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| | #1 |
| Gear Head Joined: Jun 2009 Location: Wisconsin
Posts: 33
Thread Starter |
Hey guys! I just joined the forum after being linked here multiple times with recording questions and it's great. Everyone really seems to know their stuff. Basically, I'm 16 years old, and am looking to start a home studio with two back-to-back basement rooms (Both 14x10 ft. with 8 ft. ceilings), and will be recording pop/rock for the most part. I know there are probably several posts with this same topic, but I was hoping you guys could take a look at the equipment I've had in mind, and let me know what you think.. revisions, new ideas, etc. I have an iMac G5 (2.16 GHz with 1 GB of RAM) and will be using Pro Tools LE with a Digidesign 003r interface. As far as everything else goes, here is my wishlist... PreSonus Digimax D8 Mackie MR8s (2) Studio Projects C1 AKG D112 Rode NT5s Shure SM57 (3) Sennheiser 421 (possibly?) Sennheiser HD 280 headphones For more miscellaneous things such as stands, cables and all that: Horizon Lo-Z Microphone Cables (10), On Stage mic stand set (6) Behringer AMP800 stereo headphone amp. I'm attempting to stay at a reasonable budget, at the same time as willing to spend extra money for better sound. Any input is very, very appreciated.. so let me know what you think! Revisions? Thanks SO much. Austin |
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| | #2 | |
| Lives for gear Joined: Mar 2009 Location: U.S.A.
Posts: 4,382
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| | #3 |
| Project Code CL2465 |
Shure Sm7b for vocals.
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| | #4 | |
| Lives for gear | Quote:
Heres why I would recommend the rack+. Youre going to need 8 inputs to get a good sounding drum recording for rock and pop. If you have the money to get 2-4 high end preamps, you should just get the 192 I/O. Dont forget you can use the S/PDIF for a solid pre such as the API A2D, so 10 inputs, a stereo pair of which are as good as it gets. Keep in mind kid, if youre taking this shit seriously, go big or go home. Find mics and pres that will last you a lifetime. Nothing will cost you more than getting half ass gear and then trying to practically give it away here on this forum in 5 years. why the presonus?? check out the yamaha hs50m and hs10 deal for $800 The sm7b would do some damage for vox, guitar and drums d112. bomb. nt5s are nice but you should consider the Oktava modded 012s. While i have not personally used them, the reviews are sick. They would last you until youre in the market for a fly ass pair of matched ribbons I would get 2 sm57s (top and bottom of snare) and save for a couple of the md421s for toms. sm7b on the floor ![]() I personally like the Vic Firths. They isolate much better. The headphone pre wont be necessary as the 003+ has 2 headphone outs. Consider getting a mic cable snake. They are pricey but will last you a very long time and save you many headaches. But before you buy a single thing on this page, get some acoustic treatment for your rooms. With less than $180 I made three movable 4x6x4" walls and three 2x4 bass traps. Check out ATS' DIY section. The roxul is incredible. The most important part of any recording is the source. Anything that improves the sound of the source will be your most notable investment. | |
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| | #5 |
| Gear maniac Joined: May 2009 Location: Aotearoa
Posts: 151
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[QUOTE=mikethedrummer;4271693]But before you buy a single thing on this page, get some acoustic treatment for your rooms.QUOTE] But with 2 basement rooms, expect to spend plenty treating these rooms, it will be well worth the end result. Dave
__________________ "No. But, I'm a pretentious bastard." - Gravity |
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| | #6 |
| Gear Head Joined: Jun 2009 Location: Wisconsin
Posts: 33
Thread Starter |
Thanks a lot guys, especially mikethedrummer for such an informative response haha. For the most part I plan to record myself.. I have high hopes of making it as a musician and figured I'd rather record my own bands songs with a possibility of recording others once I've learned quite a bit and believe the quality is up to par to charge for.. I had planned on just getting an 8 channel preamp to add onto my 003r for drums.. but I haven't been able to decide on what a good one would be for a fair price.. I'm trying to stay in the ball park of $5,000 for this project as a whole, but will continue to add on when i can. I guess the big part I left out in my first post is that I'm mostly planning on doing this myself. Thanks though, for real.. and please, keep them coming ![]() austin Last edited by Austin Alexander; 11th June 2009 at 09:59 AM.. Reason: Left out information. |
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| | #7 |
| 3 + infractions, forum membership suspended. Joined: Apr 2009
Posts: 2,348
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Screw cars, you'd rather have a studio before personal transportation, damn, you're on the right for forum. |
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| | #8 | |
| Lives for gear Joined: Mar 2009 Location: U.S.A.
