
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| | #18 |
| Lives for gear Join Date: Jan 2008 Location: Houston, Texas
Posts: 2,434
| Bigger doesn't simply mean louder. Smaller speakers simply cannot reproduce the lower frequencies. Look at the charts and graphs. It doesn't matter if it is Yamaha or Genelec. Granted, they will vary a bit as to how low they go but 5" speakers cannot do what 8" speakers do. Just because the speaker is bigger doesn't mean you have to use them louder. A bigger issue is the acoustics of your room and foam, while ok for taming flutter and higher end issues, won't do a darn thing about the low end. I had a Roominator kit in a small room and it still major-ly sucked. You will need bass traps to tame the low end in that room no matter what size you choose. There are many 8" near-field monitors. 8" does not equate to mid-field. Seriously.... listen before you buy. |
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| | #19 | |
| Gear maniac Join Date: May 2009 Location: Aotearoa
Posts: 151
Thread Starter | Quote:
Dave | |
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| | #20 | |
| Dream Catcher | Quote:
I think albums with good bass usually evolve around low mids, which makes the bass seem more prominent in an artificial sort of way. Gives more information to the speakers, doesn't mean more bass. Guys like Butch Vig and Dre have build careers on the amazing low mid frequency. | |
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| | #21 |
| Gear maniac Join Date: May 2009 Location: Aotearoa
Posts: 151
Thread Starter | Unlikely I can test them at home as they only have the 50's in stock whereas the 80's are 'order only', which actully would be pointless until I have my treatment anyway(waiting on rockwool stuff, and the round tuit). I don't have any objection to buying a sub, but I thought I would try and 'get my my ear in' initially. As I am just starting out more or less, I also wanted a bit of a cash stash in case I hadn't thought of something or needed to upgrade quicker than expected. Maybe I should start a thread about that? I could call it "nice n slow or blow my load?" Lol! Sorry, completely inappropriate. Dave |
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| | #22 |
| Gear maniac Join Date: May 2009 Location: Aotearoa
Posts: 151
Thread Starter | On a bit of a tangent, I A/B'ed the krk vxt6 vs the rp6's the other day, wow what a difference! Those ribbon tweeters have some clarity! Dave |
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| | #23 |
| Dream Catcher | So maybe you should wait to get your room treated nicely before you put the monitors in there. So just, 1: Treat the room 2: Try the Hs50 and if you don't like them, bring them back and order the Hs80. 3: Use your ears haha. |
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| | #24 | |
| Gear maniac | Quote:
like what chris said....the guys 3 doors down shouldnt hear you mix. thats almost as loud as a drum kit. and anything above 65dB can be considered to give hearing loss. its how long that matters. | |
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| | #25 | |
| Lives for gear Join Date: Aug 2003
Posts: 771
| Quote:
So the HS80 might reproduce extended bass that makes it harder to mix in your room versus the HS50. My experience in a similar untreated room favored using near fields with small (6.5") woofers to keep the bass tight and more under control. Sky | |
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| | #26 |
| Gear maniac Join Date: May 2009 Location: Aotearoa
Posts: 151
Thread Starter | |
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| | #27 | |
| Lives for gear Join Date: Aug 2003
Posts: 771
| Quote:
1. Estimate RT60 for a 9 x 10 x 8 residential room with carpeted floor and a few windows on one long wall: 0.44 seconds. Reverberation Time Calculator 2. Calculate room cutoff frequency using Cf = 20000*SQRT(T/V): 494 Hz "Every studio has some frequency above which the modal frequencies are close enough together to merge into a statistical continuum... At frequencies higher than [this] cutoff frequency, various components of the signal will be treated more or less uniformly... At frequencies below cutoff, excessive spacing of modes exists with resulting uneven treatment of signal components." small budget recording studio from scratch This calculation suggests that you'll have smooth sailing above roughly 494 Hz, and you can try treating the room with bass traps and diffusers to smooth out many (i.e. 20) individual modes below 494 Hz. Lower frequencies would generate more harmonics (modes) below 494 Hz, which I think is why bigger speakers and subwoofers might be problematic. I never tried to aggressively treat my small room, but going to nearfields with higher cutoff definitely helped. Ouch, my brain hurts and that's all I got. Sky | |
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| | #28 |
| Dream Catcher | |
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| | #29 | |
| Lives for gear | Quote:
Exactly what I was thinking... damn I mix around 70dB, with occasional volume jumps to 85dB to check the low end tightness... Often I've even got it down to whisper levels to check the balance...
__________________ -RyanJ AIM=doomempire ryanojohn@gmail.com http://www.ryanojohn.com http://www.artistengineering.com | |
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| | #30 |
| Lives for gear | Oh and I mix on HS80s without a sub. Other monitors I've owned, Adam A7, KRK VXT8, Event ASP8, and Dynaudio BM6A. Apart from the Dyn's, the Yamaha's are my fav, and always translate best to other systems... but then again I've been using them primarily for over 3 years now, so I've got 'em 'figured out.' |
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