Posts: 4,382
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| | #9 |
| Lives for gear Joined: Sep 2005 Location: Phoenix, AZ
Posts: 1,821
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Also, once you own a studio you will have no other life, negating the need for a car anyway.
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| | #10 |
| Gear Head Joined: Jun 2009 Location: Wisconsin
Posts: 33
Thread Starter | |
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| | #11 |
| 3 + infractions, forum membership suspended. Joined: May 2009
Posts: 1,071
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I would use one room for drums then keep guitars and vocals in another along with a mix room. Kit makes or breaks the sound. |
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| | #12 | |
| Lives for gear Joined: Oct 2008 Location: brighton, uk
Posts: 603
| Quote:
aye aye, i'm going on my first holiday in 7 years next year... so 8 by then, booked flights to nyc today. booking accomodation later when can afford the deposit! ANY RECCOMENDATIONS!? haha ![]() also, as far as a studio taking you further than a car would, in terms of enjoyment i agree 100% but when things go wrong it can get stressy, or when you're tracking the worst band you've ever came across - that's pretty horrible. | |
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| | #13 |
| Gear nut Joined: May 2008
Posts: 146
| buyer beware
It is one hell of a rabbit hole! Make sure you're ready to see wonderland before you jump. I was once in your position and a few years, and many many thousands of dollars later I'm still falling. Have to say though I have loved every minute of it. Just take the advise a few people already gave, get the best stuff you can the first time around. Mid grade stuff will rapidly become obsolete as you learn and it can be difficult to recoup any money on it. oh and make sure you get a really good converter, something better than the digi stuff
__________________ A few quotes from my man Thomas Jefferson: "Experience hath shewn, that even under the best forms of government those entrusted with power have, in time, and by slow operations, perverted it into tyranny." "He who knows best knows how little he knows." "A Government Big Enough to Give You Everything You Want, is Strong Enough to Take Everything You Have." |
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| | #14 |
| 3 + infractions, forum membership suspended. Joined: May 2009
Posts: 1,071
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| | #15 |
| Gear Head Joined: Aug 2008
Posts: 55
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are you looking to buy stuff used?
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| | #16 |
| Lives for gear Joined: Oct 2008 Location: brighton, uk
Posts: 603
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| | #17 |
| 3 + infractions, forum membership suspended. Joined: May 2009
Posts: 1,071
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| | #18 |
| Lives for gear Joined: Oct 2008 Location: brighton, uk
Posts: 603
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hahaha i owned an ada800, it wasn't actually /that/ bad. it got me money in my pocket !!
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| | #19 | |
| 3 + infractions, forum membership suspended. Joined: May 2009
Posts: 1,071
| Quote:
Anyone got any expensive converters could lend me for the week? | |
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| | #20 | |
| Gear Head Joined: Jun 2009 Location: Wisconsin
Posts: 33
Thread Starter | Quote:
Obviously, I don't know very much about recording.. but I didn't know how to play a guitar the first time I picked one up either. I just know how I want things to sound, and I know how things should sound (or at least I believe so).. I have a general idea on the equipment I want also, but I just want to get the best I can for the price. My friend that "inspired" me to start a home studio records his band with an even more modest set up than I plan to have.. and their songs sound incredible to me, and have been featured on shows like "MTV real world" and has got them in AP magazine.. | |
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| | #21 |
| Gear maniac |
i would use a digimax D8 with your 003r. its one of the better pre's to light pipe. also all your mics are great. i like the sound of the Nt5's. but your speakers are a bad choice. i personally think the Mr8's sound horrible. stick to event ASP6's or 8's, Krk, Or Find some used Adam A7's. but buy what you want, speakers dont really matter, you will like what you like, and learn to mix around what you dont like. the worst speakers bring out the best mixers. |
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| | #22 |
| Gear maniac | he probably KNOWS how to record. and understands its more than putting up a mic and hitting "3".
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| | #23 | |
| Gear Head Joined: Jun 2009 Location: Wisconsin
Posts: 33
Thread Starter | Quote:
I have heard a lot of good things on Mackie monitors like the MR5 and MR8 which I had a hard time deciding between.. but the bass response with the MR8 would be a lot better, and they seem to be pretty good monitors for what I'm doing.. | |
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| | #24 | |
| Gear maniac | Quote:
go to your local gear dealer and listen to the monitors. bring music you are familiar with. and listen to EVERYTHING. | |
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| | #25 |
| Gear Head Joined: Jun 2009 Location: Wisconsin
Posts: 33
Thread Starter | |
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| | #26 |
| Gear maniac Joined: Jun 2009 Location: WGC, UK
Posts: 165
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Make the room sound good. Before any of that stuff you're buying, set aside £500 to cover the place with rockwool and bass traps. A nice solid floor, walls and ceilings are a must as well, as well as a really heavy thick tight-sealed door. |
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| | #27 | |
| Lives for gear Joined: Mar 2009 Location: U.S.A.
Posts: 4,382
| Quote:
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| | #28 |
| Lives for gear Joined: Jan 2009 Location: Between the Notes, Iowa
Posts: 2,036
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Another option is to get the 002R. Get the BLA signature mod and get some different flavored outboard pres and a nice converter like a Mytek. You'll have all the quality and versatility you'll need for a long time. ...and a pair of Joly modded Oktava MK 012s, in addition to the Shure SM7B recommended above.
__________________ Tim Britton producer, engineer, musician, audio sales http://www.piedpiperprod.com http://uilleanpipes.com row, row, row your boat... |
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| | #29 | |
| Gear maniac | Quote:
I myself work at a recording retail store. so im around this stuff 8-10 hours a day 5 days a week, not including my home studio... heres what i think you should buy, im leaving out room treatment, cus thats another can-o-worms. with the things you have already, Digimax D8. Mogami cables, cabling is over 50% of your sound. JBL lsr2325 with mopads to separate them from your desk or stand Behringer AMP800 is fine. SM57, as many as you can they are on sale and have a $10 rebate. puts them at $85 Sterling Audio St66 tube mic. $400, great mic for vox and acoustic gtr and drum mic. I-5, for guitar and under snare D112, for bass and floor tom D6 for kick drum mic MXL604, i bought mine for high hat, but sounds AMAZING on MY mitchell guitar. kinda weird. NT5's is a fine choice, ill be purchasing them too. 421, great for lowest rack tom and guitar, and bass, and vox. and what ever software you can afford.. Complete toolkit...Or Music Toolkit. | |
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| | #30 |
| Gear Head Joined: Jun 2009 Location: Wisconsin
Posts: 33
Thread Starter |
Jonesfromindia, you rule! haha. I was just going to buy most of the stuff from sweetwater.. I've heard nothing but good things about them and their costumer service. So far, everyone but you, and a couple of my friends, haven't exactly seemed to like the idea of the D8, so I'm pretty confused on that one and have been from the start. I don't think I'll be able to buy a ton of extra mics right away, but figured I'd start with like 7 or 8, including the vocal mic, the small diaphragm condensors for overheads, a couple dynamics for drums and guitar, and then the D112 for bass drum, and bass guitar.. |
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